| GOATWHORE on CAPITALCHAOS 2007 - 474 sec
GOATWHORE @ The Boardwalk - Sacramento 1/22/07 & interview. Watch this killer interview and live song from capitalchaos.net also on the bill were God Forbid, Arsis, The Human Abstract & Mnemic. http://goatwhore.net Goatwhore is an American blackened death metal band, formed in 1997 in Thibodaux, Louisiana. Biography
In 1997, Goatwhore initially formed when Sammy Duet (formerly of Acid Bath), Zak Nolan and Patrick Bruders began experimenting with black metal. The band's unusual name originated from an experience one of the bandmember's friends had with a stripper.
After Acid Bath disbanded, a four track demo was recorded. Louis Benjamin Falgoust II, singer for Louisiana band Soilent Green, started as replacement for Sammy due to a broken jaw and was asked to stay in the band In 1998, they released another demo under Red Sea Productions.
In 2000, Goatwhore released their first full length album, The Eclipse Of Ages Into Black. Between 2000 and 2002 the band commenced extensive touring, opening for bands such as GWAR, Mortician, and Immolation.
Their second album, Funeral Dirge For The Rotting Sun was released in 2003. A split 7" with Epoch of Unlight was also released later that year. The album would be supported on the Art of Noise 2 tour in the U.S. with Kreator, Vader, Amon Amarth, and Nile.
The band's work was delayed in 2003 by an auto accident involving Falgoust, then on tour with Soilent Green. Touring resumed in 2004, this time in Japan. They also opened for Dark Funeral and Zyklon on The Dojo Volume 9.
Signing to Metal Blade Records in July 2004, the band started writing songs for what would become their third full length album and their first recording on their new label.
Goatwhore released a music video for the song "Blood Guilt Eucharist", which has had play time on MTV2's Headbangers Ball.
Goatwhore's debut album from Metal Blade Records "A Haunting Curse" was released September 5, 2006. According to Revolver Magazine, the album was produced by Hate Eternal's Erik Rutan.
"Alchemy of the Black Sun Cult" is the first single and video from "A Haunting Curse". It was directed and edited by David Brodsky and can be seen on the My Good Eye production company website ([1]). It first aired on MTV2's HeadBanger's Ball on October 7th, 2006. The broadcast version notably omitted the word "Christ" from the lyric "murdering the slaves of Christ" because it was thought that US broadcasters would not approve that sentiment for air. It was shot on August 6th, 2006 on a Panasonic HD Varicam by Brodsky and Director of Photography Mike Milia. The video primarily features footage shot in the bowels of a formerly submerged US Navy Light Ship currently docked on Manhattan's west side.
"Alchemy of the Black Sun Cult" was nominated for Best Video of 2006 on MTV2's Headbanger's Ball.
Goatwhore recently finished a set of U.S. west coast tour dates with Sunn O))) and Celtic Frost. In early 2007, they will continue touring with God Forbid, Arsis, Mnemic, The Human Abstract (January), and Byzantine (February) as part of The Chains of Humanity tour. Followed by a tour with 1349. http://myspace.com/goatwhore Line-up
* Sammy Duet - Guitar, Vocals (1997-) (Ritual Killer, Vual, ex-Acid Bath, ex-Crowbar)
* Louis Benjamin Falgoust II - Vocals (2000-) (Soilent Green, ex-Paralysis)
* Zack Simmons - Drums (2004-)
* Nathan Bergeron - Bass (2005-) (Scrotesque)
[edit] Former members
* Ben Stout - Guitar (1997-2002) (ex-Soilent Green)
* Zak Nolan - Drums (1997-2003) (Ritual Killer)
* Patrick Bruders - Bass (1997-2004) (Crowbar)
* Tim Holsinger - Guitar (2002-2003) (Psycho Scenario)
* Jared Beniot - Vocals (1997)
http://capitalchaos.net
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Tags: goatwhore thrash soilent green sacramento metalblade rock music heavy metal pussy soilentgreen
 | | DAMAGE OVER TIME on CAPITALCHAOS 2008 - 185 sec
DAMAGE OVER TIME on CAPITALCHAOS 2008
Auteur : capitalchaos
Tags: DAMAGE OVER TIME Metal Hardcore Thrash Screamo Rock Unsigned Indie Alternative
| | GOATWHORE on CAPITALCHAOS 2006 - 151 sec
GOATWHORE on CAPITALCHAOS 5/6/2006 @ The Library~Sacramento, CA also on the bill were HIGH ON FIRE, TIMES OF DESPERATION, & WATCH THEM DIE http://www.bloatedgoatrecords.com/gw/
Auteur : capitalchaos
Tags: Goatwhore thrash soilent green sacramento metalblade rock music heavy metal pussy soilentgreen Alternative Rock Indie
| | NAPALM DEATH on CAPITAL CHAOS 2006 - 292 sec
Barney and friends @ The Boardwalk in Sacramento 2006 from capitalchaos.net Also on the bill were KREATOR & A PERFECT MURDER
Auteur : capitalchaos
Tags: napalmdeath thrash capitalchaos napalm death grindcore capitalchaos.net heavy metal vagina
| | MR BUNGLE on CAPITAL CHAOS TV 1999 - 344 sec
http://www.capitalchaos.net MR BUNGLE @ Club Xtreme - Cameron Park, CA 1999 on their "California" tour, also on the bill were DILLINGER ESCAPE PLAN..Mr. Bungle was an influential avant-progressive experimental rock group formed in Northern California in 1985. Created while the members were still in high school and named after a children's educational film, they released four demo tapes in the mid to late 1980s, before being signed to Warner Bros. Records, who subsequently released three full-length studio albums between 1991 and 1999. Mr. Bungle have not been active since touring in 2000 to support their last album, and a recent media interview has confirmed the group is now disbanded.[1] While early in their career Mr. Bungle went through several line up changes, the bands most long serving members were vocalist Mike Patton, guitarist Trey Spruance, bassist Trevor Dunn, drummer Danny Heifetz, and Clinton "Bär" McKinnon on saxophone and other woodwind instruments.
Mr. Bungle were known for their distinctive musical traits, often blending and cycling through several musical genres within the course of a single song and fusing radically different musical styles together. Many of their songs had a non-conventional structure and utilized a wide array of instruments and samples. Distinguished by their live shows, which often featured members dressing up and an array of unlikely cover songs, their style has influenced many recent funk metal bands. During the course of their career the band also had an ongoing feud with Red Hot Chili Peppers frontman Anthony Kiedis, which escalated in the late 90s with Kiedis having Mr. Bungle removed from a number of large music festivals in Europe and Australasia where the Chili Peppers were headlining.
Although signed to a major record label, Mr. Bungle never had significant commercial success and only released one music video. They did, however, gain a reasonable amount of worldwide popularity due to a large cult following. Mr. Bungle formed in 1985 in Eureka, California while the members were still in high school; initially consisting of Trevor Dunn, Mike Patton, Trey Spruance, Theo Lengyel, and Jed Watts. Watts was subsequently replaced by Hans Wagner, and he by Danny Heifetz, while Clinton "Bär" McKinnon joined in 1989.[2] The band's name was taken from a children's educational film devised to teach children good manners and hygiene, which was featured in a Pee Wee Herman HBO special in the early '80s. A puppet named Mr. Bungle was the main character, used to represent the kind of person no clean, polite child would wish to be. In 1989 Faith No More bassist Billy Gould told Patton about a pornographic video called Sharon's Sex Party, which also starred a character known as Mr. Bungle.[2]
Soon after forming, the band's first demo, The Raging Wrath of the Easter Bunny, was recorded during Easter of 1986. It generally featured a fast, low-fi, death metal style, though it also utilized a trainwhistle, a saxophone, bongos, and a kazoo. The Raging Wrath of the Easter Bunny was followed by the demo Bowel of Chiley in 1987; this recording featured a completely different style incorporating the sounds of ska, swing, and funk. In 1988 Mr. Bungle released their third demo, Goddammit I Love America!, which was musically similar to Bowel of Chiley. Their final demo tape was OU818, released in 1989; this recording was the first to feature tenor sax player Clinton "Bär" McKinnon and drummer Danny Heifetz. OU818 combined songs from the earlier demos along with some new tracks having a heavier overall sound than the previous releases.[3][4] In 1989 Mike Patton landed the lead vocalist slot with San Francisco's Faith No More, getting the job after Jim Martin of Faith No More heard him on a Mr. Bungle demo.[5] Patton decided not to break up Mr. Bungle, and continued to be a member of both bands simultaneously. Having established a strong following in Northern California, Mr. Bungle was signed to Warner Bros., who released their self-titled debut in 1991. Their debut, Mr. Bungle, was recorded a year after Mike Patton was recruited into Faith No More and was produced by jazz experimentalist John Zorn. Released on August 13, 1991 the album contained several new songs but overall the sound was in a similar style as OU818. The record mixed metal, funk, ska, carnival music, and free jazz, but was normally described as "funk metal" by music critics.[3] The content is, however, very hard to pin down using specific genres, and the structure and musical style of any single track frequently changes dramatically.[6] Critic Steve Huey wrote in All Music Guide "Mr. Bungle is a dizzying, disconcerting, schizophrenic tour through just about any rock style the group can think of, hopping from genre to genre without any apparent rhyme or reason, and sometimes doing so several times in the same song."[7]
The album featured numerous samples, including Kentucky Fried Chicken commercial outtakes, items from the videogames "Super Mario Bros", "Smash TV", and "RBI Baseball", the movies Blue Velvet and Sharon's Sex Party, and the pinball games "Cyclone," "Earthshaker," and "Haunted House." Almost all the members went by obscure aliases in the album credits. To promote the album in some stores, a Mr. Bungle bubble bath was given away with copies of the record sold.[2]
The first track on the self-titled recording was originally called "Travolta"(sample (help·info)); however, the actor John Travolta took issue with this title and threatened legal action. With the encouragement of Warner Bros. the song name was changed and on later pressings of the album was called "Quote Unquote", which is also the title of an unauthorized John Travolta biography by Bob McCabe.[2] They created a video for "Travolta" and submitted it to MTV. However, the station refused to air the video because of images of bodies dangling on meat hooks.[6]
The album sold well despite MTV refusing to air their video and a lack of radio airplay. It received mostly positive reviews with Journalist Bill Pahnelas calling it "an incredible musical tour de force, and hands down the best alternative rock record of the year so far".[8] Following the release of the album the band toured North America successfully building a large and loyal cult following. Their popularity was partly due to unique stage shows where they often performed with masks to hide their identities and played unlikely covers during their set such as Billy Squier's "The Stroke," "The Star Wars Theme", and John Sebastian's "Welcome Back". Due to artwork delays and the band members' many side-projects, it was another 4 years before Disco Volante was released in October 1995.[3] This, their second major release, has a completely different tone and style to earlier Mr. Bungle recordings.[9] While the self-titled album was described as "funk metal", with Disco Volante this was replaced with the label "avant-garde" or "experimental."[6]
The music was complex and unpredictable with the band continuing with their extreme shifts of musical style during songs. Some the tracks were in foreign languages and would radically change genres mid-song, arguably making it Mr. Bungle's most difficult and inaccessible release.[6] Featuring lyrics about death, suicide, and child abuse,[ along with plodding death metal, deranged children's songs, and a Middle Eastern techno number, music critic Greg Prato described the album as having "a totally original and new musical style that sounds like nothing that currently exists". Not all critics were impressed with the album, with The Washington Post describing it as "an album of cheesy synthesizers, mangled disco beats, virtuosic playing and juvenile noises", calling it "self-indulgent" and adding that "Mr. Bungle musicians like to show off their classical, jazz and world-beat influences in fast, difficult passages which are technically impressive but never seem to go anywhere".
Disco Volante included influences from contemporary classical music, avant-garde jazz, electronic music pioneer Pierre Henry, Edgar Allan Poe, John Zorn, Frank Zappa, Penderecki, and European film music of the 1960s and 1970s such as those composed by Ennio Morricone and Peter Thomas.
The album notes also contained an invitation to participate in an "unusual scam" - if $2 was sent to the bands address, participants would receive additional artwork, lyrics to the songs "Ma Meeshka Mow Skwoz" and "Chemical Marriage", and some stickers. Mr. Bungle supported this record with extensive tours through the United States, Europe, and Australia during '95 and '96, with the tours successfully widening the groups fan base. In 1996 Theo Lengyel retired as Bungle's original sax player and keyboardist due to creative differences. After another 4 year break between albums, the band's third album, California, was released on July 13 1999.[16] California is said to be Mr. Bungles most accessible[17][18] and while the genre shifts are still present, they are less frequent, with succinct song formats giving the album a less chaotic and more stable feel.[19] This resulted in what All Music Guide described as "their most concise album to date; and while the song structures are far from traditional, they're edging more in that direction and that greatly helps the listener in making sense of the often random-sounding juxtapositions of musical genres".[20] California continues the bands musical, lyrical, and thematic experimentation, although it has a much lighter tone.[21] On the different style of this album, Mike Patton explained that to the band "the record is pop-y", before adding "but to some fucking No Doubt fan in Ohio, they're not going to swallow that."[22] The album was generally well received with music critic Robert Everett-Green stating "The band's newest and greatest album does not reveal itself quickly, but once the bug bites, there is no cure. The best disc of the year, by a length."[23]
Additionally, the recording process for California became much more complex. The group chose to record the disc on analog rather than digitally[24] and some songs required several 24-track machines while utilizing more than 50 analog tracks.[19] As a result each song contains detailed layers of original samples, keyboards, percussion, and melodies.[6]
Mr Bungle live in 1999
Mr Bungle live in 1999
The album displays numerous influences, including exotica, Burt Bacharach, and The Beach Boys, while blending lounge, pop, jazz, funk, thrash-metal, Hawaiian, Middle Eastern, kecak, and avant-garde soundscapes.[17][18][21][25][20] The band did 5 tours to support this record. For the most part, perhaps with the exception of the Sno-Core 2000 tour where they were often booed, the band did have success attracting an audience. Following the 2000 tour the band again went on hiatus. Rumors circulated that the band had dissolved, with some members stating that the band was "over" while others insisted it was just "in limbo".[3] In 2003 Patton alluded to the fact that the band would probably not record any more albums stating "I think it is over. The guys are spread all over the world and we don't talk to each other. I have not spoken to a couple of the guys since the last tour, years ago."[28] While no official break-up announcement ever materialized, a 2004 Rolling Stone interview with Patton confirmed Mr. Bungle had disbanded with him revealing "We could have probably squeezed out a couple more records but the collective personality of this group became so dysfunctional, this band was poisoned by one person's petty jealousy and insecurity, and it led us to a slow, unnatural death. And I'm at peace with that, because I know I tried all I could."[1] When asked about a possible reunion, Mike Patton said, "It could happen, but I won't be singing. Some bridges have definitely been burned. It was a fun time and sometimes you just have to move on. I've got a lot on my plate now."[29] Trevor Dunn adds, on his website, "Bungle is dead and I'm happy about it" and that "the members of Mr. Bungle will never work together as such again".[30] Spruance,[31] Heifetz, and McKinnon[32] have been more optimistic; to quote Spruance, in response to the standard 'Mr. Bungle regrouping' question: "I hope so because that band could take over the fucking world if it wanted to."[31]
After the dissolution of Mr. Bungle the members have gone on to numerous different projects. Mike Patton co-founded the record label Ipecac Recordings[33] and is involved with several other ventures, most notably the bands Fantômas,[34] Tomahawk,[35] and Peeping Tom.[36] He also acted in the motion picture Firecracker.[37] Trey Spruance is involved with various bands, including Secret Chiefs 3 and Faxed Head. Trevor Dunn joined Patton in Fantômas as well as forming his own jazz band, Trevor Dunn's Trio Convulsant; he also occasionally played bass with Secret Chiefs 3.[6][38] Danny Heifetz's projects included playing with Secret Chiefs 3 and in a country/punk band called Dieselhed;[6] he now resides in Sydney, Australia, and plays in outfits such as The Tango Saloon and The Fantastic Terrific Munkle.[39][40] Clinton McKinnon also played with Secret Chiefs 3; he now lives in Melbourne, Australia, and plays with The Ribbon Device. Mr. Bungle were generally regarded as an experimental rock or avant-progressive rock group. All Music described Mr. Bungles music as a "unique mix of the experimental, the abstract, and the absurd",[4] while The Seattle Times characterized their music as "harsh, grating, unstructured, blasting, squeaky, speedy, slow, eerie and strangely compelling".[10] Distinctive features of the music were the utilization of numerous different instruments, unique vocals, and the use of unpredictable song formats and a number of different musical genres.
Along with the normal instruments of a rock band, Mr. Bungle would also incorporate additions such as bongos, woodblocks, tenor sax, Jews harp, xylophone, glockenspeil, clarinet, piano, and organ.[14] Journalist John Serba commented that the instrumentation "sounded kind of like drunken jazz punctuated with Italian accordions and the occasional Bavarian march, giant power chord, or feedback noise thrown in"[42] Overlaying this was Mike Patton's vocals, who often used death metal growls, crooning, screeching, gurgling, or simply whispering. The arrangement of their songs was also unique, normally displaying a total lack of any structured song format and rotating through different genres ranging from slow melodies to thrash-metal.[19] Critic Patrick Macdonald commented "In the middle of hard-to-follow, indecipherable noise, a relatively normal, funky jazz organ solo will suddenly drift in, it doesn't seem to fit but you can't stop listening to it".[10] Similarly New York Times journalist Jon Pareles described it as music that "leaps from tempo to tempo, key to key, style to style, all without warning".[43] Some of the notable genres they utilized include heavy metal,[20] funk,[20] free jazz,[20] surf rock,[17] punk,[43] klezmer music,[43] ska,[6] kecak,[25] avant-jazz,[21] folk music,[44] pop,[20] doo-wop,[44] funk metal,[25] electronica,[45] swing music,[20] space age pop,[20] death metal,[20][44] rockabilly,[20][25] bossa nova,[20] progressive rock,[18] country and western,[20] circus music [20] and even video game and cartoon music.[25] Critic Greg Prato stated they "may be the most talented rock instrumentalists today, as they skip musical genres effortlessly, while Mike Patton illustrates why many consider him to be the best singer in rock".[11]
Mr. Bungle's style has influenced many recent funk and metal chart-toppers, most notably Korn, whose guitarists utilize what they've dubbed the "Mr. Bungle chord".[1] Brandon Boyd of Incubus also cited Mr. Bungle as an influence.[46] Although, Patton has stated that he considers it an insult when people cite him as a forefather of Korn and Limp Bizkit, stating "I feel no responsibility for that, it's their mothers' fault, not mine." Mr. Bungle were well-known for their stage shows, where all of the band members would dress up in outrageous costumes and masks, often wearing a uniform of mechanic's jumpsuits along with masks such as Madonna, Nixon, Darth Vader, an executioner's hood, or plastic clown or gimp masks.[13] Bassist Trevor Dunn explained that initially the reason for the masks and dressing up was to assure anonymity.[48]
The shows for the California tours, while still involving various members in costumes, were largely devoid of the trademark masks and outfits due to the increased demands of the music.[19][49] Often the theme was related to California with palm tree props and the band members wearing beach party outfits including Hawaiian shirts and khaki pants.[19][50] Occasionally, the band would simply appear in black suits with white dress shirts or dress up in chef costumes, cowboy suits, or as the Village People.[42][51]
Throughout their career Mr. Bungle also performed numerous covers in their live shows, ranging from tiny snippets to whole songs. The covers were by a wide variety of artists and genres encompassing movie scores by Ennio Morricone, Henry Mancini, and John Williams, pop songs by Elton John and Jennifer Lopez, hip hop by Public Enemy and Ol' Dirty Bastard, to punk and metal songs by the Dead Kennedys, Metallica, and Slayer.Mr. Bungle is known to have had a bad relationship with the Red Hot Chili Peppers' frontman Anthony Kiedis.[2] The feud began when Kiedis saw singer Mike Patton performing with Faith No More and accused him of imitating his style. Stating "Yeah I watch that 'Epic' video, and I see him jumping up and down, rapping, and it looked like I was looking in the mirror. The thing is, I had no problem with him personally. I mean, I love 'The Real Thing,' and I liked his vocals on that record. I mean, when I heard the record I noticed subtle similarities, but when I saw that video it was like, 'Wait a second here, what the fuck?".[2] Mike Patton and Mr. Bungle took offense to Kiedis' comment, sarcastically threatening Kiedis in the press. In the early nineties, Patton met with Kiedis; the two were polite to each other and the feud seemed to have ended.[2]
However, in 1999 Mr. Bungle's album California was scheduled to be released on June 8, but their label, Warner Bros. Records, pushed it back so as not to coincide with the Red Hot Chili Peppers similarly titled album, Californication, which was to be released on the same day. This appeared to reignite the old feud with Kiedis having Mr. Bungle removed from a series of summer festivals in Europe; as the headlining act at the festivals The Chili Peppers had final word on the bands that would appear.[2][28] Patton stated "Our agent was in the process of booking these festivals, and it was becoming apparent that we'd landed some pretty good ones—one in France, another one in Holland, some big-name festivals. Turns out someone's holding a grudge! We were booted off several bills, including a really big festival in Australia, specifically because Anthony Kiedis did not want us on the bill. He threatened to pull the Chili Peppers if Mr. Bungle was on the bill. Now, rationalize that one! That's so fucking pathetic! I mean, this guy's selling a million records! We are not even a speck of dust on this guy's ass! What's the fucking problem?"[52] Trey Spruance added "We were booked, months in advance, to do eleven festival dates in Europe. Come Summer, we get a call from the three biggest of those festivals, all of them the same day, saying that we can't play, because the headlining band retains the right to hire and fire whomever they wish. We found out it was the Red Hot Chili Peppers, so our manager called their manager to find out what the hell was going on, and their manager was very apologetic, and said, 'We're really sorry, we want you to know this doesn't reflect the management's position, or the band's for that matter, it's Anthony Kiedis who wants this.'"[53]
As a result, Mr. Bungle parodied the Red Hot Chili Peppers in Detroit, Michigan on Halloween of 1999. Patton introduced each Mr. Bungle band member with the name of one of the Red Hot Chili Peppers before covering the songs Give It Away, Around The World, Under the Bridge and Scar Tissue, with Patton deliberately using incorrect lyrics. Mr. Bungle also satirized many of the mannerisms of the band, mocking their frequent heroin injections and on-stage antics. Kiedis responded by having them removed from the 2000 Big Day Out festival in Australia and New Zealand,[2][28] stating "I would not have given two fucks if they played with us there, but after I heard about some Halloween show where they mocked us and read another interview where Patton talked shit about us, and I was like, you know what, fuck him and fuck the whole band."
Auteur : capitalchaos
Tags:mrbungle mike patton rock faith no more metal
| | LOUDMOUTH on CAPITAL CHAOS 1998 - 265 sec
LOUDMOUTH @ Hornet Stadium - Sacramento, CA 1998....also on the bill were SIMON SAYS, STAIND, KID ROCK, PAPA ROACH & LIMP BIZKIT Loudmouth is the band name for a group who played such songs as "Fly", "What?", and "The End", having their music featured in the PlayStation game Omega Boost, and having the same song featured in Varsity Blues.
To of Loudmouth's members are Bob Fedderson and John Sullivan who were both from Oak Lawn, Illinois. Bob and John were previously in the bands Vandal and Full Force. They have been musical partners since they were in junior high. http://capitalchaos.net
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Tags: loudmouth rock punk metal sacramento capitalchaos
| | ONE MAN ARMY on CAPITAL CHAOS TV 1998 - 186 sec
http://www.capitalchaos.net ONE MAN ARMY @ The Press Club - Sacramento, CA 1998.....also on the bill were THE RANDUMBS, PRESSURE POINT @ THE RANDUMBS http://www.myspace.com/capitalchaos
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Tags:one man army music rock streetpunk sacramento capitalchaostv
| | SPIRITFALL on CAPITAL CHAOS 2000 - 304 sec
SPIRITFALL on CAPITAL CHAOS TV http://myspace.com/spiritfallchico 2000 http://capitalchaos.net
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Tags: Spiritfall Numetal Sacramento Chico Deftones CapitalChaos rock
| | FRANK HANNON BAND on CAPITAL CHAOS 2005 - 464 sec
http://capitalchaos.net/ Frank Hannon from Tesla fame singing Re-evolution. We filmed this song at the Boardwalk in Orangevale. http://www.frankhannon.com/
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Tags: Tesla Sacramento frankhannon capitalchaos.net
| | ABIGAIL WILLIAMS on CAPITAL CHAOS 2007 - 523 sec
We recently recorded this interview and song of Abigail Williams http://myspace.com/abigailwilliams at the Boardwalk in Orangevale California (near Sacramento). Also on the bill were DARK FUNERAL, ENSLAVED, MALEVOLENT @ THE NEW PLAGUE. http://www.myspace.com/capitalchaos Abigail Williams is a girl who played an important role in the Salem witch trials of 1692.
After her cousin Betty Parris became seemingly ill, Abigail began to show alike symptoms. According to Rev. Deodat Lawson, an eye witness, she began to have fits in which she ran around rooms, flailing her arms, ducking under chairs and trying to climb up the chimney. These behaviours caused attention to fall on her, as it had on Parris. A local doctor, thought to have been William Griggs, suggested bewitchment as the cause. From that point on, the girls were asked to name their tormentors, which they did. Nothing is known of what happened to Abigail after the trials finished.
Abigail was 11 years old at the time of the trials. Betty Parris was nine. http://capitalchaos.net
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Tags:abigailwilliams abigail williamsheavy metal death music rock vag
| | DILLINGER ESCAPE PLAN on CAPITAL CHAOS TV 1999 - 258 sec
http://www.capitalchaos.net @ Club Xtreme - Cameron Park, CA 1999 also on the bill were MR BUNGLE
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Tags:dillingerescapeplan dillinger escape plan metal capitalchaos relapse screamo hardcore rock
| | WORKIN STIFFS on CAPITAL CHAOS 1998 - 312 sec
http://www.capitalchaos.net WORKIN STIFFS from San Francisco, also on the bill were SWINGIN UTTERS http://cgi.ebay.com/THE-WORKING-STIFFS-Liquid-Courage-CD-1999-STREET-PUNK_W0QQitemZ270167939045QQcmdZViewItem
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Tags: workinstiffs workin stiffs TKOrecords san francisco punk rock oi capitalchaos sacramento
| | LUXT on CAPITAL CHAOS 1998 - 240 sec
http://www.capitalchaos.net LUXT http://www.luxt.com @ Bojangles - Sacramento, CA 1998 http://www.myspace.com/capitalchaos http://www.myspace.com/luxt
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Tags: LUXT industrial rock metal sacramento
| | ANTI FLAG on CAPITAL CHAOS 1999 - 167 sec
http://www.capitalchaos.net ANTI FLAG @ Big Shots - Roseville, CA 10/15/1999 also on the bill were BLOOD FOR BLOOD & DROPKICK MURPHYS
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Tags: antiflag punk anti flag rock capitalchaos
| | TURMOIL "Bloody Cross" @ Chatterbox in San Francisco 1989 - 241 sec
http://www.capitalchaos.net Turmoil featuring Zoran from Capital Chaos on vocals. Different camera angle, crappy sound and from a vhs tape recorded on ep, no idea who has the original http://www.myspace.com/capitalchaos
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Tags:bayarea thrash 80's turmoil speedmetal sanfrancisco chatterbox
| | TURMOIL "Worthless Soul" @ Chatterbox in San Francisco 1989 - 315 sec
http://www.capitalchaos.net Late 80's SF thrash featuring Zorro from Capital Chaos on vocals, Ricky Diaz guitar, Arthur Morgan bass & Robert Casatneda drums @ The Chatterbox in San Francisco's Mission district! http://www.myspace.com/capitalchaos
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Tags:bayarea thrash 80's turmoil speedmetal sanfrancisco chatterbox
| | BURY YOUR DEAD on CAPITAL CHAOS 2007 - 267 sec
BURY YOUR DEAD on CAPITAL CHAOS TV 2007...live on the "DON'T CALL IT A COMEBACK TOUR 2007" @ The Underground in Roseville, CA 5/15/2007..also on the bill were SUICIDE SILENCE, SINCE THE FLOOD & STICK TO YOUR GUNS... http://weareburyyourdead.com Bury Your Dead (sometimes abbreviated to BYD) is a five-piece moshcore/hardcore band that hails from Worcester, Massachusetts. They are currently playing with Suicide Silence on their headline "Don't Call It A Comeback Tour" and are scheduled to play New England Metal Fest 2007. Metal Fest 2007. http://myspace.com/buryyourdead
In January 2007, vocalist Mat Bruso left the band, wanting to focus of "more important things like going back to school to become a teacher". Soon after in March 2007, Michael Crafter, former vocalist for I Killed the Prom Queen and Carpathian, briefly took over vocal duties for part of the "Don't Call It A Comeback Tour", only to leave during the tour to return to Australia due to homesickness. And now, due to Crafter leaving while on tour, Bury Your Dead have quickly appointed Myke Terry of Cassius to perform vocals.
Howard Jones, vocalist of Killswitch Engage, manages Bury Your Dead. http://capitalchaos.net
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Tags:Bury Your Dead metal thrash metalcore Sacramento CapitalChaos
| | TURMOIL "Sacred Empty" @ The Stone, San Francisco 1998 - 389 sec
http://www.capitalchaos.net Late 80's SF thrash featuring Zorro from Capital Chaos on vocals http://www.myspace.com/capitalchaos shot by Walter Morgan. Also on the bill were PIRANHA, CORRUPTED INNOCENCE http://www.flickr.com/photos/umlaut555/sets/72157594493262160/detail/
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Tags:bayareathrash 80's turmoil speedmetal sanfrancisco chatterbox
| | LIGHT THIS CITY on CAPITAL CHAOS 2007 - 216 sec
LIGHT THIS CITY http://www.lightthiscity.com perform "Remains of the Gods" live @ The Boardwalk in Orangevale, CA 5/12/2007...also on the bill were ALL THAT REMAINS, DIVIDED TRIGGER & WITH PASSION..LIGHT THIS CITY will embark on a three-week headlining tour in June/July with THE FUNERAL PYRE, ANTAGONIST and CERBERUS. The Bay Area-based band is continuing to tour in support of its third record, and second for Prosthetic, "Facing the Thousand", which came out in the fall of 2006. http://capitalchaos.net
LIGHT THIS CITY has replaced SUSPERIA on EDGUY's upcoming North American tour, which will launch on Tuesday, September 11 in Hartford, Connecticut. The trek will also include Canada's INTO ETERNITY http://myspace.com/capitalchaos Light This City is a band from San Francisco, California. The band formed in 2002 and later released their first album, The Hero Cycle, on Reflections of Ruin Records in September 2003. Light This City is currently signed to Prosthetic Records http://prostheticrecords.com. Prosthetic released their album Remains of the Gods in May 2005 and released their new album, Facing the Thousand, on September 19, 2006.
http://myspace.com/lightthiscity
Auteur : capitalchaos
Tags: Light This City thrash prosthetic records metal metalcore
| | MUMMYDOGS on CAPITAL CHAOS 2000 - 215 sec
MUMMYDOGS on CAPITAL CHAOS 2000
Auteur : capitalchaos
Tags: Mummydogs Rock thin white rope kyser paisley undergroung 80s alternative Old Ironsides Sacramento unsigned
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