| Pink Floyd With Syd Barrett - Interstellar Overdrive-Part 1 - 539 sec
Pink Floyd With Syd Barrett - Interstellar Overdrive Full Length Video - Part 1, London 1966
Auteur : thoosah
Tags: Pink Floyd Syd Barrett Interstellar Overdrive Rare Full London 1966 UFO Club
 | | Pink Floyd: Interstellar Overdrive - 583 sec
For those who don't know this song is from Pink Floyd's earlier and better years, with Syd Barrett. The video is parts of the last scene in 2001: A Space Odyssey.
Auteur : LSDCoatedBrain
Tags:Pink Floyd Syd Barrett 2001 A Space Odyssey Psychedelic Interstellar Overdrive
| | Pink Floyd - Interstellar Overdrive - 580 sec
In January 1967, prior to recording The Piper at the Gates of Dawn, the band had produced at Sound Techniques Studio in London a s In January 1967, prior to recording The Piper at the Gates of Dawn, the band had produced at Sound Techniques Studio in London a s In January 1967, prior to recording The Piper at the Gates of Dawn, the band had produced at Sound Techniques Studio in London a single entitled Arnold Layne. The single was later released in March of that year and reached #20 in the British charts. Also in January the band had recorded a 16-minute version of Interstellar Overdrive and an improvised jam called Nick's Boogie, for Peter Whitehead's documentary film Tonite Let's All Make Love in London. (The latter track wasn't released until 1991 on the CD reissue of the film's soundtrack). The band's live show consisted mainly of instrumental numbers and blues covers, however they had started to introduce songs which were written primarily by lead guitarist and lead vocalist Syd Barrett. Many of these songs written by Barrett appeared at the Games For May concert several months before the release of the album.
Recording of the album began on the 21 February 1967 in studio three of Abbey Road Studios at the same time The Beatles were recording Sgt. Pepper's Lonely Hearts Club Band and The Pretty Things were recording S.F. Sorrow. The album was produced by Norman Smith, an EMI staff member who had previously engineered all of The Beatles recordings up to 1965's Rubber Soul. Smith would go on to produce Pink Floyd's follow up album, A Saucerful of Secrets. "Interstellar Overdrive" and "Matilda Mother" were two of the first tracks recorded, as the latter was viewed as a potential single. "Interstellar Overdrive"s kinetic and spacey production, came from the insistence of the normally conservative Norman Smith, whose work on the record is often criticised because it is seen that he tried to make the album more pop orientated[citation needed]. An early, unoverdubbed, shortened mix of the album's "Interstellar Overdrive" was used for a French EP released that July. In April, the band recorded both "Percy the Rat Catcher" (this would later be called "Lucifer Sam"), and a currently unreleased track called "She Was a Millionaire". At some point during the album's creation, Nick Mason recalled that they were "ushered" into studio 2 where The Beatles were recording "Lovely Rita". Several conflicting views surround how efficiently the recording of the album actually went. In his book Inside Out: A Personal History of Pink Floyd, Nick Mason recalled that the sessions went smoothly and that the whole process was extremely efficient. Norman Smith however, condemned both the album's recording and the band members' musical abilities. Smith later stated that the sessions were "sheer hell". However, both "The Gnome" and "The Scarecrow" were recorded in one take. Indeed a large proportion of the album is credited solely to Barrett, with tracks such as "Bike" having been written in late 1966 before the album was even started. "Bike" was originally entitled "The Bike Song", and it was recorded on 21 May 1967. The last recording session took place on 5 July 1967, with the track "Pow R. Toc H." being one of last songs added to the album.
Vic Singh photographed and designed the album cover, unlike subsequent Pink Floyd albums. The album remains one of the few to actually feature the band members on the front cover. The album's title comes from the title of Chapter Seven, "THE PIPER AT THE GATES OF DAWN," of Kenneth Grahame's The Wind in the Willows, where Rat and Mole, while searching for Portly, the lost son of Otter, are drawn to a place where the 'Piper' is playing on his reed flute.
"`This is the place of my song-dream, the place the music played to me,' whispered the Rat, as if in a trance. `Here, in this holy place, here if anywhere, surely we shall find Him!'"
(The 'Piper' referred to is the Greek god Pan.)
Portly was found near Pan.
Lyrics: Instrumental Track (more)
Auteur : blestemp
Tags: Pink Floyd 1967 The Pipers AT Gates Of Dawn Roger Waters Syd Barret Nick Mason Rick Wright
| | Pink Floyd Interstellar Overdrive (scene special) - 303 sec
Live performance with Syd Barret
If you want to download this video click
http://rapidshare.com/files/86390212/PF-Interstellar_overdrive.avi
Auteur : p3p3p1t0l4
Tags: Pink Floyd Syd Barret Interstellar Overdrive Live scene special
| | Pink Floyd With Syd Barrett - Interstellar Overdrive-Part 2 - 472 sec
Pink Floyd With Syd Barrett - Interstellar Overdrive Full Length Video - London 1966 - Rare - Part 2
Auteur : thoosah
Tags:Pink Floyd Syd Barrett Interstellar Overdrive Rare Full London 1966
| | PINK FLOYD at the UFO club IN GLORIOUS COLOUR - 1012 sec
INTERSTELLAR OVERDRIVE Recorded for TONIGHT LETS ALL MAKE LOVE IN LONDON in 1966 at the legendary underground psychedelic Club-UFO...
Peter Whitehead's 1967 documentary of London scene in the swinging-60's is a visual treat for Mod enthusiasts everywhere. Featuring a who's-who of the scene, Tonight Let's All Make Love In London is a visual patchwork of 60's culture, seen through the eyes of the people leading it. Mick Jagger, Michael Caine, Vanessa Redgrave, Allen Ginsberg, and Julie Christie are all here, alongside counter-culture artists and other musicians who helped shape their generation and future ones to come. Most of the musical content comes in the form of extremely rare concert footage and inside studio recording sessions, while other segments include candid interviews, strange political demonstration footage, and even a segment on the radical art of body painting! Yes, politics and sex are on the palette here as the psychedelic soundtrack from a very young Pink Floyd, swirls and pushes the film on towards the climax of it's brisk 70 minute running time. Languishing in distribution limbo for too long, Tonight Let's All Make Love In London is a fitting testimonial to the changing times in the mid-60's and one that should be able to live on in the years to come for the young and old to look back on and enjoy.
Auteur : graffitiTV
Tags: pink floyd ufo club lsd syd barrett pure evil
| | Syd's Last Trip - Interstellar Overdrive - Pink Floyd - 362 sec
Live from SF.
Auteur : crusteous
Tags:Pink Floyd Syd Barrett Interstellar overdrive
| | Hatsune Miku - Interstellar Flight [初音ミク] - 星間飛行 - 231 sec
【初音ミク】星間飛行【カバー】
Hatsune Miku -Interstellar Flight [Cover]
http://www.nicovideo.jp/watch/sm3920781
HQ:
http://www.youtube.com/watch?v=_BZf2EzL4AU&fmt=18
☆Update☆
☆60,000☆
Went ahead and encoded the mp3 for anyone that's interested. Enjoy!
http://www.sendspace.com/file/rj3lhl
Ranka Lee's debut single, Interstellar Flight performed using Vocaloid software. Brought to you by Niconico Douga. Enjoy!
Auteur : Kama151
Tags: 初音ミク 星間飛行 ランカ・リー マクロスF Macross Frontier 中島愛 VOCALOID ranka lee
| | Interstellar Marines - 188 sec
PS3 XBOX360 GAME
Auteur : kikkoma
Tags:PS3 XBOX360
| | Nels Cline & Greg Bendian/Interstellar Space Revisited/1 - 496 sec
sound. at the Schindler House, September 20, 2002
"Leo" from John Coltrane's Interstellar Space performed w/guitar and percussion
Part one of two parts
This concert can be heard in its entirety at the sound. concert archives: http://www.soundnet.org/concerts
Produced by SASSAS
Auteur : sassasdotorg
Tags:Nels Cline Greg Bendian John Coltrane Interstellar Space Revisited SASSAS Leo
| | Interstellar Travel: Wormhole Robots - 619 sec
In physics, a wormhole is a hypothetical topological feature of spacetime that is essentially a 'shortcut' through space and time. A wormhole has at least two mouths which are connected to a single throat or tube. If the wormhole is traversable, matter can 'travel' from one mouth to the other by passing through the throat. While there is no observational evidence for wormholes, spacetimes containing wormholes are known to be valid solutions in general relativity
Einstein-Rosen bridges are bridges between areas of space that can be modeled as vacuum solutions to the Einstein field equations by combining models of a black hole and a white hole. This solution was discovered by Albert Einstein and his colleague Nathan Rosen, who first published the result in 1935. However, in 1962 John A. Wheeler and Robert W. Fuller published a paper showing that this type of wormhole is unstable, and that it will pinch off instantly as soon as it forms, preventing even light from making it through.[wiki]
Auteur : tomusdomus
Tags: Einstein-Rosen bridge Wormhole Robots Dr. Micho Kaku
| | Olivier Messiaen - Appel Interstellaire - Interstellar Call - 325 sec
Olivier Messiaen - Appel Interstellaire - Interstellar Call
Auteur : Weltenraum
Tags: kubrick 2001 space
| | Interstellar Grains - 421 sec
Live @ expression center November 2007
Auteur : mikedrewmack
Tags: Interstellar Grains Rich Corny Rock Guitar Trip Robin Trower
| | interstellar people - 199 sec
a bridge days work
Auteur : oedli
Tags:interstellar people oedli groeni the groeds
| | 7/11 Interstellar Overdrive (MONO) - The Piper At The Gates. - 581 sec
Pink Floyd - Interstellar Overdrive mono version (1967) mixed by the band
Auteur : getonfunk
Tags: pink floyd psychedelic rock barrett wright waters mason the piper at gates of dawn
| | Pearl Jam Alive!07 Interstellar Overdrive - Corduroy - 408 sec
Abertura do concerto
Auteur : vagsousariina
Tags:Nice
| | Interstellar Law - 356 sec
Gameplay video of a space lawyer adventure game I made in 2001.
Auteur : Retro3D
Tags: space lawyer adventure visual basic
| | Interstellar Space Travel - Beyond the Speed of Light - 612 sec
What are the facts regarding the possibility of interstellar travel and travel beyond the speed of light? This video clip presents a well informed scientific overview of the possibilities and latest theories regarding interstellar travel and features Astrophysicist Johannes Von Buttlar, Scientist and Theorist Thomas E. Bearden and NASA Space Scientist Professor Jesco Von Puttkamer. The facts presented provide positive proof that interstellar travel and travel beyond the speed of light is a theoretical possibility worth noting...
THIS CLIP IS UFOTV COPYRIGHTED MATERIAL AND EXTRACTED BY WRITTEN PERMISSION FROM THE FILM: "UFOs & COSMIC DIMENSIONS," now on sale at http://www.UFOTV.com
See the complete four hour film: UFOs & Cosmic Dimensions - Now on 3 DVD, Catalog #U427. Visit us online: http://www.UFOTV.com
UFOTV is the worlds largest library of Exotic Science and Suppressed History films. Topics include UFOs & Aliens, Conspiracy & Science, Mind & Spirit.
Visit us online: http://www.UFOTV.com and at our YouTube channels: UFOTVstudios and UFOTVonline.
Auteur : UFOTVstudios
Tags:UFOTV Interstellar Space Travel Science Energy Physics Technology Secret Exotic Suppressed
| | Pink Floyd - Interstellar Overdrive - 582 sec
Pink Floyd - Interstellar Overdrive
Copyright - 1967 Columbia Records
"Interstellar Overdrive" is a psychedelic composition by Pink Floyd, which appears on their 1967 debut album The Piper at the Gates of Dawn at almost ten minutes in length. An earlier, longer recording can be heard on the soundtrack to the film Tonite Let's All Make Love in London, which was released in the same year. Other versions of the track appear on various bootleg recordings.
Like the Paul Butterfield Blues Band's slightly earlier song "East-West," "Interstellar Overdrive" was one of the very first psychedelic instrumental improvisations recorded by a rock band. It was seen as Pink Floyd's first foray into space rock (along with "Astronomy Domine"), although band members would later disparage this term. Despite its encapsulation of their concert repertoire under the leadership of guitarist and composer Syd Barrett, the long, improvisational, freeform structure of the piece is not particularly representative of the group's recorded output. As drummer Nick Mason states in his book Inside Out: A Personal History of Pink Floyd, live versions of the song featured many sections that did not appear on the album, and would often last more than 20 minutes. During the band's days playing in residence at London underground clubs such as the UFO (Underground Freak Out), the song usually opened their show. It occupied other positions, including the encore, until it was retired from the band's setlist in 1970.
The opening hook of the piece is a distorted, descending guitar riff played in unison by the band. This riff eventually turns into improvisation, including modal improvisations, percussive flourishes on the Farfisa organ, and quiet interludes. The song gradually becomes almost structureless and in free-form tempo, punctuated only by strange guitar noises. Eventually, however, the entire band restates the main theme, which is repeated with decreasing tempo and more deliberate intensity. The novel use of stereo (in the second mix of the album, the original being monophonic) makes sound oscillate between speakers towards the composition's conclusion.
This riff originated when early Pink Floyd manager Peter Jenner was trying to hum a song he couldn't remember the name of (most commonly identified as Love's cover of "My Little Red Book"). Barrett followed Jenner's humming with his guitar and used it as the basis for the principal melody of "Interstellar Overdrive." Roger Waters once told Barrett that the song's riff reminded him of the theme tune from Steptoe and Son.
Recorded on March 16, 1967, with overdubs in June of that year, the Piper version also appears on the official compilation albums Relics and A Nice Pair.
The studio recording on The Piper at the Gates of Dawn is the one that most listeners are familiar with, yet several other versions survive from both the recording studio and the stage. It was first recorded as a demo on 31 October 1966. Other alternate early versions that survive include one used as a backing track for a Canadian Broadcasting Company interview with the band in December 1966, two five-minute excerpts of versions performed at the UFO Club on 20 January and 24 February 1967, and a chaotic, late-Barrett era rendition recorded live in Rotterdam in November 1967. An earlier, 16-minute rendition (recorded for the film Tonite Let's All Make Love in London by Joe Boyd on 11 January 1967) may actually be superior in its more kinetic approach to the early sections, though it is perhaps more tedious and drawn-out as a whole. The soundtrack for Tonite Let's All Make Love in London (released in 1968) includes an edited version of the recording and two reprises of it. The full version is available on the album London 1966/1967 (Snapper SMACD924X).
The song was a staple of Pink Floyd's live shows throughout the late-1960s; the last ever performance took place on the 21 November 1970 in Montreux, Switzerland. The 40th anniversary edition of The Piper at the Gates of Dawn contains two different, five-minute-long versions of the song.
An especially powerful version of "Interstellar Overdrive" was rumoured to have been cut from the Ummagumma live album. Tapes of this performance may still exist.
Auteur : Revan0357
Tags: Pink Floyd 1967 The Piper at the Gates of Dawn
| | Pink Floyd-Interstellar Overdrive - 581 sec
Copyright Wikipedia.
"Interstellar Overdrive" is a psychedelic composition by Pink Floyd, which appears on their 1967 debut album The Piper at the Gates of Dawn at almost ten minutes in length. An earlier, longer recording can be heard on the soundtrack to the film Tonite Let's All Make Love in London, which was released in the same year. Other versions of the track appear on various bootleg recordings.
Like the Paul Butterfield Blues Band's slightly earlier song "East-West," "Interstellar Overdrive" was one of the very first psychedelic instrumental improvisations recorded by a rock band. It was seen as Pink Floyd's first foray into space rock (along with "Astronomy Domine"), although band members would later disparage this term. Despite its encapsulation of their concert repertoire under the leadership of guitarist and composer Syd Barrett, the long, improvisational, freeform structure of the piece is not particularly representative of the group's recorded output. As drummer Nick Mason states in his book Inside Out: A Personal History of Pink Floyd, live versions of the song featured many sections that did not appear on the album, and would often last more than 20 minutes. During the band's days playing in residence at London underground clubs such as the UFO (Underground Freak Out), the song usually opened their show. It occupied other positions, including the encore, until it was retired from the band's setlist in 1970.
Syd Barrett - guitar
Richard Wright - organ
Roger Waters - bass guitar
Nick Mason - drums, percussion
Auteur : FabioSici
Tags: Pink Floyd Interstellar Overdrive Syd Barrett Roger Waters Rick Wright Nick Mason 1967 The Piper at the Gates of Dawn
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