| 27108 Peter Dijkstra - Dutch Chamber Choir Bach Motets - 449 sec
27108 Peter Dijkstra - Dutch Chamber Choir
Bach Motets
Auteur : channelclassics
Tags: 27108 Peter Dijkstra Dutch Chamber Choir Bach Motets
 | | Nederlands Kamerkoor: Bach motets - 473 sec
This is a promotional film, made by Channel Classics, about the new Nederlands Kamerkoor CD with the 6 J.S. Bach motets.
It contains interviews with the conductor, Peter Dijkstra (in English), Jared Sachs (recording engineer and producer) and Leo Samama, general manager of the Nederlands Kamerkoor (both in Dutch)
Auteur : NederlandsKamerkoor
Tags: Nederlands Kamerkoor Netherlands Chamberchoir Chamber choir Peter Dijkstra J.S. Bach Motets Motetten cappella
| | Johannes Ciconia - Motets - 501 sec
Johannes Ciconia - Motets:
1. O virum omnimoda.
2. Petrum Marcello Venetum
Auteur : OedipusColoneus
Tags: Johannes Ciconia Motets Mala Punica
| | Michael Praetorius:Motets from Musæ Sionæ Erhalt uns, Herr - 534 sec
High quality sound: http://au.youtube.com/watch?v=vPrikreQXeg&fmt=18
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Michael Praetorius:Motets from Musæ Sionæ (1605-1610)
Motets from Musæ Sionæ
Early Music Consort of London/David Munrow
Erhalt uns, Herr bei deinem Wort à 17 (choir I: trebles, countertenor, baritone, cornett, 2 sackbuts; choir II: countertenor, tenor, bass, 2 violins, 2 bass viols; choir III: trebles, tenor, alto recorder, 3 crumhorns, bass curtal; choir IV: countertenor, 3 sackbuts; continuo: organ, chitarrone, serpent)
Michael Praetorius: Musae Sioniae I (1605)
James Bowman;Charles Brett;David James Counter Tenors
Martyn Hill;Ian Thompson Tenors
Geoffrey Shaw Baritone
Terry Edwards Bass
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Links to purchasing Michael Praetorius
http://www.amazon.co.uk/praetorius-michael-Classical-Music/s?ie=UTF8&keywords=Praetorius%2C%20Michael&rh=n%3A697386%2Ck%3APraetorius%5Cc%20Michael&page=1
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*Note:Support the artist, their families and their legacy by purchasing their music.
Auteur : tHEnOOSEsWING
Tags: classics Francis Poulenc 4Motets pour un temps de penitence MIKU 初音ミク プーランク maupon
| | 初音ミク合唱団：プーランク [悔悟の時の４つのモテット] FRANCIS POULENC 4 Motets - 164 sec
転載 from
http://www.nicovideo.jp/watch/sm1731403
original video was made by maupon,Dec 9th 2007.
初音ミク プーランク 悔悟の時のための４つのモテット わが心いたく憂いて死ぬるばかりなり
Francis Poulenc
4 Motets pour un temps de penitence
Tristis est anima mea
using vocaloid MIKU HATSUNE.
Auteur : YUKIO02225
Tags: University Nottingham Music Society Mussoc Poland 2008 Bruckner Motet Os Justi
| | Bruckner Motets - Os Justi - 237 sec
University of Nottingham Music Society "Mussoc" Tour Choir performing in Poland 2008.
Auteur : rlockington
Tags: SJU choir Oculi omnium dulci jubilo Ave Maria
| | Michael Praetorius:Motets from Musæ Sionæ Christus, der uns - 470 sec
High quality sound: http://au.youtube.com/watch?v=mlfcN8fPIvY&fmt=18
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Michael Praetorius:Motets from Musæ Sionæ (1605-1610)
Motets from Musæ Sionæ
Early Music Consort of London/David Munrow
Christus, der uns selig macht à 8 (choir I: trebles, counterenor, tenor, baritone, cornett, 3 sackbuts, organ;
choir II: trebles, countertenor, tenor, bass, cornett, 3 sackbuts, organ)
Michael Praetorius: Musae Sioniae IV
James Bowman;Charles Brett;David James Counter Tenors
Martyn Hill;Ian Thompson Tenors
Geoffrey Shaw Baritone
Terry Edwards Bass
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Further information:
Links to purchasing Michael Praetorius
http://www.amazon.co.uk/praetorius-michael-Classical-Music/s?ie=UTF8&keywords=Praetorius%2C%20Michael&rh=n%3A697386%2Ck%3APraetorius%5Cc%20Michael&page=1
The Sackbut (var. Sacbutt; Sackbutt; Sagbutt;), a brass instrument from the Renaissance and Baroque Eras, is the ancestor of the modern trombone. The term sackbut is usually used to differentiate the historic instrument from its modern counterpart. Increasing interest in authentic performance in recent years has brought many trombonists to the sackbut.
There are two theories for the source of the name: it is either derived from the Middle French sacquer (to push) and bouter (to pull) or from the Spanish sacar (to draw or pull) and bucha (a tube or pipe) (Herbert 2006, p. 57). The term survives in numerous English spelling variations including sacbut, sagbut, shagbolt and shakbusshe. In France, the instrument was called sacqueboute; in Germany, Posaune, in Spain, sacabuche, and in Italy, trombone.
The trombone developed from the trumpet. Up until 1375 trumpets were simply a long straight tube with a bell flare (Herbert 2006, p. 47). The name for this instrument derive from the Latin 'tromba' and include 'trombone' (for a large one) and 'drompten'. Other names derive from the Latin 'busine' and include 'posaune' and 'bason'. There are various uses of these words in the Bible, which has led past musicologists, such as Galpin, to suggest that trombones date back as far as 600 BC, but all the iconology suggests straight instruments at this time and no evidence of slides (Herbert 2006, p. 56-7).
From 1375 we see them being made with bends, and some in 'S' shapes. Around 1400 we see the 'loop' shaped trumpet appear in paintings and at some point in the 15th century, a single slide was added. This slide trumpet was known as a 'trompette des ménestrels' in the alta capella bands (Herbert 2006, p. 52-3).
The earliest clear evidence of a double slide instrument is in a fresco painting by Filippino Lippi in Rome - The Assumption of the Virgin, dating from 1488-1493. (Herbert 2006, p. 60)
From the 15th to the 19th centuries, the instrument designs changed very little overall, apart from a slight widening of the bell in classical era. Since the 19th century, trombone boresizes and bells have increased significantly.
Sackbuts (renaissance/baroque trombones) are often described as being generally quieter, having a more mellow tone and wider pallette of articulations than the modern trombone.
It was one of the most important instruments in Baroque polychoral works, along with the cornetto and organ
http://en.wikipedia.org/wiki/Sackbut
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*Note:Support the artist, their families and their legacy by purchasing their music.
Auteur : tHEnOOSEsWING
Tags: Tetlethon 2007 perth motown motets
| | Michael Praetorius:Motets from Musæ Sionæ Allein Gott - 200 sec
High quality sound: http://au.youtube.com/watch?v=U278J9KnsHc&fmt=18
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Michael Praetorius:Motets from Musæ Sionæ (1605-1610)
Motets from Musæ Sionæ
Early Music Consort of London/David Munrow
Allein Gott in des Hoh sei Ehr à 12 (choir I: countertenor, 3 sackbuts, organ; countertenor, violin, 2 bass
viols, chitarrone; choir III: countertenor, 3 crumhorns, regal)
Michael Praetorius: Musae Sioniae IV
James Bowman;Charles Brett;David James Counter Tenors
Martyn Hill;Ian Thompson Tenors
Geoffrey Shaw Baritone
Terry Edwards Bass
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Links to purchasing Michael Praetorius
http://www.amazon.co.uk/praetorius-michael-Classical-Music/s?ie=UTF8&keywords=Praetorius%2C%20Michael&rh=n%3A697386%2Ck%3APraetorius%5Cc%20Michael&page=1
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*Note:Support the artist, their families and their legacy by purchasing their music.
Auteur : tHEnOOSEsWING
Tags: ricercare Copland coro choir ingignoli
| | The Seasonal Motets - 544 sec
Oculi omnium ("The eyes of all wait upon thee") Charles Wood
In dulci jubilo ("In sweetest joy") Joseph Gentry Stevens
Ave Maria ("Hail Mary") Franz Biebl
Auteur : EveryLifeShallBASong
Tags: henarllutx
| | telethon 2007 Motown Motets - 239 sec
telethon
Auteur : coolmarco1987
Tags: Duruflé annamolnar manna classical
| | Michael Praetorius:Motets from Musæ Sionæ Gott des Vater - 269 sec
High quality sound: http://au.youtube.com/watch?v=1KpZLQF6SAc&fmt=18
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Michael Praetorius:Motets from Musæ Sionæ (1605-1610)
Motets from Musæ Sionæ
Early Music Consort of London/David Munrow
Gott des Vater wohn uns bei à 8 (choir I: trebles I & II, countertenor, baritone, 4 recorders, chitarrone; choir
II: countertenor, 2 tenors, bass, 2 violins, 2 bass viols, violone, harpsichord
James Bowman;Charles Brett;David James Counter Tenors
Martyn Hill;Ian Thompson Tenors
Geoffrey Shaw Baritone
Terry Edwards Bass
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*Note:Support the artist, their families and their legacy by purchasing their music.
Auteur : tHEnOOSEsWING
Tags: Resonet+in+laudibus
| | Aaron Copland - Have mercy on us, o my Lord (from "4 motets" - 225 sec
Grupo Vocal Ricercare
Director: Darío Ingignoli
Museo Nacional de Bellas Artes
Buenos Aires, Argentina
18/05/08
Auteur : poulette512
Tags: Poulenc annamolnar manna classical
| | fent la ma en les motets - 388 sec
pasant el rato ... ff jajajaja... lokets vvm!! avore ki ampina la roda millr jaja moto CORREOS jaja ke sakabat la gasolina!!!ffff...
Auteur : Henarllutx
Tags: Skiing
| | Maurice Duruflé: Quatre Motets - I. Ubi caritas - 101 sec
MOLNÁR Anna - soprano, alto
MAGYARÓVÁRI Viktor - tenor, bass
2008. augusztus 28. / 28th August 2008
Budapest (Hungary)
Auteur : MAnna89
Tags: Bryan Zaros Elohim hashivenu Salamone Rossi University of Michigan Choir Hill
| | Michael Praetorius:Motets from Musæ Sionæ Resonet in laudibu - 175 sec
High quality sound: http://au.youtube.com/watch?v=k5xGDFBXVDc&fmt=18
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Michael Praetorius:Motets from Musæ Sionæ (1605-1610)
Motets from Musæ Sionæ
Early Music Consort of London/David Munrow
Resonet in laudibus à 7 (2 countertenors, 2 cornetts, 3 crumhorns, regal)
Michael Praetorius: Polyhymnia caduceatrix
James Bowman;Charles Brett;David James Counter Tenors
Martyn Hill;Ian Thompson Tenors
Geoffrey Shaw Baritone
Terry Edwards Bass
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Links to purchasing Michael Praetorius
http://www.amazon.co.uk/praetorius-michael-Classical-Music/s?ie=UTF8&keywords=Praetorius%2C%20Michael&rh=n%3A697386%2Ck%3APraetorius%5Cc%20Michael&page=1
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*Note:Support the artist, their families and their legacy by purchasing their music.
Auteur : tHEnOOSEsWING
Tags: Banda de música Unión musical Villanueva Gállego teatro Tarazona Els motets la passió Grau.
| | Francis Poulenc: Quatre Motets - I. O Magnum Mysterium - 147 sec
MOLNÁR Anna - soprano, alto
MAGYARÓVÁRI Viktor - tenor, bass
2008. szeptember 2. / 2nd September 2008
Budapest (Hungary)
Auteur : MAnna89
Tags:
| | Me skiing at Les Grandes Motets - 59 sec
More video of me taken in Chamonix
Auteur : rogerwibrew
Tags:
| | Michael Praetorius:Motets from Musæ Sionæ Aus tiefer Not - 268 sec
High quality sound: http://au.youtube.com/watch?v=E-zcT9j1woE&fmt=18
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Michael Praetorius:Motets from Musæ Sionæ (1605-1610)
Motets from Musæ Sionæ
Early Music Consort of London/David Munrow
Aus tiefer Not schrei ich zu dir à 8 (choir I: 2 cornetts, 2 sackbuts, organ; choir II: countertenor, 3
sackbuts, organ)
Michael Praetorius: Musae Sioniae II (1607)
James Bowman;Charles Brett;David James Counter Tenors
Martyn Hill;Ian Thompson Tenors
Geoffrey Shaw Baritone
Terry Edwards Bass
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*Note:Support the artist, their families and their legacy by purchasing their music.
Auteur : tHEnOOSEsWING
Tags:
| | Elohim hashivenu Salamone Rossi (1570-1630) - 272 sec
University Choir
Bryan Zaros, Conductor
Hill Auditorium, University of Michigan
April 8, 2008
English translation of the Hebrew text:
Restore us, O God;
show Your favor that we may be delivered.
O God of hosts, restore us;
show Your favor that we may be delivered.
O Lord, God of hosts, restore us;
show Your favor that we may be delivered.
Psalm 80: 4, 8, 20
Program Notes:
While composers of the early Baroque period were experimenting with new musical techniques that would later characterize the stile moderno, Salamone Rossi (1570-1630), in his various Hebrew motets for synagogue worship, deliberately committed himself to the older style, or, what is also known as the stile antico. As such, his motets carry musical gestures and a linear expressiveness so very characteristic of music from the High Renaissance. Active at the court of the Gonzaga family in Mantua, Italy, he is often overlooked in the shadow of other great composers of the time including Monteverdi, Gastoldi, and Viadana. As the ideals of humanism permeated throughout the society of fifteenth and sixteenth century Europe, Jewish communities themselves began to experience a change in orientation and perspective. Communities that had, up to this period, lived in isolation, began to freely intermingle within the Christian society of the time. In addition to studying painting, theater, philosophy and literature, Jews for the first time began to study Western music.
In 1623 a Venetian printing house published a set of motets by Salamone Rossi. What made this publication so unique was that these motets were not written in Latin for the liturgy of the church but were written in Hebrew for synagogue worship. Elohim Hashivenu is a product of this revolutionary publication. As a setting of Palm 80: 4, 8, 20, this motet would have been traditionally chanted in synagogues on the Sabbath and holidays during the covering of the Torah.
The music itself possesses a great depth as the sacred names of God are invoked at the beginning of each verse and progress in intensity throughout the piece. The opening phrase in particular, is one full of deep symbolism and profound meaning. By setting the sacred name Elohim in the lowest extremities of the vocal range, it is as if Rossi is suggesting that this name is too great, too sacred to be pronounced in human confidence. As the vocal line rises from its depth, the musical line seems to paint the creation narrative, where, "in the beginning [rising from the primordial depths of eternity] Elohim created the heavens and the earth".
Auteur : CaesarBZ
Tags:
| | Els motets de la passió J Grau. - 471 sec
Banda de música Unión musical Villanueva de Gállego teatro de Tarazona
Els motets de la passió J Grau.
Patricia Badian, Mezzo soprano
Jorge Apocada, Baritono
Auteur : marquesdeojuel
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