| Crappy Pivot anim - 62 sec haha thought it was amazing back when i made it lol Auteur : chinashima Tags: retardo kukamungo DbZ xiaoxaio kungfu anime animation animations animator animating  | | Kookamonga - 203 sec duy lam, jordan wolfe, klitz, on a regular day
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show your friends you beezy! Auteur : kevinKLITZ Tags: klitz duy lam jordan no way shred shed numa olympics daft punk girl girls school keys austin childs  | | Homer and Jethro - The Battle of Kookamonga (1959) - 161 sec Charted at #14 on Billboard Hot 100 in September 1959. Parody of "The Battle of New Orleans" by Johnny Horton which was a huge hit in the same year. Auteur : Jennyluvver Tags: Homer Jethro 1959 battle of kookamonga billboard pop  | | Homer & Jethro - The Battle of Kookamonga - 156 sec Just getting around to re-posting this..our boys in living color! Auteur : pappyredux Tags: music country comedy hillbilly mandolin  | | Battle of Kookamonga - 158 sec Homer and Jethro- The Song Butchers- Parody of "The Battle of New Orleans". The Battle of Kookamonga. Songs that should not be forgotten. 1960 (+/-) Auteur : gallopingalligator Tags: Homer and Jethro- The Song Butchers- Parody of "The Battle New Orleans". Kookamonga. Songs that should  | | Dancing Christina Kookamonga Beanea - 110 sec Camp pocono trails, fat camp. me dancing im soo tired right now Auteur : Christinaxox0x Tags: fat camp Dancing funny halrious scarsdale new york eastchester loosers westchester  | | Kookamonga 2 - 259 sec Subscribe!!
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RATE!!!!! Auteur : kevinKLITZ Tags: no way jordan wolfe shred shed duy lam kevin klix klitz brandon wanless bagel hottness daft punk olympics hanna montanna  | | homer & jethro - the battle of kookamonga - Nipper's Greate - 158 sec Visit http://YOUTUBETOMP34FREE.INFO to download this track for free homer & jethro - the battle of kookamonga - Nipper's Greatest Hits-The 50 Auteur : SincereWilhe Tags: homer &jethro the battle of kookamonga Nipper's Greatest Hits-The 50  | | Death at Aunt Jemima's House 3 Trailer - 148 sec Joey Kookamonga is back, but what sucks is, so is Aunt Jemima. It's going to take a lot more than glitz and glamour to stop the bitch this time (but that really didn't take her down the first time). Can the ghost of Sgt. Sipowitz lead Kookamonga and his team to success?! And what about the children?!?!?! Auteur : jonathanbowman Tags:Bowman Jemima Art Institute  | | Bill Angelini Drum Solo #1 - 74 sec This is only a minor clip from an hour and a half long practice session that Bill had. None of this is rehearsed obviously and is a freestyled drum solo if you would say. Visit the official band site at www.malstrom.net or befriend us at www.myspace.com/malstrom. Auteur : MalstromOfficial Tags: rock malstrom william bill angelini metal solo drum drums Kookamonga  | | The Characters of Taken - 39 sec All the characters of Taken! :D Auteur : kookamonga1 Tags: sims2  | | Battle Of New Orleans - 167 sec BCB Band sings Battle Of New Orleans. Made famouse by Johnny Horton and written by Jimmie Driftwood.
Jimmie Driftwood was almost an anachronism in the years he was at his commercial peak, from 1957 through 1961. A schoolteacher by training, he originally started writing songs as a way of helping his students learn about history, and subsequently composed (or collected and re-composed) over 5,000 songs, many of them dealing with some element of America's past and its history, telling old folk tales, or preserving some aspect of the daily lives of the people who sang them. Only one modern figure in folk music remotely approaches his contribution to American song and the popular understanding of its roots, and that is Lee Hayes of the Weavers -- Driftwood was never the activist that Hayes was, however, being more concerned with teaching than political causes and, thus, never engendered either the blacklisting or the subsequent canonization by the Left that Hayes received. And Hayes, for all of his leftist sympathies, was never invited to sing before Soviet Premier Nikita Khrushchev on the occasion of the first visit of any Soviet leader to the United Nations, as Driftwood was.
In September of 1959, in the midst of the rock & roll era and the burgeoning boom in folk music, Driftwood had half a dozen of his songs somewhere on the American charts, pop or country. The best known of these was "The Battle of New Orleans," which managed to top both the country and pop charts in a version recorded by Johnny Horton, but also charting in September of 1959 were "Tennessee Stud," as recorded by country giant Eddy Arnold, Hawkshaw Hawkins' version of "Soldier's Joy," Johnny and Jack's "Sailor Man," Horton's recording of "Sal's Got a Sugar Lip," and Homer & Jethro's parody "The Battle of Kookamonga." Moreso than Hayes, Pete Seeger, or Woody Guthrie, Driftwood helped pull together elements of folk, pop, and country music and gave the mass public some sense of the history of all of it in the bargain. Auteur : bcnorris2061 Tags: BCB Band Oklahoma City Taylor Guitar Johnny Horton  | | Brush fire @ the house - 158 sec Leaf Brush fire up the river Oct 2007 Auteur : randyruller Tags:Leaf Brush fire up the river Oct 2007 firehouse house Homer & Jethro The Battle Of Camp Kookamonga 1959  | | Death at Aunt Jemima's House II Trailer - 103 sec Sgt. Sipowitz (Jason Bowman) is on the hunt to find the killer who terrorized Lovetown, TX four years ago. He is joined by donut boy turned deputy Joey Kookamonga (Mike Jackimiec) to get rid of Aunt Jemima once and for all. Think of the MADNESS!!! Auteur : jonathanbowman Tags:Aunt Jemima Art Institute Bowman  | | Kawligeer - 169 sec Stereo: http://www.youtube.com/watch?v=k_1bEIg8azs&fmt=18
BCB Band sings "Kawligeer" a song about Kawliga's cousin by Homer and Jethro.
It was in the late '40s into the 1950s, basing themselves out of the Windy City, that the duo hit their true stride. Their first big hit was a takeoff on "Baby, It's Cold Outside" with a quite young June Carter contributing on vocals. The success of this single brought them to the attention of powerful radio station WLS, thus securing Homer & Jethro a regular spot on the National Barn Dance. Joining in 1949, the duo would stay faithful to the original version of the Grand Ole Opry, staying with the show until 1958. The national hookup did wonders for their career, which got an added boost when they started working double duty as regulars on Don McNeil's Breakfast Club, one of the top-rated morning-radio chat shows of its time, also based out of Chicago. The 1950s found them scoring big with numerous guest shots on television. The beauty of Homer & Jethro (as opposed to another country novelty act) was that they could work anywhere and be understood. They could be on the bill with Roy Rogers or trading cornball putdowns with Jimmy Dean or slickly one-upping Johnny Carson, and they always held their own. As time went on, their act became more deadpan and, if anything, even more polished, as if to distance themselves from everything else that had existed before them in their little corner of the country world. State-fair work was replaced with the glitzier surroundings of Las Vegas and the like. RCA Victor Living Stereo album covers aside, Homer & Jethro never had to dress up in bib overalls and play hicks to get their act over. If anything, the straighter they dressed and the straighter they acted, the funnier they were.
They were still singing with broad accents, but the satires were getting more acerbic with each release, giving rise to their lasting sobriquet as "the thinking man's hillbillies." Their satire of Patti Page's "How Much Is That Doggie in the Window?" (Homer & Jethro'd into "How Much Is That Hound Dog in the Winder?") became their first crossover hit in 1953. In 1959, the duo won their first -- and only -- Grammy award for "The Battle of Kookamonga," their hilarious spoof of Johnny Horton's "The Battle of New Orleans," a country crossover record that cut a wide swath on the charts that year.
When Southern country humor became a small phenomenon of the 1960s with the success of television shows like The Beverly Hillbillies, Petticoat Junction, and Green Acres, Homer & Jethro's career went into overdrive. They (and RCA Victor) released an avalanche of records like there was no tomorrow, issuing eight albums of new material between 1966 and 1967 alone. Their studio efforts were produced by Chet Atkins with the cream of Nashville sidemen, and one album, Playing It Straight, found them in an all-instrumental setting, showing there were chops aplenty behind the cornball vocals and broad satires. The duo also participated in a wildly successful advertising campaign in the mid-'60s for Kellogg's Corn Flakes, even issuing an album based on the ad's catch phrase, Ooh, That's Corny!, to brisk sales.
The duo continued until Homer's death in 1971. Jethro went into semiretirement for a few years, being coaxed back into show business by folksinger Steve Goodman, who brought him out on tour, spotlighting him to much recognition as a fine jazz-influenced mandolinist. Homer & Jethro were inducted into the Country Music Hall of Fame in 2001. Auteur : BCBband Tags: BCB Band Classic Country Homer Jethro  | | HOMER & JETHRO-I'LL NEVER WALTZ AGAIN - 141 sec Homer (Born Henry D. Haynes, 27 July 1920, d. 7 August 1971, Chicago, Illinois, USA) and Jethro (Born Kenneth C. Burns, 10 March 1920, d. 4 February 1989, Evanston, Illinois, USA) were both from Knoxville, Tennessee, USA. They went to the same school and learned to play stringed instruments as young children. In 1932, they began to work together as musicians on WNOX Knoxville, where they performed in a quartet known as the String Dusters. With Homer on guitar and Jethro on mandolin, they mainly played instrumental pop music and any vocals were usually performed as a trio. Somewhat bored with the regular format, they developed a comedy act that they used backstage. They began to present comedy versions of popular songs by maintaining the melody but changing the lyrics, and before long, they were encouraged to perform them live on the radio. They were given the names of Homer and Jethro by the programme director, Lowell Blanchard. The act quickly proved a popular part of the String Dusters' routine. In 1936, they left the group to work solely as Homer and Jethro but stayed at WNOX until 1939. They then became regulars on the Renfro Valley Barn Dance in Kentucky, but in 1941, they were both called up for military service. In 1945, they were back together as regulars on the Midwestern Hayride on WLW Cincinnati, and between 1946 and 1948, they recorded their humorous songs for the local King label.
In 1949, after a move to RCA Records, they had Top 10 US country chart success with a recording with June Carter of "Baby It's Cold Outside". In the late 1940s, they toured with their own tent show but eventually joined Red Foley on KWTO Springfield. In 1949, they toured the USA as part of orchestra leader Spike Jones' show and in 1951, while in Chicago with Jones, they were invited to become regulars on the National Barn Dance on WLS, where they remained until 1958. During the 50s and 60s, they toured extensively, their humour proving very popular in many varied venues, including Las Vegas. Their biggest country chart hit came in 1953, when "How Much Is That Hound Dog In The Window" reached number 2. In 1959, they had a US pop Top 20 hit with "The Battle Of Kookamonga", their parody of Johnny Horton's hit "Battle Of New Orleans". Proving that no song was safe from the couple's attentions in 1964, they had their last chart entry with their version of the Beatles' "I Want To Hold Your Hand". They also made commercials for Kellogg's Cornflakes during the 60s, which made them household names in the USA, but might have prompted a drop in sales had they been shown in Britain. The zany comedy tended to overshadow the fact that the duo were fine musicians. They made instrumental albums and in 1970, they recorded with Chet Atkins (Jethro's brother-in-law) as the Nashville String Band (it was not until the album had reached the charts that RCA revealed the identities of the musicians). Atkins rated Homer as one of the best rhythm guitarists he ever knew. He was also a good enough vocalist to have pursued a singing career but had no interest in doing so.
Jethro was also noted as an excellent mandolin player and one who, even in his early days, did much to make the instrument acceptable in jazz music. The partnership came to an end after 39 years on 7 August 1971, when Homer suffered a heart attack and died. Jethro was deeply affected by Homer's death but eventually returned to work as a musician. In the late 70s, he toured and recorded with Steve Goodman. Jethro died of cancer at his home in February 1989. Homer and Jethro's parodies included such titles as "The Ballad Of Davy Crew-Cut" and "Hart Brake Motel", and few could match album titles such as Songs My Mother Never Sang, Ooh! That's Corny (named after their catchphrase) or, bearing in mind they had been steadily turning out albums for 16 years, to suddenly decide to call one simply Homer & Jethro's Next Album. They never enjoyed success in the UK but were an institution in the USA. The duo was posthumously inducted into the Country Music Hall Of Fame And Museum in 2001. Auteur : oldcountrytunes Tags: music country Homer Jethro comedy  |
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