| Gilels plays Rachmaninoff Prelude Op. 23 No. 5 - 249 sec
This prelude is awesome :)
Auteur : Sissco
Tags:Rachmaninoff Rachmaninov Gilels Prelude Piano Classic
 | | Gilels plays Brahms: Paganini Variations Book 1 (1/2) - 389 sec
Gilels plays Brahms: Paganini Variations Book 1 (1/2)
Auteur : KlassikFan2007
Tags: Emil Gilels Brahms Paganini Variations Book piano Klavier pianist Гилельс Брамс Паганини
| | Gilels plays Rachmaninoff Op. 3 No. 2 In C Sharp Minor - 247 sec
A true masterwork. I have seen and heard many recordings of this piece and I must say there are just 2 or 3 of them that I like.
And this recording...Don't like it again. I think he plays the "vocal notes" in the beginning, if you know what I mean, way to hard. But that is just my opnion of course...enjoy :D
Oh and for a really good performance have a look here: http://www.icarus3.com/download.php?view.9
I love it :D
Auteur : Sissco
Tags:Rachmaninoff Rachmaninov Prelude Piano Classic Gilels
| | Gilels plays Beethoven Sonata Op. 26 - 155 sec
Last movement: Allegro
Auteur : Sissco
Tags:Gilels Allegro Beethoven Sonata Piano Classic Movement
| | Emil Gilels plays Balakirev «Islamey» - 458 sec
Mily Balakirev
«Islamey», Oriental fantasy
Live recording
Auteur : truecrypt
Tags: gilels balakirev islamey piano classical
| | GILELS plays Chopin - Polonaise in A flat major ( As - Dur ) Op. 53 - 506 sec
GILELS plays Chopin - Polonaise in A flat major Op. 53 "Heroique" As - Dur
Auteur : jaaroosh
Tags: Emil Gilels Frederic Chopin Fryderyk Flat Major As Dur Polonaise Polonez Heroic Heroique Piano Classical Klasyka
| | Gilels plays Scriabin: Etude op.2 no. 1 - 157 sec
The great Emil Gilels plays Scriabin: Etude op.2 no. 1
A counterpart to Horowitz' wonderful interpretation ;-)
Auteur : KlassikFan2007
Tags: classical Gilels Emil Guilels Scriabin Scriabine etude piano pianist Эмиль Гилельс Скрябин этюд
| | Gilels plays Beethoven Sonata Op. 26 - 515 sec
First Movement: Variations
Auteur : Sissco
Tags:Gilels Piano Beethoven Marcia Funebre Sonata Movement Allegro Classic
| | Brahms - Emil Gilels, Ballade Op.10 No. 1 in D minor - 291 sec
(Moscow, 27 december 1977)
Emil Grigoryevich Gilels (Ukrainian: Емі́ль Григо́рович Гі́лельс, Russian: Эми́ль Григо́рьевич Ги́лельс, Emi'li Grego'rievič Gi'lelis; October 19, 1916 October 14, 1985) was a Soviet pianist, widely considered to be one of the greatest pianists of the 20th century. His last name is sometimes transliterated Hilels.
Gilels was born in Odessa (now part of Ukraine). He began studying the piano at the age of five[3] under Yakov Tkach, who was a student of the French pianists Raoul Pugno[4] and Alexander Villoing[3] Thus, through Tkach, Gilels had a pedagogical genealogy stretching back to Chopin, via Pugno, and to Muzio Clementi, via Villoing. Tkach was a stern disciplinarian who emphasized scales and studies. Gilels later credited this strict training for establishing the foundation of his technique.[3]
Gilels made his public debut at the age of 12 in June 1929 with a well-received program of Beethoven, Scarlatti, Chopin, and Schumann.[3] In 1930, Gilels entered the Odessa Conservatory where he was coached by Berta Reingbald, whom Gilels credited as a formative influence.
After graduating from the Odessa Conservatory (Ukraine) in 1935 , he moved to Moscow where he studied under the famous piano teacher Heinrich Neuhaus until 1937.
A year later he was awarded first prize at the 1938 Ysaÿe International Festival in Brussels by a distinguished jury whose members included Arthur Rubinstein, Samuil Feinberg, Emil von Sauer, Ignaz Friedman, Walter Gieseking, Robert Casadesus, and Arthur Bliss.[5] His winning performances were of both volumes of the Brahms-Paganini variations, and the Liszt-Busoni Fantasie on Two Motives from Mozart's "Marriage of Figaro". The other competitors included Moura Lympany in second place, and Arturo Benedetti Michelangeli in seventh place.[6]
Following his triumph at Brussels, a scheduled American debut at the 1939 New York World's Fair was aborted due to the outbreak of the Second World War.
During the War, Gilels entertained Soviet troops with morale-boosting open-air recitals on the frontline, of which film archive footage exists.[7]
In 1945, he formed a chamber music trio with his brother-in-law, the violinist Leonid Kogan and the cellist Mstislav Rostropovich.
After the war, he toured the Soviet Bloc countries of Eastern Europe as a soloist. He also gave two-piano recitals with Yakov Flier, as well as concerts with his violinist sister, Elizaveta.
Gilels was one of the first Soviet artists, along with David Oistrakh, allowed to travel and concertize in the West. His delayed American debut in 1955 playing Tchaikovsky's Piano Concerto No. 1 in Philadelphia with Eugene Ormandy was a great success. His British debut in 1959 met with similar acclaim.
In 1952, he became a professor at the Moscow Conservatory, where his students included Valery Afanassiev[1] and Felix Gottlieb[2]. He presided over the International Tchaikovsky Competition for many years, and as chair of the jury awarded first prize to Van Cliburn at the sensational inaugural event in 1958.
He made his Salzburg Festival debut in 1969 with a piano recital of Weber, Prokofiev and Beethoven at the Mozarteum, followed by a performance of Beethoven's Third Piano Concerto with George Szell and the Vienna Philharmonic Orchestra.
In 1981, he suffered a heart attack after a recital at the Concertgebouw in Amsterdam,[8] and suffered declining health thereafter. He died unexpectedly during a medical checkup in Moscow, only a few days before his 69th birthday. Sviatoslav Richter, who knew Gilels well and was a fellow-student of Neuhaus at the Moscow Conservatory, believed that he was killed accidentally when an incompetent doctor at the Kremlin hospital gave him the wrong injection during a routine checkup.
Gilels is universally admired for his superb technical control and burnished tone.[10]
He had an extensive repertoire, from Baroque to Late Romantic and 20th Century Classical composers. His interpretations of the central German-Austrian classics formed the core of his repertoire, in particular Beethoven, Brahms, and Schumann; but he was equally illuminative with Scarlatti, Bach, as well as with twentieth-century music like Debussy, Bartók, and Prokofiev. His Liszt was also first-class, and his recordings of the Hungarian Rhapsody nº 6 and the Sonata in B minor have acquired classic status in some circles.[11]
Gilels premiered Sergei Prokofiev's Piano Sonata No. 8, dedicated to Mira Mendelssohn, on December 30, 1944, in the Great Hall of the Moscow Conservatory.[12]
He was in the midst of completing a recording cycle of Beethoven's piano sonatas for the German record company Deutsche Grammophon when he died. His recording of the "Hammerklavier" sonata received a Gramophone Award in 1984.
(Wikipedia)
Auteur : Stravinskij0
Tags: emil gilels brahms ballata ballade opus 10 numero re minore mosca 1977 27 dicembre
| | Schumann - Emil Gilels, 4 Klavierstucke Op. 32 - I - 261 sec
Scherzo in B flat minor
(Moscow, 27 december 1977)
Emil Grigoryevich Gilels (Ukrainian: Емі́ль Григо́рович Гі́лельс, Russian: Эми́ль Григо́рьевич Ги́лельс, Emi'li Grego'rievič Gi'lelis; October 19, 1916 October 14, 1985) was a Soviet pianist, widely considered to be one of the greatest pianists of the 20th century. His last name is sometimes transliterated Hilels.
Gilels was born in Odessa (now part of Ukraine). He began studying the piano at the age of five[3] under Yakov Tkach, who was a student of the French pianists Raoul Pugno[4] and Alexander Villoing[3] Thus, through Tkach, Gilels had a pedagogical genealogy stretching back to Chopin, via Pugno, and to Muzio Clementi, via Villoing. Tkach was a stern disciplinarian who emphasized scales and studies. Gilels later credited this strict training for establishing the foundation of his technique.[3]
Gilels made his public debut at the age of 12 in June 1929 with a well-received program of Beethoven, Scarlatti, Chopin, and Schumann.[3] In 1930, Gilels entered the Odessa Conservatory where he was coached by Berta Reingbald, whom Gilels credited as a formative influence.
After graduating from the Odessa Conservatory (Ukraine) in 1935 , he moved to Moscow where he studied under the famous piano teacher Heinrich Neuhaus until 1937.
A year later he was awarded first prize at the 1938 Ysaÿe International Festival in Brussels by a distinguished jury whose members included Arthur Rubinstein, Samuil Feinberg, Emil von Sauer, Ignaz Friedman, Walter Gieseking, Robert Casadesus, and Arthur Bliss.[5] His winning performances were of both volumes of the Brahms-Paganini variations, and the Liszt-Busoni Fantasie on Two Motives from Mozart's "Marriage of Figaro". The other competitors included Moura Lympany in second place, and Arturo Benedetti Michelangeli in seventh place.[6]
Following his triumph at Brussels, a scheduled American debut at the 1939 New York World's Fair was aborted due to the outbreak of the Second World War.
During the War, Gilels entertained Soviet troops with morale-boosting open-air recitals on the frontline, of which film archive footage exists.[7]
In 1945, he formed a chamber music trio with his brother-in-law, the violinist Leonid Kogan and the cellist Mstislav Rostropovich.
After the war, he toured the Soviet Bloc countries of Eastern Europe as a soloist. He also gave two-piano recitals with Yakov Flier, as well as concerts with his violinist sister, Elizaveta.
Gilels was one of the first Soviet artists, along with David Oistrakh, allowed to travel and concertize in the West. His delayed American debut in 1955 playing Tchaikovsky's Piano Concerto No. 1 in Philadelphia with Eugene Ormandy was a great success. His British debut in 1959 met with similar acclaim.
In 1952, he became a professor at the Moscow Conservatory, where his students included Valery Afanassiev[1] and Felix Gottlieb[2]. He presided over the International Tchaikovsky Competition for many years, and as chair of the jury awarded first prize to Van Cliburn at the sensational inaugural event in 1958.
He made his Salzburg Festival debut in 1969 with a piano recital of Weber, Prokofiev and Beethoven at the Mozarteum, followed by a performance of Beethoven's Third Piano Concerto with George Szell and the Vienna Philharmonic Orchestra.
In 1981, he suffered a heart attack after a recital at the Concertgebouw in Amsterdam,[8] and suffered declining health thereafter. He died unexpectedly during a medical checkup in Moscow, only a few days before his 69th birthday. Sviatoslav Richter, who knew Gilels well and was a fellow-student of Neuhaus at the Moscow Conservatory, believed that he was killed accidentally when an incompetent doctor at the Kremlin hospital gave him the wrong injection during a routine checkup.
Gilels is universally admired for his superb technical control and burnished tone.[10]
He had an extensive repertoire, from Baroque to Late Romantic and 20th Century Classical composers. His interpretations of the central German-Austrian classics formed the core of his repertoire, in particular Beethoven, Brahms, and Schumann; but he was equally illuminative with Scarlatti, Bach, as well as with twentieth-century music like Debussy, Bartók, and Prokofiev. His Liszt was also first-class, and his recordings of the Hungarian Rhapsody nº 6 and the Sonata in B minor have acquired classic status in some circles.[11]
Gilels premiered Sergei Prokofiev's Piano Sonata No. 8, dedicated to Mira Mendelssohn, on December 30, 1944, in the Great Hall of the Moscow Conservatory.[12]
He was in the midst of completing a recording cycle of Beethoven's piano sonatas for the German record company Deutsche Grammophon when he died. His recording of the "Hammerklavier" sonata received a Gramophone Award in 1984.
(Wikipedia)
Auteur : Stravinskij0
Tags: emil gilels schumann schuman klavierstucke piano stucke op 32 opus mosca moscow scherzo flat minor min si bemolle
| | Young GILELS plays RAMEAU La rappel des oiseaux - 150 sec
Жан Филипп Рамо - Jean-Philippe Rameau
Перекличка птиц - La rappel des oiseaux
Emil Gilels - Э. Г. Гилельс
(1916 - 1985)
Early record
1930s
Auteur : EvaHartwig
Tags: Classical piano virtuoso klavier rameau рамо rappel des oiseaux перекличка птиц 1930 gilels гилельс эмиль григорьевич
| | Young Gilels plays Chopin Ballade in G Minor, Op. 23 - 489 sec
Rercorded 1934-1938
Auteur : truecrypt
Tags: emil gilels chopin ballade piano
| | Scarlatti: Sonata in B minor, K. 27 (L. 449) - Gilels - 296 sec
Emil Gilels Plays Domenico Scarlatti's Sonata for keyboard in B minor, K. 27 (L. 449)
Auteur : liszt111
Tags: Classical Baroque Piano Domenico Scarlatti Sonata K.27 L.449 Emil Gilels
| | Gilels plays Rachmaninov: Vocalise op.34 no.14 - 365 sec
The great Russian pianist Emil Gilels plays Richardson's transcription of Sergei Rachmaninov's Vocalise op.34 no.14
From the recital at the Great Hall of the Moscow Conservatoire
Auteur : KlassikFan2007
Tags: classical Rachmaninov Rachmaninoff Vocalise Emil Gilels piano pianist Richardson Рахманинов Гилельс вокализ Ричардсон
| | Gilels plays Scarlatti two Sonatas - 545 sec
Domenico Scarlatti (1685-1757):
Sonata in C# minor K. 247, L. 256
Sonata in A major K. 533, L. 395
Emil Gilels, piano
Recorded in 1957.
Auteur : pianopera
Tags: Domenico Scarlatti piano keyboard klavier Sonata Essercizi K247 K533 L256 L395 Emil Gilels historic recording
| | Prokofiev - Gilels - Sonata Op.28 No. 3 - 393 sec
Emil Gilels giving a wonderful performance of Prokofiev's Sonata no 3, op. 28.
Auteur : Akkordi
Tags:Prokofiev Sonata Emil Gilels Piano
| | Gilels plays the Prelude in B minor (Bach / Siloti) - 201 sec
Emil Gilels plays the Prelude in B minor (Bach / Siloti)
From the recital at the Great Hall of the Moscow Conservatory
I didn't find this on youtube so I decided to share this wonderful masterpiece in the hands of a most wonderful artist of the piano...
Auteur : KlassikFan2007
Tags: classical Bach Siloti Emil Gilels Guilels prelude piano pianist Бах Зилоти Эмиль Гилельс прелюдия
| | Brahms - Emil Gilels, Ballade Op.10 No. 2 in F# minor - 411 sec
(Moscow, 27 december 1977)
Emil Grigoryevich Gilels (Ukrainian: Емі́ль Григо́рович Гі́лельс, Russian: Эми́ль Григо́рьевич Ги́лельс, Emi'li Grego'rievič Gi'lelis; October 19, 1916 October 14, 1985) was a Soviet pianist, widely considered to be one of the greatest pianists of the 20th century. His last name is sometimes transliterated Hilels.
Gilels was born in Odessa (now part of Ukraine). He began studying the piano at the age of five[3] under Yakov Tkach, who was a student of the French pianists Raoul Pugno[4] and Alexander Villoing[3] Thus, through Tkach, Gilels had a pedagogical genealogy stretching back to Chopin, via Pugno, and to Muzio Clementi, via Villoing. Tkach was a stern disciplinarian who emphasized scales and studies. Gilels later credited this strict training for establishing the foundation of his technique.[3]
Gilels made his public debut at the age of 12 in June 1929 with a well-received program of Beethoven, Scarlatti, Chopin, and Schumann.[3] In 1930, Gilels entered the Odessa Conservatory where he was coached by Berta Reingbald, whom Gilels credited as a formative influence.
After graduating from the Odessa Conservatory (Ukraine) in 1935 , he moved to Moscow where he studied under the famous piano teacher Heinrich Neuhaus until 1937.
A year later he was awarded first prize at the 1938 Ysaÿe International Festival in Brussels by a distinguished jury whose members included Arthur Rubinstein, Samuil Feinberg, Emil von Sauer, Ignaz Friedman, Walter Gieseking, Robert Casadesus, and Arthur Bliss.[5] His winning performances were of both volumes of the Brahms-Paganini variations, and the Liszt-Busoni Fantasie on Two Motives from Mozart's "Marriage of Figaro". The other competitors included Moura Lympany in second place, and Arturo Benedetti Michelangeli in seventh place.[6]
Following his triumph at Brussels, a scheduled American debut at the 1939 New York World's Fair was aborted due to the outbreak of the Second World War.
During the War, Gilels entertained Soviet troops with morale-boosting open-air recitals on the frontline, of which film archive footage exists.[7]
In 1945, he formed a chamber music trio with his brother-in-law, the violinist Leonid Kogan and the cellist Mstislav Rostropovich.
After the war, he toured the Soviet Bloc countries of Eastern Europe as a soloist. He also gave two-piano recitals with Yakov Flier, as well as concerts with his violinist sister, Elizaveta.
Gilels was one of the first Soviet artists, along with David Oistrakh, allowed to travel and concertize in the West. His delayed American debut in 1955 playing Tchaikovsky's Piano Concerto No. 1 in Philadelphia with Eugene Ormandy was a great success. His British debut in 1959 met with similar acclaim.
In 1952, he became a professor at the Moscow Conservatory, where his students included Valery Afanassiev[1] and Felix Gottlieb[2]. He presided over the International Tchaikovsky Competition for many years, and as chair of the jury awarded first prize to Van Cliburn at the sensational inaugural event in 1958.
He made his Salzburg Festival debut in 1969 with a piano recital of Weber, Prokofiev and Beethoven at the Mozarteum, followed by a performance of Beethoven's Third Piano Concerto with George Szell and the Vienna Philharmonic Orchestra.
In 1981, he suffered a heart attack after a recital at the Concertgebouw in Amsterdam,[8] and suffered declining health thereafter. He died unexpectedly during a medical checkup in Moscow, only a few days before his 69th birthday. Sviatoslav Richter, who knew Gilels well and was a fellow-student of Neuhaus at the Moscow Conservatory, believed that he was killed accidentally when an incompetent doctor at the Kremlin hospital gave him the wrong injection during a routine checkup.
Gilels is universally admired for his superb technical control and burnished tone.[10]
He had an extensive repertoire, from Baroque to Late Romantic and 20th Century Classical composers. His interpretations of the central German-Austrian classics formed the core of his repertoire, in particular Beethoven, Brahms, and Schumann; but he was equally illuminative with Scarlatti, Bach, as well as with twentieth-century music like Debussy, Bartók, and Prokofiev. His Liszt was also first-class, and his recordings of the Hungarian Rhapsody nº 6 and the Sonata in B minor have acquired classic status in some circles.[11]
Gilels premiered Sergei Prokofiev's Piano Sonata No. 8, dedicated to Mira Mendelssohn, on December 30, 1944, in the Great Hall of the Moscow Conservatory.[12]
He was in the midst of completing a recording cycle of Beethoven's piano sonatas for the German record company Deutsche Grammophon when he died. His recording of the "Hammerklavier" sonata received a Gramophone Award in 1984.
(Wikipedia)
Auteur : Stravinskij0
Tags: emil gilels brahms ballata ballade opus 10 numero fa diesis minore mosca 1977 27 dicembre moscow
| | Emil Gilels plays Schumann Symphonic Etudes, Op13 - 637 sec
Part I
# Theme - Andante
Etude 1 (Variation 1) - Un poco più vivo
Etude II (Variation 2) - Andante
Etude III - Vivace
Etude IV (Variation 3) - Allegro marcato
Etude V (Variation 4) - Scherzando
Auteur : truecrypt
Tags: gilels schumann symphonic etudes piano classical
| | Brahms - Emil Gilels, Ballade Op.10 No 3 in B minor - 259 sec
(Moscow, 27 december 1977)
Emil Grigoryevich Gilels (Ukrainian: Емі́ль Григо́рович Гі́лельс, Russian: Эми́ль Григо́рьевич Ги́лельс, Emi'li Grego'rievič Gi'lelis; October 19, 1916 October 14, 1985) was a Soviet pianist, widely considered to be one of the greatest pianists of the 20th century. His last name is sometimes transliterated Hilels.
Gilels was born in Odessa (now part of Ukraine). He began studying the piano at the age of five[3] under Yakov Tkach, who was a student of the French pianists Raoul Pugno[4] and Alexander Villoing[3] Thus, through Tkach, Gilels had a pedagogical genealogy stretching back to Chopin, via Pugno, and to Muzio Clementi, via Villoing. Tkach was a stern disciplinarian who emphasized scales and studies. Gilels later credited this strict training for establishing the foundation of his technique.[3]
Gilels made his public debut at the age of 12 in June 1929 with a well-received program of Beethoven, Scarlatti, Chopin, and Schumann.[3] In 1930, Gilels entered the Odessa Conservatory where he was coached by Berta Reingbald, whom Gilels credited as a formative influence.
After graduating from the Odessa Conservatory (Ukraine) in 1935 , he moved to Moscow where he studied under the famous piano teacher Heinrich Neuhaus until 1937.
A year later he was awarded first prize at the 1938 Ysaÿe International Festival in Brussels by a distinguished jury whose members included Arthur Rubinstein, Samuil Feinberg, Emil von Sauer, Ignaz Friedman, Walter Gieseking, Robert Casadesus, and Arthur Bliss.[5] His winning performances were of both volumes of the Brahms-Paganini variations, and the Liszt-Busoni Fantasie on Two Motives from Mozart's "Marriage of Figaro". The other competitors included Moura Lympany in second place, and Arturo Benedetti Michelangeli in seventh place.[6]
Following his triumph at Brussels, a scheduled American debut at the 1939 New York World's Fair was aborted due to the outbreak of the Second World War.
During the War, Gilels entertained Soviet troops with morale-boosting open-air recitals on the frontline, of which film archive footage exists.[7]
In 1945, he formed a chamber music trio with his brother-in-law, the violinist Leonid Kogan and the cellist Mstislav Rostropovich.
After the war, he toured the Soviet Bloc countries of Eastern Europe as a soloist. He also gave two-piano recitals with Yakov Flier, as well as concerts with his violinist sister, Elizaveta.
Gilels was one of the first Soviet artists, along with David Oistrakh, allowed to travel and concertize in the West. His delayed American debut in 1955 playing Tchaikovsky's Piano Concerto No. 1 in Philadelphia with Eugene Ormandy was a great success. His British debut in 1959 met with similar acclaim.
In 1952, he became a professor at the Moscow Conservatory, where his students included Valery Afanassiev[1] and Felix Gottlieb[2]. He presided over the International Tchaikovsky Competition for many years, and as chair of the jury awarded first prize to Van Cliburn at the sensational inaugural event in 1958.
He made his Salzburg Festival debut in 1969 with a piano recital of Weber, Prokofiev and Beethoven at the Mozarteum, followed by a performance of Beethoven's Third Piano Concerto with George Szell and the Vienna Philharmonic Orchestra.
In 1981, he suffered a heart attack after a recital at the Concertgebouw in Amsterdam,[8] and suffered declining health thereafter. He died unexpectedly during a medical checkup in Moscow, only a few days before his 69th birthday. Sviatoslav Richter, who knew Gilels well and was a fellow-student of Neuhaus at the Moscow Conservatory, believed that he was killed accidentally when an incompetent doctor at the Kremlin hospital gave him the wrong injection during a routine checkup.
Gilels is universally admired for his superb technical control and burnished tone.[10]
He had an extensive repertoire, from Baroque to Late Romantic and 20th Century Classical composers. His interpretations of the central German-Austrian classics formed the core of his repertoire, in particular Beethoven, Brahms, and Schumann; but he was equally illuminative with Scarlatti, Bach, as well as with twentieth-century music like Debussy, Bartók, and Prokofiev. His Liszt was also first-class, and his recordings of the Hungarian Rhapsody nº 6 and the Sonata in B minor have acquired classic status in some circles.[11]
Gilels premiered Sergei Prokofiev's Piano Sonata No. 8, dedicated to Mira Mendelssohn, on December 30, 1944, in the Great Hall of the Moscow Conservatory.[12]
He was in the midst of completing a recording cycle of Beethoven's piano sonatas for the German record company Deutsche Grammophon when he died. His recording of the "Hammerklavier" sonata received a Gramophone Award in 1984.
(Wikipedia)
Auteur : Stravinskij0
Tags: emil gilels brahms ballata ballade opus 10 numero si minore mosca 1977 27 dicembre moscow
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