| Bach - B minor Mass - 09 - Qui tollis peccata mundi - 230 sec
Munich Bach Orchestra, Karl Richter
Auteur : Bacholoji
Tags:bach mass munich richter Qui tollis peccata mundi
 | | Vivaldi - Gloria - 9 - Qui Tollis - 64 sec
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Auteur : margotlorena
Tags: vivaldi gloria qui tollis score animation coro choir partitura
| | Mozart Gran Misa en do m. -6. Qui tollis peccata (Bernstein) - 343 sec
Mozart
Great Mass in c minor kv. 427
6.Qui tollis peccata mundi
Chor und Symphonieorchester des Bayerischen Rundfunks
Leonard Bernstein
Auteur : shostakk
Tags:mozart bernstein great mass gran misa menor minor leonard
| | 10 Qui tollis peccata mundi - 161 sec
"Quo tollis peccata mundi," from the 2000 performance of the Mass in B minor (BWV 232) for the conclusion of Bachfest 2000, in honor of the 250th anniversary of the composer's death.
From the St. Thomas Church, Leipzig, Germany
Thomaskantor Georg Christoph Biller (the 16th since Bach)
The Thomanerchor
The Gewandhausorchester Leipzig
Soli Deo Gloria!
Auteur : kelsiejackson
Tags: bach classical mass minor johann sebastian biller thomaskirche
| | Gioachino Rossini - "Qui tollis" from "Petite Messe Solennelle" (Nuccia Focile & Susanne Mentzer) - 494 sec
"Dear God: here it is finished, this poor little Mass... I was born for opera buffa, you know it well! A little science, some heart, that's all..."
- composer's envoi to "Petite Messe Solennelle".
The "Little Solemn Mass" strikingly stands out from among the works of the late years of Rossini's life. Rossini called his little composition the "last mortal sin of my old age", emphasizing that eye-winking, completely ironic distance that speaks out of the postscript addressed to the Almighty, with which the last page of the score closes: "Good God, behold completed this poor little Mass... Is it indeed music for the blest ("musique sacrée") that I have just written or just some blessed music ("sacrée musique")?" The play of these lines on the suggestive double meaning of the word "sacré", give eloquent testimony to the ambivalence that Rossini saw even in the style of writing of his church music. The title is also contradictory: the Mass is at the same time "petite" (because of its chamber music format) and "solennelle" (in view of its length and entirely weighty bearing). The music itself seems completely unmannered in style, more classicist than belcanto, though admirers of Rossini's art are bound to single out some operatic pieces. Surprisingly, there is a sense in which Rossini's continuously extraordinary musical facility is one of his weaknesses. He once remarked: "Show me a laundry list and I will set it to music!". To some extent, this is what he has done in the "Messe". Of course, there are many sections which beautifully reflect the words, but in other places one feels that Rossini has paid little regard to the essential meaning and form of the text. Yet at no point in the work does the music become remotely dull or routine. Such was Rossini's genius that even when the spirit of the music seems to depart from the spirit of the text one can't help but be captivated by the beautiful melodies and sheer joie-de-vivre of the piece. As he himself said: "delight must be the basis and aim of this art" - and that is what he has achieved: a work not of profound religious insight, but one that is a delightful, life-enhancing musical experience. Rossini originally specified twelve singers in all, with the soloists doubling the SATB chorus, and scored it for two pianos and harmonium. This version is considered by most the authentic and the only true one. The singular scoring for soloists, choir and yet quite compelling accompaniment by two pianos and harmonium is partially due to the occasion for which the piece was composed. Its first performance was at the dedication (16 March 1864) of the private chapel in the hôtel of Louise, Comtesse de Pillet-Will, to whom Rossini dedicated this refined and elegant piece which avoids the sentimental opulence of most contemporary liturgical works, such as those by Charles Gounod.
And yet, in 1867, Rossini himself revised the work for orchestra and chorus, for fear that someone else might accomplish the task if he did not. The performance of this version took place only on the 28th of February, 1869, at the Theatre-Italien of Paris, after the composer's death. I'm going with the latter version for many reasons, chief amongst them being my preference of a full orchestra and chorus over a piano accompaniment.
As in the previous pieces, I'm providing the whole structure of the piece, while only noting the sections I'm posting. Also I have to mention that I'm using (both in the above and following texts) sections from John Bawden's, the musical director for Fareham Philaharmonic Choir, excellent notes on the work for a scholar overview of the work.
Nuccia Focile - soprano,
Susanne Mentzer - contralto,
Raul Gimenez - tenor,
Simone Alaimo - bass.
Kyrie.
1. Kyrie (the whole section is scored for chorus).
2. Christe.
3. Kyrie.
Gloria.
4. Gloria in excelsis Deo (chorus & quartettino for all soloists).
5. Gratias (terzettino for the same).
6. Domine Deus (aria for tenor).
7. Qui tollis (duet for soprano and contralto). The female duet with its' gentle harp accompaniment and melting use of the voices, in essence, is very similar to soprano - contralto duets Rossini wrote into many of his operas, making it seem a bit unsacred in nature. It wonderfully contrasts both the minor lament and the more luminous major sections.
8. Quoniam (aria for bass; in all three posted masses this movement is given to a bass soloist).
9. Cum sancto spiritu (chorus).
Credo.
10. Credo (chorus & quartettino for all soloists).
11. Crucifixus (aria for soprano).
12. Et resurrexit (chorus & quartettino for all soloists).
13. Il preludio religioso.
14. Sanctus - Benedictus (chorus with soloists' interjections).
15. O salutatis (aria for soprano).
16. Agnus Dei (aria for contralto with extensive choral interjections).
Auteur : LindoroRossini
Tags: Rossini Petite Messe Solennelle Raul Gimenez Nuccia Focile Susanne Mentzer Simone Alaimo belcanto coloratura classical
| | Gioachino Rossini - "Qui tollis" from "Messa di Milano" (Susanne Mentzer) - 268 sec
"Dear God: here it is finished, this poor little Mass... I was born for opera buffa, you know it well! A little science, some heart, that's all..."
- composer's envoi to "Petite Messe Solennelle".
Rossini is generally perceived as an operatic composer, and thus, his sacred works are sometimes perceived as lacking in the light of other pieces in a similar vein. Some have also remarked that Rossini's sacral works are simple continuations of the traditions he created during his compositional career. In many ways, it is so, as the presented two works show. But, like in most cases with Rossini and belcanto, the pieces never lose a certain irresistible charm and beauty.
In this new series of uploads I am pairing up two completely different but, nonetheless, both surprisingly refreshing masses by Rossini: an early, even a bit immature work, "Messa di Milano", and a later, more elaborate piece, "Messa di Gloria" (which comes from the 1820s). My goals fall into to two categories: first off, to present the selections that I have chosen for posting and to provide some short ideas on the works; and, secondly, as the pieces, like most masses, follows the same basic structure and share the same text, to compare them.
Little is known about the circumstances that led to the composition of the first mass. The name gives us a location of the premiere but no other information is truly clear. While the music forms a stylistic whole, it is not known exactly if the three set sections (Kyrie, Gloria and Credo) are meant to be together: they might have been parts of a complete setting of the Mass Ordinary. Whatever the time, the place and the musical surroundings, the work, especially considering Rossini's young age, is very charming and entertaining, the presumed sacral nature of the piece notwithstanding.
I'm only uploading several selections, including the complete Kyrie, Gratias, the Domine Deus (both set as terzets) etc., which I consider rewarding in some way or another. I'm providing the whole structure of the piece to give you a basic idea of the way Rossini set up the classical Mass succession, while the presented pieces are marked by a "*".
Susanne Mentzer - contralto,
Raul Gimenez & Ian Bostridge - tenors,
Simone Alaimo - bass.
1. Kyrie (chorus).
2. Christe (arioso for tenor).
3. Kyrie (chorus & terzettino for tenors and bass).
4. Gloria (chorus & terzettino for the same).
5. Laudamus (aria for contralto).
6. Gratias (chorus).
7. Domine Deus (terzettino for tenor, contralto & bass).
8. Qui tollis (aria for contralto). Considering the sheer amount of music or the contralto in the Mass, it almost becomes a cantata for contralto with several additional secondary singers. Probably, the most elaborate piece in the work, the aria begins with a brilliant prelude for solo violin, reminding one of a variant of Tancredi's cavatina, written in similar fashion. The aria itself is basically the familiar "andante - allegro" form, though shorter than usual. Still, the music is extremely lively in both movements.
9. Quoniam (aria for bass).
10. Cum sancto spiritu (a repeat, albeit to a different text, of the "Gloria" section).
11. Credo (chorus).
12. Crucifixus (aria for contralto).
13. Resurrexit (chorus).
Auteur : LindoroRossini
Tags: Rossini Messa di Milano Raul Gimenez Ian Bostridge Susanne Mentzer Simone Alaimo belcanto coloratura classical
| | Messe in h-moll: Domine Deus, Qui tollis peccata mundi - 500 sec
"Quando voi ascoltate Bach vedete nascere Dio. La sua opera è generatrice di divinità. Dopo un oratorio , una cantata o una passione, è necessario che Egli esista. Altrimenti tutta l'opera del "Kantor" sarebbe una straziante illusione. E pensare che tanti teologi hanno perso giornate e notti a cercare le prove dell'esistenza di Dio dimenticando l'unica."
E.M. Cioran
Auteur : StefanoF87
Tags: Johann Sebastian Bach Mass in minor Messe en si mineur Messa BWV 232 Concentus musicus Wien Nikolaus Harnoncourt classica
| | Johann Sebastian Bach - "Qui tollis peccata mundi" - 407 sec
Johann Sebastian Bach - Mass in A Major (BWV 234):
Qui tollis peccata mundi,
miserere nobis.
Qui tollis peccata mundi,
suscipe deprecationem nostram.
Qui sedes ad dexteram Patris,
miserere nobis.
Who takes away the sins of the world,
have mercy on us.
Who takes away the sins of the world,
receive our prayer.
Who sittest at the right hand of the Father,
have mercy on us.
Cantus Cölln.
Dir. Conrad Jungänel.
Auteur : OedipusColoneus
Tags: Johann Sebastian Bach Mass BWV 234 Cantus Cölln Conrad Jungänel
| | Qui tollis - my new latin motet - 173 sec
As a composer I have written a lot of choral music. This is the premiere performance of my latest motet: "Qui Tollis".
The text is from the old latin mass (- actually it is an exerpt of the longer text "Gloria").
- Curt Wrango
----------------------------------
Translation:
Thou that takest away the sins of the world,
have mercy upon us.
Thou that takest away the sins of the world,
receive our prayer.
Thou that sittest at the right hand of God the Father,
have mercy upon us.
Auteur : Riffboy
Tags:qui tollis gloria choral classical choir church curt wrango wrangö
| | Madrigale - 9. Qui tollis peccata mundi - 85 sec
www.madrigale.com.br
Gloria de Vivaldi.
Coro Madrigale e Orquestra Experimental de Ouro Preto.
Regência: Arnon Sávio Reis de Oliveira.
30 de maio de 2008.
Igreja São Francisco, Ouro Preto-MG.
1. Gloria in excelsis Deo
2. Et in terra pax
3. Laudamus te
4. Gratias agimus tibi - Propter magnam gloriam
6. Domine Deus Rex coelestis
7. Domine Fili unigenite
8. Domine Deus Agnus Dei
9. Qui tollis peccata mundi
10. Qui sedes ad dexteram Patris
11. Quoniam tu solus Sanctus
12. Cum Sancto Spiritu
Auteur : pedrovma
Tags: coro madrigale gloria vivaldi orquestra ouro preto coral arnon savio brazilian choir
| | Puccini: Misa de Gloria "qui tollis" coro teatro colón - 252 sec
Basilica de Santo Domingo
Buenos Aires (Argentina)
Coro Estable del teatro Colón
Director: Salvatore Caputo
Orquesta estable teatro Colón
Dirección: MICHEL CORBOZ
Auteur : teatrocolon
Tags: puccini misa de gloria michel corboz coro estable teatro colon
| | SALVATORE FISICHELLA Messa di Gloria"Qui tollis" - 534 sec
Rossini
Messa di Gloria
"Qui tollis peccata mundi"
RSI-Lugano 1982
dir.Francis Travis
Auteur : fisichellafans
Tags: SALVATORE FISICHELLA Messa di Gloria"Qui tollis"
| | Mozart Mass in C minor - Gratias...Domine...Qui Tollis - LIVE TCE 2006 - 514 sec
Wolfgang Amadeus Mozart
Messe en ut mineur K. 427
Natalie Dessay - soprano
Karine Deshayes - mezzo-soprano
Robert Murray - tenor
Andrew Foster-Williams - bass
Conductor - Denis Comtet
Orchestre et choeur du Concert d'Astrée
TCE
January 24, 2006
Auteur : DessayBestSinger
Tags: dessay deshayes murray foster-williams comtet concert d'astrée théâtre des champs-élysées
| | Vincenzo Bellini - "Qui tollis" & "Quoniam" from "Messa #2 in G minor" - 463 sec
I didn't manage to dig up a lot of information on this work and the booklet with the disk is not as informative as it could have been, but I still wanted to present a bit of the work for the public to listen to, so I'll try to sum up the info I do know.
The G minor Mass is a setting of Kyrie and Gloria that seems to be a work from a time when Bellini, after his diploma was crowned with a performance of "Adelson e Salvini", "was invited to compose a mass for the church of Gragnano". The work, according to a cornerstone, unveiled in 1881, was performed in July of 1825 for the Feast of the Madonnadel Carmine.
Now, I have frequently mentioned my rather cool attitude to Bellini but this work, in spite of its' immaturity (though it's perfectly explainable because of the composer's young age and him just beginning a professional music career), just may be the beginning of my reevaluation of the Sicilian composer.
The piece is not as genius as some of the composer's later work, but it's certainly attractive, featuring some lovely choral work and some striking orchestration, including an absolutely stunning "Laudamus te", written as a moderato duettino for soprano and alto, quite virtuoso in its' demands; a dramatic terzettino for the women and the baritone, "Qui tollis", with a falling musical line, followed (though not directly, as I've omitted the "Qui sedes" which is not as well-performed, as it could have been) by the tenor's entrance in the finishing (!) allegro "Quoniam" with chorus, very close in style to Rossini, in particular, "Qui sedes" from "Messa di Gloria". These are the three pieces that I am posting to give you an idea of the piece.
Here is a list of performers:
Katia Ricciarelli - soprano,
Francesca Aparo - alto,
Salvatore Fisichella - tenor,
Furio Zanasi - baritone.
Enjoy :)!
Auteur : LindoroRossini
Tags: Bellini coloratura belcanto mass messa Katia Ricciarelli soprano Francesca Aparo alto Salvatore Fisichella classical
| | 9 Bach BWV 242 Qui tollis peccata mundi - 187 sec
Herreweghe
Johannette Zomer
Veronique Gens
Andreas Scholl
Next
http://www.youtube.com/watch?v=rX03h61ojfc
Auteur : elias12186
Tags: Qui tollis peccata mundi Bach Min Mass BWV 242 Herreweghe Zomer Veronique Gens Andreas Scholl minor messe
| | PETITE MESSE SOLEMNELLE - QUI TOLLIS - Rossini - 422 sec
Di Rossini - Concerto a Venezia nella Basilica di S.Maria Gloriosa dei Frari.
Soprano: F.Scaini Contralto: Giovanna Dissara Bragadin, Organo: Margherita Gianola. 26.12.2007 Video Prof. L.Orlandi
Auteur : orlandileonardove49
Tags: Classica Religiosa Rossini Frari Venezia
| | J.N.Hummel: Mass B flat major (Gloria: Qui tollis & Quoniam) - 333 sec
These are 2 pieces of the GLORIA (Quitollis peccata mundi & Quoniam tu solus sanctus) from the Mass in B flat major op. 77 composed by Johann Nepomuk HUMMEL, pupil of Wolfgang Amadeus Mozart executed by Collegium Musicum 90 directed by Richard Hickox
Auteur : armycasa
Tags: Hummel Quoniam Tu solus sanctus Qui tollis peccata mundi Hickox Collegium Musicum 90 Mass glat major op 77
| | Puccini: Messa di Gloria (Qui tollis...) - 594 sec
Vox Humana Choir of Vác (HUN),
Symphonyc Orchestra of Vác,
conductor: Tibor Lógó,
Dominican church of Vác, 2007.
Auteur : voxhumanachoir
Tags:puccini messa di gloria mise vox humana énekkar choir chorus vác
| | Qui Tollis - 346 sec
Rossini Petite Messe Solnnelle Duet
Auteur : DaMum
Tags:Rossini Petite Messe Solnnelle Duet
| | Vivaldi - Gloria (RV 589): "Qui tollis peccata mundi" - 64 sec
Recorded 12/18/2005 at Our Saviour's Lutheran Church, Tucson, Arizona (www.lutherantucson.org)
This video is movement 8: "Qui tollis peccata mundi".
The Chancel Choir provides musical leadership for the Sunday morning 8:45am Traditions worship service. All who enjoy singing are welcome to join the choir.
Auteur : gdyee
Tags:vivaldi gloria church choir music choral singing lutheran christian tucson arizona
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