| Pavarotti - Una Furtiva Lagrima -L'Elisir d'Amore, Donizetti - 303 sec
The Essential Pavarotti (DVD)
Royal Gala Concert - Royal Albert Hall
Royal Philharmonic Orchestra
Conductor Kurt Herbert Adler
Recorded in April 13th 1982
Auteur : idock02
Tags:pavarotti tenor concert sing puccini tosca opera classic
 | | L'Elisir D'Amore - Barcaruola - 224 sec
Barcaruola from L'Elisir D'Amore sung by Ildebrando D'Arcangelo and Anna Netrebko.
Auteur : joonscribble
Tags: Donizetti L'Elisir D'Amore D'Arcangelo Netrebko
| | Placido Domingo - L'elisir d'amore - Una furtiva lagrima - 269 sec
From Gaetano Donizetti's L'elisir d'amore
Auteur : margotlorena
Tags:Placido Domingo L'elisir d'amore Una furtiva lagrima Gaetano Donizetti opera aria tenor score animation
| | The Elixir of Love (L'Elisir d'Amore), Act 1 - 4007 sec
On May 24, 2008, NUAMPS shot the Northwestern University School of Music's performance of L'Elisir d'Amore, The Elixir of Love. Composed by Gaetano Donizetti, this piece premiered in Milan in 1832. Donizetti excelled in both tragic works and comedies, though beneath the surface silliness of L'Elisir and amid all the humorous goings-on, there lies a stratum of genuine human feeling and sympathy.
Auteur : NorthwesternU
Tags: Opera Bel Canto L'Elisir d'Amore Elixir of Love Northwestern University School Music
| | Giuseppe Taddei - L'elisir d'amore - Udite, udite o rustici - 440 sec
Giuseppe Taddei makes a magnificent Dulcamara in Donizetti's L'elisir d'amore.
Auteur : Gabba02
Tags:gabba01 opera Giuseppe Taddei Donizetti L'elisir d'amore elisir dulcamara baritone aria
| | L'elisir Contest - Laura Giordano - Juan Diego Flórez - 373 sec
The first part this contest will be the act I duet from L'elisir D'amore. I choose this for all of the obvious reasons, it's just great music! In the hands of world class singers, such as I have provided, this music is just magical. Since this is a duet, there are some overlaps of singers, think of it as a tribute to their art. In the spirit of a providing a variety of singers I am also providing a few clips from the later duet as an added bonus. Once again a score of 1-5 for singing/characterization:
Judith Blegen - Luciano Pavarotti - 1981
Alda Noni - Ferruccio Tagliavini - 1959
Renata Scotto - Carlo Bergonzi - 1967
Roberta Peters - Carlo Bergonzi - 1989
Laura Giordano - Juan Diego Flórez - 2005
Victoria Loukianetz - Giuseppe Sabbatini - 2002
Sona Ghazarian - Alejandro Ramirez - 1984
Norah Amsellem - Roberto Aronica - 2002
Lucia Aliberti - Vincenzo La Scola - 1982
María Bayo - Rolando Villazón - 2005
Ángeles Blancas - José Bros - 1998
Stefania Bonfadelli - Giuseppe Filianoti - 2004
Patrizia Ciofi - Antonino Siragusa - 2006
Mariella Devia - José Carreras - 1982
Patrizia Pace - Giuseppe Sabbatini - 1992
Kathleen Battle - Luciano Pavarotti - 1991
Ruth Ann Swenson - Luciano Pavarotti - 1991
Mariella Devia - Marcelo Álvarez - 2004
Ileana Cotrubas - José Carreras - 1982
Auteur : coloraturafan
Tags: giordano florez opera donizetti
| | Bülent BEZDUZ - Orhan-YILDIZ Venti Scudi - L'elisir D'amore -The three tenors Obama - 447 sec
L'elisir D'amore
Nemorino:Bulent BEZDUZ
Belcore:Orhan YILDIZ
January 2007
Auteur : maestoso33
Tags: Bülent Bezdüz Orhan YILDIZ Bulent Bezduz Carreras Pavarotti Domingo Ava La Scala obama 3tenors
| | L'Elisir d'Amore: Caro elisir, sei mio! (Alagna, Alaimo) - 552 sec
Roberto Alagna, Simone Alaimo & Angela Gheorghiu. Paris Opera, 1996.
'Maldito Candelabro' Un blog para hablar de la opera en el Peru y el mundo
http://operaperu.blogspot.com
Auteur : gtelloz
Tags: elisir amore alagna gheorghiu alaimo paris opera
| | "Prendi, per me sei libero" from L'Elisir D'Amore - 520 sec
Kathleen Battle sings "Prendi, per me sei libero" from Donizetti's "L'Elisir D'Amore" with Luciano Pavarotti.
Metropolitan Opera
James Levine conducting
For more information, photos, MP3's and other Kathleen Battle materials, join the Kathleen Battle group on Yahoo! http://launch.groups.yahoo.com/group/kathybattle/
Auteur : primobasso
Tags:kathleen battle luciano pavarotti prendi per me sei libero donizetti l'elisir d'amore james levine metropolitan opera
| | Tito Gobbi - L'elisir d'amore - Come paride vezzoso - 145 sec
Tito Gobbi as Sergeant Belcore in a somewhat dated film version of Donizetti's L'elisir d'amore.
Auteur : Gabba02
Tags:gabba01 opera Tito Gobbi Donizetti l'elisir d'amore elisir belcore baritone aria
| | L'elisir d'amore - Atto 1 - Esulti pur la barbara - 316 sec
Gaetano Donizetti
L'elisir d'amore
Comic opera in two acts after the comedy Le Philtre by Eugene Scribe
Orchestre et Choeur de l'opera de Lyon
Conducted by Evelino Pido
Nemorino - Roberto Alagna
Adina - Angela Gheorghiu
Belcore - Roberto Scaltriti
Dulcamara - Somine Alaimo
Madame Dulcamara - Luce Bekistan
Giannetta - Elena Dan
Auteur : nehotaratul
Tags: Gheorghiu Donizetti elisir amore opera gaetano alagna classical
| | Valletti & Capecchi - L'elisir d'amore - Venti Scudi - 218 sec
Cesare Valetti and Roberto Capecchi in the tenor-baritone duet from the 2nd act of Donizetti's L'elisir d'amore.
Auteur : Gabba02
Tags:gabba01 opera Cesare Valletti Roberto Capecchi Donizetti l'elisir d'amore venti scudi nemorino tenor baritone aria duet
| | Gaetano Donizetti - L'elisir d'amore - "Della crudele Isolde" (Lucia Popp, Bernd Weikl & Peter Dvorsky) - 524 sec
Recently I acquired another two recordings of Donizetti's "Don Pasquale" and "L'elisir d'amore" into my collection. Both these pieces are well-known and don't need any kind of introduction. Saying that the works have received numerous recordings would be a very big understatement: according to one of the best sites for discographies, operadis-opera-discography.org.uk, there are, respectively, 62 and 77 recordings of the operas. I have several recordings of the operas with which I am pretty happy: Abbado's recording of "Don Pasquale" with Allen, Mei, Lopardo and Scimone's "L'elisir" with Carreras, Ricciarelli, Trimarchi and Nucci would have to be the highlights... At least, they were before I bought the two new ones.
Heinz Wallberg was a German conductor. He became principal music director in Augsburg in 1954, and in Bremen in 1955, concluding in both posts in 1960. From 1964 to 1975, Wallberg was principal conductor of the Tonkünstler Orchestra, Vienna. He held the same post with the Munich Radio Orchestra from 1975 to 1982, and with the Essen Philharmonic from 1975 to 1991. From what I managed to read on him, most of his recordings are set firmly in Wagnerian operas and verisimo.
And yet, in 1979 and in 1984, with the help of Bavaria Radio and BMG Music, he recorded Donizetti's comic masterpieces (in the order already given at the beginning)... One would imagine that the recordings are bound to be heavy, over-emphasized affairs... They aren't even close to these qualities: both recordings are extremely fresh, wonderfully conducted, superbly recorded endeavors that make one wish that Wallberg had a thicker portfolio in belcanto. They make the works come alive before our very eyes.
A large portion of the success can also be attributed to the fact that Munchner Rundfunkorchester, the orchestra in the present recordings, is extremely responsive to the demands of the music and the drama. The fact that both recordings feature a talented cast of singers is also a big help. Even though the recordings have been made with a five year gap, they feature three recurring singers: Lucia Popp (as the soprano heroines; she has already began heavier roles by the time when these recordings were made, but it doesn't really show), Yevgeny Nesterenko (in the buffo roles of Pasquale and Dulcamara; considering his experience in dramatical roles, such as Boris Godunov, it comes as a surprise that he is outrageously funny in the classical Italian buffo roles) and Bernd Weikl (in the baritone roles of Belcore and Doctor Malatesta; he is actually considered a Wagner singer but his performances in the Donizetti pieces are very persuasive and extremely well-sung). The tenor roles are taken by young versions of Francisco Araiza (Ernesto) and Peter Dvorsky (Nemorino): Araiza seems to have just transferred from bass to tenor, so some of the singing is a bit tentative but it works for the character of the rather timid and unsure Ernesto; Dvorsky is not Pavarotti, but I actually prefer his simpler, gentler, more alive Nemorino to that of his colleague's.
Anyway, I decided to post some of the highlights from these recording to give you an opportunity to judge for yourself. "L'elisir" is so all-around wonderful that choosing highlights is a big problem: I'm going to post the complete Introduction, the first duet of the lovers, the complete First Act Finale (including the lovers' second duet), the Quartet, Adina and Dulcamara's duet and, finally, the heroine's aria. I will post other pieces, if such a need will arise.
Auteur : LindoroRossini
Tags: Donizetti coloratura belcanto classical
| | Nicolai Gedda "Una furtiva lagrima" L'elisir d'amore - 284 sec
Place and date unknow
Auteur : Onegin65
Tags:Opera Donizetti L'elisir d'amore Nemorino Nicolai Gedda
| | The Elixir of Love (L'Elisir d'Amore), Act 2 - 3366 sec
On May 24, 2008, NUAMPS shot the Northwestern University School of Music's performance of L'Elisir d'Amore, The Elixir of Love. Composed by Gaetano Donizetti, this piece premiered in Milan in 1832. Donizetti excelled in both tragic works and comedies, though beneath the surface silliness of L'Elisir and amid all the humorous goings-on, there lies a stratum of genuine human feeling and sympathy.
Auteur : NorthwesternU
Tags: Opera Bel Canto L'Elisir d'Amore Elixir of Love Northwestern University School Music
| | L'elisir d'amore - Atto 1 - Chiedi all'aura lusinghiera - 345 sec
Gaetano Donizetti
L'elisir d'amore
Comic opera in two acts after the comedy Le Philtre by Eugene Scribe
Orchestre et Choeur de l'opera de Lyon
Conducted by Evelino Pido
Nemorino - Roberto Alagna
Adina - Angela Gheorghiu
Belcore - Roberto Scaltriti
Dulcamara - Somine Alaimo
Madame Dulcamara - Luce Bekistan
Giannetta - Elena Dan
Auteur : nehotaratul
Tags: Gheorghiu Donizetti elisir amore opera gaetano alagna
| | Gaetano Donizetti - L'elisir d'amore - "Bel conforto" (Lucia Popp, Bernd Weikl & Peter Dvorsky) - 527 sec
Recently I acquired another two recordings of Donizetti's "Don Pasquale" and "L'elisir d'amore" into my collection. Both these pieces are well-known and don't need any kind of introduction. Saying that the works have received numerous recordings would be a very big understatement: according to one of the best sites for discographies, operadis-opera-discography.org.uk, there are, respectively, 62 and 77 recordings of the operas. I have several recordings of the operas with which I am pretty happy: Abbado's recording of "Don Pasquale" with Allen, Mei, Lopardo and Scimone's "L'elisir" with Carreras, Ricciarelli, Trimarchi and Nucci would have to be the highlights... At least, they were before I bought the two new ones.
Heinz Wallberg was a German conductor. He became principal music director in Augsburg in 1954, and in Bremen in 1955, concluding in both posts in 1960. From 1964 to 1975, Wallberg was principal conductor of the Tonkünstler Orchestra, Vienna. He held the same post with the Munich Radio Orchestra from 1975 to 1982, and with the Essen Philharmonic from 1975 to 1991. From what I managed to read on him, most of his recordings are set firmly in Wagnerian operas and verisimo.
And yet, in 1979 and in 1984, with the help of Bavaria Radio and BMG Music, he recorded Donizetti's comic masterpieces (in the order already given at the beginning)... One would imagine that the recordings are bound to be heavy, over-emphasized affairs... They aren't even close to these qualities: both recordings are extremely fresh, wonderfully conducted, superbly recorded endeavors that make one wish that Wallberg had a thicker portfolio in belcanto. They make the works come alive before our very eyes.
A large portion of the success can also be attributed to the fact that Munchner Rundfunkorchester, the orchestra in the present recordings, is extremely responsive to the demands of the music and the drama. The fact that both recordings feature a talented cast of singers is also a big help. Even though the recordings have been made with a five year gap, they feature three recurring singers: Lucia Popp (as the soprano heroines; she has already began heavier roles by the time when these recordings were made, but it doesn't really show), Yevgeny Nesterenko (in the buffo roles of Pasquale and Dulcamara; considering his experience in dramatical roles, such as Boris Godunov, it comes as a surprise that he is outrageously funny in the classical Italian buffo roles) and Bernd Weikl (in the baritone roles of Belcore and Doctor Malatesta; he is actually considered a Wagner singer but his performances in the Donizetti pieces are very persuasive and extremely well-sung). The tenor roles are taken by young versions of Francisco Araiza (Ernesto) and Peter Dvorsky (Nemorino): Araiza seems to have just transferred from bass to tenor, so some of the singing is a bit tentative but it works for the character of the rather timid and unsure Ernesto; Dvorsky is not Pavarotti, but I actually prefer his simpler, gentler, more alive Nemorino to that of his colleague's.
Anyway, I decided to post some of the highlights from these recording to give you an opportunity to judge for yourself. "L'elisir" is so all-around wonderful that choosing highlights is a big problem: I'm going to post the complete Introduction, the first duet of the lovers, the complete First Act Finale (including the lovers' second duet), the Quartet, Adina and Dulcamara's duet and, finally, the heroine's aria. I will post other pieces, if such a need will arise,
Auteur : LindoroRossini
Tags: Donizetti coloratura belcanto classical
| | L' elisir Contest - Alda Noni - Ferruccio Tagliavini - 379 sec
The first part this contest will be the act I duet from L'elisir D'amore. I choose this for all of the obvious reasons, it's just great music! In the hands of world class singers, such as I have provided, this music is just magical. Since this is a duet, there are some overlaps of singers, think of it as a tribute to their art. In the spirit of a providing a variety of singers I am also providing a few clips from the later duet as an added bonus. Once again a score of 1-5 for singing/characterization:
Judith Blegen - Luciano Pavarotti - 1981
Alda Noni - Ferruccio Tagliavini - 1959
Renata Scotto - Carlo Bergonzi - 1967
Roberta Peters - Carlo Bergonzi - 1989
Laura Giordano - Juan Diego Flórez - 2005
Victoria Loukianetz - Giuseppe Sabbatini - 2002
Sona Ghazarian - Alejandro Ramirez - 1984
Norah Amsellem - Roberto Aronica - 2002
Lucia Aliberti - Vincenzo La Scola - 1982
María Bayo - Rolando Villazón - 2005
Ángeles Blancas - José Bros - 1998
Stefania Bonfadelli - Giuseppe Filianoti - 2004
Patrizia Ciofi - Antonino Siragusa - 2006
Mariella Devia - José Carreras - 1982
Patrizia Pace - Giuseppe Sabbatini - 1992
Kathleen Battle - Luciano Pavarotti - 1991
Ruth Ann Swenson - Luciano Pavarotti - 1991
Mariella Devia - Marcelo Álvarez - 2004
Ileana Cotrubas - José Carreras - 1982
Auteur : coloraturafan
Tags: noni tagliavini opera donizetti
| | Rolando and Inva in L'Elisir - 519 sec
Rolando and Inva in L'Elisir D'Amore
Wonderful performance
Auteur : huhas1
Tags:Rolando Villazon Inva Mula Donizetti L'Elisir Opera
| | Ferruccio Tagliavini "Una furtiva lagrima" L'elisir - 269 sec
Telecast
Auteur : Oneguin65
Tags:Onegin65 Opera L'elisir d'amore Nemorino Ferruccio Tagliavini
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