| tribute to lata mangeshkar - 361 sec
a tribute in a very humbe way to one of the greatest legends of the century.. lata mangeshkar..
Auteur : kunal1412003
Tags:lata mangeshkar sony tribute latalive lataconcert latainterview
 | | I don't like being compared with Lata: Asha - 474 sec
An interview with legendary singer Asha Bhosle
Auteur : istreamhindi
Tags: asha bhosle bollywood classical istream lata legend mangeshkar plus sanghvi singer songs star talk vir
| | Mohammed Rafi - 030 - Interview (BBC London) - 599 sec
Mohammed Rafi
Interview (BBC London)
Auteur : mahakavi
Tags:rafi indian pakistani urdu punjabi hamd naat qawali bbc lata
| | Rare Interview of Dancing Diva Reena Roy (Part 1) - 347 sec
The Reena Roy Diva Forever Collection
Auteur : armaanUK
Tags: Reena Roy Sanjay Dutt Jeetendra Rajesh Khanna J.Om Prakash Asha Bhosle Lata Mangeshkar Bollywood Classic
| | Czeslaw Niemen - Interview 1974 - 206 sec
70-te lata
Auteur : namor1910
Tags: Niemen wywiad
| | Sangdil 1952 - Dil mein Sama gayay Sajan - Lata + Talat - 258 sec
Music Director Sajjad Hussain :
They could be apocryphal or they could be true, but two anecdotes about the late Sajjad Hussain are now virtually part of Hindi film music lore. One: how, during a recording, he called out tartly to Lata Mangeshkar struggling at the mike with one of his intricate compositions, "Yeh Naushad miyan ka gaana nahin hai, aap ko mehnat karni padegi." Two: how at a music directors' meet, eschewing the customary diplomacy of that era, he walked up to Madan Mohan and demanded belligerently, "What do you mean by stealing my song ?" ("Yeh hawa yeh raat yeh chandani" from his 'Sangdil' had just found a new avatar as "Tujhe kya sunaoon main dilruba" in Madan Mohan's 'Aakhri Dao'.)
These two hallmarks of Sajjad's identity -- his penchant for complex, many-- layered compositions and his singularly forthright nature -- stuck to him like a second skin throughout his life. And they combined in a rather unfortunate manner to diminish the potential brilliance of a career that could have ranked among the most celebrated.
It was not the intricacy of his compositions that put Sajjad at a disadvantage -- he worked, after all, in an era that belonged to music directors with erudition and firm classical foundations. Where he lost out was in his handling of producers and directors, sometimes musical illiterates, who sought to simplify or alter his tunes -- his contemporaries dealt with such "suggestions" rather more tactfully than Sajjad, who would immediately [get] up and walk out of the film. "He was an extremely talented man, very knowledgeable about music, but his temperament was his undoing," says Naushad. "Even if someone made a minor suggestion, he'd turn on him and say, 'What do you know about music ?' He fought with almost everyone. Because of this, he sat at home most of his life and wasted his talent. But the body of work he has produced, small as it might be, ranks among the best in Hindi film music."
Music historian Raju Bharatan, whose interaction with Sajjad goes back a long way, has a somewhat different insight into the man. "It's true he wouldn't let musically unqualified people interfere with his work,but the popular perception of him being stubborn is not right," he says. "Sajjad had a rational explanation for every action of his. You had to know him to recognise his tremendous erudition, the fact that he was far superior to every other music director in the industry."
This erudition, the cornerstone of Sajjad's work, is recalled affectionately by Naushad. "He took pride in his ustaadi," he says. "He'd tell the producer, 'I've created a tune which even Lata can't sing.' And the producer would say, 'If Lata can't sing it, how do you expect the common man to sing it ?' But at the same time he did create simple, yet extraordinary, compositions -- for example, "Yeh kaisi ajab daastaan ho gayi hai" from 'Rustam Sohrab'."
Indeed, as far as Sajjad's formidable talent goes, there are no two opinions. Madan Mohan, when confronted with the charge of plagiarism, reportedly told him, "I take pride in the fact that I lifted your tune, not that of some second- or third-rater." Anil Biswas, himself hailed as a creative genius, declared in an interview that Sajjad was the only original composer in Hindi films. "All of us, including myself, turned to some source for inspiration," he said. "This, Sajjad never needed to do. Each note of the music he composed was his own."
If Sajjad was known primarily for his film scores, there was also another facet to his art -- he was an accomplished albeit self-taught mandolin player who could stun even purists with his ability to play Hindustani classical music on this rather uninspiring western instrument. His performances at concerts alongside the biggest names in classical music spurred rave reviews, and connoisseurs would be agog at his ability to coax the meend, for instance, out of the instrument of play entire ragas with the help of the tuning key. "In the hands of Ustad Sajjad Husain," said a review of a Madras concert in 1982, "the mandolin bore the halo of a Ravi Shankar sitar or [an] Ali Akbar sarod. His playing is that of a mighty maestro."
On July 21, the 79-year-old composer breathed his last. The leitmotif of his lifetime, isolation, cast its shadow over his death too, when, with the notable exception of Khayyam and Pankaj Udhas, nobody else from the film industry bothered to turn up to pay him their last respects. "It hurt," admits his son, "but what is far more important is that to the last day of his life, my father was happy. There was no bitterness, no regrets. He could have been hugely successful, made piles of money, but the only thing he wanted was to be acknowledged as a great musician, and to live life on his own terms. And I think he achieved that."
Enjoy the Song Plz...
Regards
Dr.Bukhari
Auteur : lovehumanity
Tags: Sangdil Sajjad Hussain Lata Talat Mahmood Duet Dr.Bukhari Indian Urdu Old Classic Film Song
| | Interview with Arpita Mukherjee - "Yeh Chand" - 360 sec
Arpita Mukherjee- all set to spread the fragrance of music with her debut album "Yeh Chand"
Hot chic from an Indian talent show 'Fame Gurukul', Arpita Mukherjee has bloomed as an another flower in the world of music and all set to spread the fragrance among music lovers. Arpita is an Economic (honors) graduate & 'Sangeet Siromani' from Faculty of Music, Delhi University. She was in Delhi at Hotel Le Meridian recently to promote her debut album "Yeh Chand". She says, this album is all about the soft romantic feelings of a young girl who is in love, but she is not aware of those feelings and asks the nature, that what happened to her & about those feelings. The nature replies that she has fallen in love. Then she realizes that she is in love. In the video of this album Arpita shared the screen with Kuldeep Rohil.
This album has been tuned by the renowned singer Sukhwinder Singh and lyrics by Shakeel Azmi and launched by Crescendo Promotions & Management. Arpita Mukherjee has made her debut as a singer in bollywood with Tanuja Chandra's film 'Film Star' and then she sang the title track of 'Kuch Meetha Ho Jai' for Himesh Reshamiya. And her forth coming two songs can be heard in the month of September in Ashok Nand's up coming release 'Riwaaz', Among these two songs one is the title song of the movie and another is a romantic number.
When she quizzed about her entry in Bollywood as actress she said, I will keep my options open and I would like to explore my other talents also. But my main focus will be always on singing.
Arpita is a trained artist in various forms of music viz Classical, Light Classical, Folk, Ghazal & Thumri etc. She very much admires Lata Mangeshkar, Asha Bhonsle and Geeta Dutt. A specific dimension to her personality is her interactive ability with any type of audiences in National and International festivals and annual events. This is facilitated by her interviews as anchor Women for Doordarshan TV (Subha Savere) as an emerging artist of India. Women Hour, Zee TV, ETV, Total TV etc. She has Anchored popular programs 'Meri Baat' -- Doordarshan , TVM- Sauna Belt etc. and has been part of "Celebrity Shows" of Star Plus and Doordarshan Antakshari Shows.
Arpita's major successful platforms and public notice has been the successful winning performances as the "Golden Voice" award for "TVS Sa Re Ga Ma Pa" of Zee TV musical show and subsequently as a finalist of "Fame Gurukul" organized by Sony TV. Arpita gave her first stage performance at the very tender age of 5 at a public function organized on behalf of Janmashtami.
H.S. Communication.
Auteur : hscommunication
Tags:Arpita Mukherjee
| | Jet Pack Pilot BLASTS OFF! - 116 sec
Jet pack flight and interview with rocketman Eric Scott at Hiller Aviation Museum in San Carlos, California.
Auteur : wired
Tags: Jet Pack personal rocket Eric Scott Hillman Aviation Museum Go Fast
| | Hulchul 1951 Sajjad Hussain Lata Aaj mere Naseeb ne Mujh ko - 179 sec
Uploaded on Request by saleemshamim :)
Music Director Sajjad Hussain : They could be apocryphal or they could be true, but two anecdotes about the late Sajjad Hussain are now virtually part of Hindi film music lore. One: how, during a recording, he called out tartly to Lata Mangeshkar struggling at the mike with one of his intricate compositions, "Yeh Naushad miyan ka gaana nahin hai, aap ko mehnat karni padegi." Two: how at a music directors' meet, eschewing the customary diplomacy of that era, he walked up to Madan Mohan and demanded belligerently, "What do you mean by stealing my song ?" ("Yeh hawa yeh raat yeh chandani" from his 'Sangdil' had just found a new avatar as "Tujhe kya sunaoon main dilruba" in Madan Mohan's 'Aakhri Dao'.) These two hallmarks of Sajjad's identity -- his penchant for complex, many-- layered compositions and his singularly forthright nature -- stuck to him like a second skin throughout his life. And they combined in a rather unfortunate manner to diminish the potential brilliance of a career that could have ranked among the most celebrated. It was not the intricacy of his compositions that put Sajjad at a disadvantage -- he worked, after all, in an era that belonged to music directors with erudition and firm classical foundations. Where he lost out was in his handling of producers and directors, sometimes musical illiterates, who sought to simplify or alter his tunes -- his contemporaries dealt with such "suggestions" rather more tactfully than Sajjad, who would immediately [get] up and walk out of the film. "He was an extremely talented man, very knowledgeable about music, but his temperament was his undoing," says Naushad. "Even if someone made a minor suggestion, he'd turn on him and say, 'What do you know about music ?' He fought with almost everyone. Because of this, he sat at home most of his life and wasted his talent. But the body of work he has produced, small as it might be, ranks among the best in Hindi film music." Music historian Raju Bharatan, whose interaction with Sajjad goes back a long way, has a somewhat different insight into the man. "It's true he wouldn't let musically unqualified people interfere with his work,but the popular perception of him being stubborn is not right," he says. "Sajjad had a rational explanation for every action of his. You had to know him to recognise his tremendous erudition, the fact that he was far superior to every other music director in the industry." This erudition, the cornerstone of Sajjad's work, is recalled affectionately by Naushad. "He took pride in his ustaadi," he says. "He'd tell the producer, 'I've created a tune which even Lata can't sing.' And the producer would say, 'If Lata can't sing it, how do you expect the common man to sing it ?' But at the same time he did create simple, yet extraordinary, compositions -- for example, "Yeh kaisi ajab daastaan ho gayi hai" from 'Rustam Sohrab'." Indeed, as far as Sajjad's formidable talent goes, there are no two opinions. Madan Mohan, when confronted with the charge of plagiarism, reportedly told him, "I take pride in the fact that I lifted your tune, not that of some second- or third-rater." Anil Biswas, himself hailed as a creative genius, declared in an interview that Sajjad was the only original composer in Hindi films. "All of us, including myself, turned to some source for inspiration," he said. "This, Sajjad never needed to do. Each note of the music he composed was his own." If Sajjad was known primarily for his film scores, there was also another facet to his art -- he was an accomplished albeit self-taught mandolin player who could stun even purists with his ability to play Hindustani classical music on this rather uninspiring western instrument. His performances at concerts alongside the biggest names in classical music spurred rave reviews, and connoisseurs would be agog at his ability to coax the meend, for instance, out of the instrument of play entire ragas with the help of the tuning key. "In the hands of Ustad Sajjad Husain," said a review of a Madras concert in 1982, "the mandolin bore the halo of a Ravi Shankar sitar or [an] Ali Akbar sarod. His playing is that of a mighty maestro." On July 21, the 79-year-old composer breathed his last. The leitmotif of his lifetime, isolation, cast its shadow over his death too, when, with the notable exception of Khayyam and Pankaj Udhas, nobody else from the film industry bothered to turn up to pay him their last respects. "It hurt," admits his son, "but what is far more important is that to the last day of his life, my father was happy. There was no bitterness, no regrets. He could have been hugely successful, made piles of money, but the only thing he wanted was to be acknowledged as a great musician, and to live life on his own terms. And I think he achieved that."
Enjoy the Song Plz...
Regards
Dr.Bukhari
Special Thanx to
Aarti and ChandraShekharGupta for their contribution in this upload :)
Auteur : lovehumanity
Tags: Halchal Sajjad Hussain Lata Khumar Barabankvi Indian Old Classic Urdu Film Song Rare Gem Dr.Bukhari
| | meri awaaz suno..tribute to lata mangeshkar - 82 sec
u can contact me @amulya.ch@gmail.com
----------------------
this video is abt my art.it's abt an audio cd called "meri awaaz suno" created by me.. it talks about the journey of ms. lata mangeshkar along wid her interview. but here is the twist.. as voice similar to tht of mangeshkar has been reproduced by me.
This cd has been appreciated by many knwon faces including usha mangeshkar , hridaynath mangeshkar, sadhana sargam , shreenivas khale to name a few..
this art of mine has also been recognized by my frnds n other ppl too!
come ,, let's pay the tribute to the melody queen, meri awaaz suno tries to capture that voice , and the persona called LATA MANGESHKAR
Auteur : amulyach
Tags: lata mangeshkar awaaz meri suno oldies hindi
| | Wywiad (interview) - Pamięci mojej babci. Część 1 - 626 sec
wywiad z lat 80-tych XX w. Produkcja 2008
Auteur : gregartmusic
Tags: wywiad lata 80-te życie ludzie wydarzenia
| | Begum Akhtar - 109 - INTERVIEW - Part - 01 - 325 sec
Begum Akhtar - 109
INTERVIEW - Part - 01
URL for INTERVIEW - Part - 02
http://www.youtube.com/watch?v=bUUMMqnClus
Auteur : mahakavi
Tags: begum akhtar indian classical music ghalib iqbal saigal rafi lata
| | Maja Ostaszewska - wywiad (interview in Polish) - 145 sec
Wywiad z Mają Ostaszewską podczas 9 Lata Filmów w Kazimierzu Dolnym w sierpniu 2003, na temat festiwalu filmów, możliwości debiutu młodych twórców filmowych oraz stanu polskiej kinematografii
Auteur : dominiqus80
Tags:wywiad kazimierz dolny nad wisłą maja ostaszewska interview lato filmów festiwal dokument krakowiak mirowski dominiqus
| | Yash Chopra & Karan Johar talking about Lamhe & Sridevi 1/3 - 456 sec
http://www.sridevi.biz: In this video Yash Chopra talks about his most favorite movie Lamhe 1991, The idea of the movie and Karan Confess that it was because of Lamhe that he wanted to be a director. Its Karan's most favorite movie and no movie has crossed what Lamhe is to him
Auteur : halimali
Tags: yash chopra lamhe sridevi karan johar Anil kapoor waheeda rehman lata mangeshkar interview talk
| | Bachpan 1963 - Tere Hum O Sanam - Rafi + Suman Kalyanpur - 207 sec
Kaha jata hay kay Lata apni Sultanat mein kisi aur female singer ki hukmrani bardasht nahi karti thein.. Isi waja say bahut si female singers ko jaisay hi Indian Movies mein pasand kiya jata Lata unko apnay liay khatra samajhtay huay unka career khatam karnay mein numayan kirdar ada kartien... like Suman Kalyanpur, Sudha Malhotra, Vani Jayram, Anuradha, Runa Laila (who want there and sang Do Dewanay Shehr mein for Gulzar's Gharonda). She din spare seniors like Shamshad Begum, Geeta Dutt and even her own sister Asha Bhosle (who complained in a Tv interview that Lata never helped her in singing or in career or in any way. Its also claimed that the increasing popularity of Madam Noor Jehan especially after Noor Jehan and Rafi Duet (Yahan Badla Wafa ka Bewafai ke siwa kya hay) for Feroz Nizami's Jugnu forced Lata to indirectly pressurise Noor Jehan n Shaukat Rizvi to leave India. (True or False but it proved to be a Blessing in Disguise for Pak Films)
Suman Kalyanpur survived for a bit longer cuz she sang for c-class movies majorly and thus wasnt a big threat to Lata. Yet she has some glorious songs to her credit.
Heres a list of Suman's 12 Best Duets with Rafi Sahab :-)
1. Ajahun aaye Baalma, a classic from Saanjh Aur Savera, a Shankar-Jaikishan composition.
2. Aaj Kal Ter Mere, a lilting melody from the same composers.
3. Dil-e-Betaab ko seene se Lagaana hoga, a melliflous composition from the rich repertoire of Naushaad Saab
4. Chand takta hai Idhar, from Doojh ka chand by Roshan Saab.
5. Itna hai tumse pyaar mujhe, a romantic song from Suraj-another S-J contribution.
6. Baad Muddat se yeh ghadi aayee, a song based on Chaaya nut raga from the ghazal maestro Madan Mohan from Jahan Ara.
7. Ke jaan chali jaaye, from the film Anjaana, a Laxmi-Pyare composition.
8. Maine ae Jaane Wafaa Tumse Mohabbat ki hai from Bedaag-Roshan Saab.
9. Tumse O Haseena Kabhi Mohabbat, from the film Farz, another Laxmi-Pyare contribution.
10. Na Na Karte pyaar tumhin Se kar Baithe, from Jab Jab Pjool Khile,a Kalyanji-Anandji composition.
11. Thehriye Hosh Mein Aaloon , a beautifully romantic contribution Of Khayyam Saab from Mohabbat Isko Kehte Hain.
12. Mujhe yeh phool na de tere dilbharon ki kasam from Gazal-a Madan Mohan product.
Enjoy a Duet .. Much More to Come Laterz if I get Feedback :-)
Dr.Bukhari
Auteur : lovehumanity
Tags: Bachpan Sardar Malik Rafi Suman Kalyanpur Rare Gem Dr.Bukhari Indian Urdu Old Classic Film Song
| | VividhBharti All India Radio celebrates 50 years - 500 sec
A special programme on golden jubilee celebration of VividhBharti - commercial All India Radio service. Hosted by the most popular RJ Mr. Ameen Sayani. Edited from 1 hour show. (1) Binaca Gitmala (2) interview with Lata Mangeskar (3) and with Sunil Dutt.
http://layers7.blogspot.com/
Auteur : pmanish
Tags: VividhBharti All India Radio Ameen Amin Sayani Binaca Cibaca Gitmala Lata Mangeskar Sunil Dutt Silon
| | Amber Dhara 22 Nov07_P2:Kids take interview of AD&accept AD? - 599 sec
Amber Dhara 22 Nov07_P2:Kids take interview of AD& accept AD?
Auteur : mgracella
Tags: amber dhara conjoined twins judi behno mona paintal sweta akshat sonia lata nanu oberoi nasir emotional sweet sing
| | meri awaaz suno!! - 165 sec
hello.. .. this time meri awaaz suno is in marathi.. here lata mangeshkar talks abt how she composed the songs for few marathi films by the name "anandghan"..
i mean i have tried to talk like her!!..no visual this time coz of bad light!. hope u will njoy!
Auteur : amulyach
Tags: lata mangeshkar marathi interview
| | Wywiad (interview) - Pamięci mojej babci. Część 2 - 208 sec
ludzie, lata 80-te XX w.
Auteur : gregartmusic
Tags: człowiek losy
| | Yaar Badshah - Watch Masood Rana on Screen Now - 345 sec
Masood Rana was a legendary playback singer who was often referred to as Muhammad Rafi of Pakistan in terms of capability of versatile singing. Here hes singing for himself on screen.
The actor singing with him on screen is Afzal Khan and he is being given playback by Inayat Hussain Bhatti who was a multidimensional personality as a singer, actor, producer, director, scholar as well as orator. He started his career around partition when Nazir Sahab made an URDU Film Heer with his wife Swarana Lata as heroine in 1947. Unfortunately the film print could not be developed and was wasted but the songs were recorded under the composition of Baba G.A.Chishti and are still available with the rare songs collectors. When the movie Heer was again made a few years after (in PUNJABI this time cuz of the two hit Punjabi Movies Laaray and Phairay of Swarna Lata) the composer was changed to Safdar Hussain and the playback singer Inayat Hussain Bhatti of first URDU Heer movie was selected as Hero in the second PUNJABI Heer. In order to avoid the confusion (just like some of you may be getting confused right now) the Gramophone Record Company renamed the first Heer as Heer Ranjha when they released the second edition of 78rpm records of Urdu Heer. I have uploaded the story of first Pakistani Urdu (unreleased) Heer narrated by Swarna Lata herself in her interview uploaded by me on her death anniversary.
Current song is uploaded on request of a user kqs92 Hope u all enjoy it.
Regards
Dr.Bukhari
Auteur : lovehumanity
Tags: Yar Badshah Inayat Hussain Bhatti Masood Rana Pakistani Old Classic Punjabi Film Song Dr.Bukhari
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