| Nosferatu - Friedrich Wilhelm Murnau - 599 sec
Montage of the Masterpiece by F.W. Murnau on a Archive track, "Waste".
Auteur : carrosse
Tags:cinema montage nosferatu murnau dracula vampire stoker love death hutter ellen orlok
 | | Caspar David Friedrich - 232 sec
Pinturas: Caspar David Friedrich.
Música: "Air en G" de J.S. Bach, interpretado por el grupo chileno "Barroco Andino".
Auteur : lilamagritte
Tags: Lila Calderón Chile Pinturas
| | Friedrich Fledermaus - 150 sec
Liebevolle GUTENACHT-Geschichten für Kinder von 2-6 Jahren als Hörspiele mit Musik auf http://www.tierstimmen.de
Auteur : FriedrichFledermaus
Tags: Friedrich Fledermaus Hörspiel Kinderlieder Naturpädagogik Umweltbildung FriedrichFledermaus Tierstimmen Trickfilm
| | Toshiyuki Miura plays Friedrich Gulda "Aria" - 256 sec
Toshiyuki Miura plays Friedrich Gulda "Aria".
Auteur : buona7
Tags: toshiyuki miura aria friedrich gulda piano 三浦寿之 アリア フリードリッヒ グルダ
| | Human, All Too Human (BBC) - Friedrich Nietzsche: Part 1 - 479 sec
Human, All Too Human (BBC) - Friedrich Nietzsche (6 Parts)
Auteur : Rankoutsider01
Tags:BBC Friedrich Nietzsche Martin Heidegger Kierkegaard Jean Paul Sartre Albert Camus existentialist existential
| | Friedrich Gulda plays Mozart - Fantasy in re minor - 275 sec
footage from a Mozart recital of Friedrich Gulda. This is the Fantasy KV397
Auteur : twotea22
Tags:Friedrich Gulda Mozart Fantasy Piano
| | FRIEDRICH GULDA -So What!?- Pt.5/7 - 587 sec
FRIEDRICH GULDA -So What!?- Pt.5/7
Auteur : opus3863a
Tags:FRIEDRICH GULDA So What documentary piano
| | Friedrich Gulda & Herbie Hancock - Night & Day - 526 sec
Friedrich Gulda and Herbie Hancock playing "Night and Day" during Munich Klaviersommer in 1989.
Auteur : thepianoplayer
Tags:friedrich gulda herbie hancock piano jazz night and day
| | Friedrich Jürgenson Disco - 490 sec
Old favourite from 1983.
This is protoZeBB.
The voices from space are coming
through an ancient tape recorder.
Auteur : diodic
Tags:music exprimental techno electronica jazz zebbacademy bar diodic sweden
| | Next Uri Geller - Nicolai Friedrich - entlarvt - 455 sec
Schnipseltrick aus der Sendung vom 19.2.08 entlarvt.
Auteur : FidelisPictures
Tags: the next uri geller nicolai friedrich pro sieben schnipsel 19.2.
| | Friedrich A. Kittler. European Graduate School EGS 2005 1/6 - 582 sec
http://www.egs.edu/ Friedrich A. Kittler lecturing at European Graduate school. The relation of Art and Techne, covering historic events from the ancient Greek world to todays new media art forms, computer, genesis, mythology, history. European Graduate School, Media Studies Department Program, EGS, Saas-Fee, Switzerland, 2005.
Friedrich A. Kittler, born 1943 in Rochlitz, Saxony, is a literary scientist and a media theorist. His research and work is focusing on media, history, communications, technology, and the military. He worked as visiting assistant professor at several universities in the United States, including the University of California, Berkeley, the University of California, Santa Barbara and Stanford University. From 1986 to 1990, he headed the DFG's Literature and Media Analysis project in Kassel and in 1987 he was appointed Professor of Modern German Studies at the Ruhr University. In 1993 he was appointed to the chair for Media Aesthetics and History at the Humboldt University of Berlin. In 1993, Kittler was awarded the "Siemens Media Arts Prize" (Siemens-Medienkunstpreis) by ZKM Karlsruhe (Zentrum für Kunst und Medientechnologie, or "Centre for Art and Media Technology") for his research in the field of media theory. He was recognized in 1996 as a Distinguished Scholar at Yale University and in 1997 as a Distinguished Visiting Professor at Columbia University in New York. Kittler is a member of the Hermann von Helmholtz Centre for Culture and the research group "Bild Schrift Zahl" ("Picture Writing Number") (DFG).
Kittler sees an autonomy in technology and therefore disagrees with Marshall McLuhan's reading of the media as "extensions of man": "Media are not pseudopods for extending the human body. They follow the logic of escalation that leaves us and written history behind it. He is the author of 2006: Musik und Mathematik. Band 1: Hellas, Teil 1: Aphrodite. Wilhelm Fink Verlag, Paderborn; 2004: Unsterbliche. Nachrufe, Erinnerungen, Geistergespräche. Wilhelm Fink Verlag, Paderborn; 2002: Zwischen Rauschen und Offenbarung. Zur Kultur- und Mediengeschichte der Stimme (as publisher). Akademie Verlag, Berlin; 2002: Optische Medien. Merve: Berlin; 2001: Vom Griechenland (with Cornelia Vismann; Internationaler Merve Diskurs Bd.240). Merve: Berlin; 2000: Nietzsche -- Politik des Eigennamens: wie man abschafft, wovon man spricht (with Jacques Derrida). Berlin; 2000: Eine Kulturgeschichte der Kulturwissenschaft. München; 1999: Hebbels Einbildungskraft -- die dunkle Natur. Frankfurt, New York, Vienna; 1998: Zur Theoriegeschichte von Information Warfare; 1998: Hardware das unbekannte Wesen; 1997: Literature, Media, Information Systems: Essays (published by John Johnston). Amsterdam; 1993: Draculas Vermächtnis: Technische Schriften. Leipzig: Reclam; Essays zu den "Effekten der Sprengung des Schriftmonopols", zu den Analogmedien Schallplatte, Film und Radio sowie "technische Schriften, die numerisch oder algebraisch verfasst sind"; 1991: Dichter -- Mutter -- Kind. Munich; 1990: Die Nacht der Substanz. Bern; 1986: Grammophon Film Typewriter. Berlin: Brinkmann & Bose; (English edition: Gramophone Film Typewriter, Stanford 1999); 1985: Aufschreibesysteme 1800/1900. Fink: Munich; (English edition: Discourse Networks 1800 / 1900, with a foreword by David E. Wellbery. Stanford 1990); 1979: Dichtung als Sozialisationsspiel. Studien zu Goethe und Gottfried Keller (with Gerhard Kaiser). Göttingen; and 1977: Der Traum und die Rede. Eine Analyse der Kommunikationssituation Conrad Ferdinand Meyers. Bern-Munich
Auteur : egsvideo
Tags:Friedrich Kittler art techne nature genesis greek mythology European Graduate School philosophy computer history
| | Friedrich Gulda - Bach Air in D Major (sulla quarta corda!) - 216 sec
Friedrich Gulda plays Bach in between improvisations with Chick Corea..
Auteur : abbjorko
Tags: Friedrich Gulda Bach Chick Corea improvisations Air in
| | Friedrich Schiller [Teil-9-] - 596 sec
Herzog Karl Eugen von Württemberg - Heinrich George
Friedrich von Schiller - Horst Caspar
Reichsgräfin Franziska von Hohenheim - Lil Dagover
Schillers Vater - Friedrich Kayßler
Dichter Schubart - Eugen Klöpfer
Hofmarschall von Silberkalb - Paul Henckels
Der Fremde - Walter Franck
General Rieger - Herbert Hübner
Frau Rieger - Dagny Servaes
Laura - Hannelore Schroth
Feldwebel Riess - Paul Dahlke
Schorsch Riess - Edmund Lorenz
Militärakademie-Schüler Hoven - Hans Quest
Militärakademie-Schüler Scharffenstein - Hans Nielsen
Militärakademie-Schüler Kapff - Fritz Genschow
Militärakademie-Schüler Petersen - Franz Nicklisch
Militärakademie-Schüler Zumsteg - Ernst Schröder
Militärakademie-Schüler Boigeol - Wolfgang Lukschy
weiterer Militärakademie-Schüler - Georg A. Profe
Schillers Mutter - Hildegard Grethe
Christophine Schiller - Lore Hansen
Hauptmann der Militärakademie - Just Scheu
General Augé - Günther Hadank
Schillers Bursche Kronenbitter - Artur Anwander
Professor Abel - Hans Leibelt
Musiker Andreas Streicher - Heinz Welzel
Franz Moor in 'Die Räuber' - Bernhard Minetti
Pastor Moser in 'Die Räuber' - Albert Florath
Lakai Daniel in 'Die Räuber' - Walter Werner
Großfürst Paul - Fritz Eckert
Großfürstin - Herma Relin
Buchhändler Schwan - Lothar Körner
Ochsenwirt Brothag - Friedrich Ettel
Fuhrmann Köberle - Paul Rebstock
Schubarts Zuhörer in der Herberge - Fritz Berghof, Eduard Bornträger, Hermann Gees, Franz Klebusch
Höflinge beim Empfang des Großfürsten - Jens von Hagen, Erik Radolf
Kurier der Festung Hohenasperg - Karl Helge Hofstadt
Lakai - Bruno Paschel
Kammerherr des Herzogs - Ferdinand Terpe
Vater Schillers Begleiter bei der Diplomverteilung - Wolf Trutz
Zuschauer bei der Diplomverteilung - Hugo Welle, Georg Gürtler
Komparse - Vicco von Bülow (Loriot)
Regie: Herbert Maisch
Regie-Assistenz: Walter Steffens
Buch: Walter Wassermann und C. H. Diller nach einer Idee von Paul Josef Cremers
Kamera: Fritz Arno Wagner
Schnitt: Hans Heinrich
Ton: Adolf Jansen
Bauten: Franz Schroedter
Kostüme: Ludwig Hornsteiner
Musik: Herbert Windt
unter Verwendung von Kompositionen von Johann Sebastian Bach
Auteur : Volkwarth
Tags: Friedrich Schiller Theater Aufführung Die Räuber Deutsches Volk Schöpfung Gott Liebe
| | Feuerwerksmusik by Georg Friedrich Händel - 100 sec
Hier sehen sie einen kleinen Experimentalfilm zu Händels Feuerwerksmusik !
Für die Musik habe ich eine Lizenz !
Tags: Fire Work Works Disney Fantasia Fireworks Effects Magic Color Classic Music Klassische Musik,Moldau,kleine,Nachtmusik
ARD ZDF ORF BBC NBC Arte Art Video Paint Painting
Leonardo da Vinci Rembrandt MTV Viva Psychedelic
Bach Rom Paris Animation Surreal Entspannung
Relaxen Relaxing Teleclub Premiere Pay TV Video
New York Times Stern Spiegel Focus classical music videos classicvideo,klassikvideo,klassikvideos,
classicvideos
Auteur : BPanther
Tags: Mozart Beethoven Schubert Korsakov Weingarten Ravensburg Fantasy Firework Lights Colors Krieg Wagner Videopaint Stars
| | More aphorisms from Friedrich Nietzsche - 285 sec
Friedrich Nietzsche Resource:
http://www.geocities.com/thenietzschechannel/ntexteng.htm
§324(The Wanderer and His Shadow)
"To become a thinker.— How can one become a thinker if he does not spend at least a third of the day without passions, people and books?"
§90(Mixed Opinions and Maxims)
"The good and the good conscience.— Do you think that every good thing has always had a good conscience? — Science, which is certainly something good, entered the world without one, and quite destitute of pathos, but did so rather in secret, by crooked and indirect paths, hooded or masked like a criminal and at least always with the feeling of dealing in contraband. The good conscience has as a preliminary stage the bad conscience—the latter is not its opposite: for everything good was once new, consequently unfamiliar, contrary to custom, immoral, and gnawed at the heart of its fortunate inventor like a worm."
§326(The Wanderer and His Shadow)
"Don't touch!— There are terrible people who, instead of solving a problem, bungle it and make it more difficult for all who come after. Whoever can't hit the nail on the head should, please, not hit it at all."
§333(The Wanderer and His Shadow)
"Dying for the "truth."— We should not let ourselves be burnt by our opinions: we are not that sure of them. But perhaps for this: that we may have and change our opinions."
§348(The Wanderer and His Shadow)
"Measure of wisdom.— Growth in wisdom can be measured precisely by decline in bile."
§122(Mixed Opinions and Maxims)
"Good memory.— Many a man fails as an original thinker simply because his memory is too good."
§168(Mixed Opinions and Maxims)
"Praise of aphorisms.— A good aphorism is too hard for the tooth of time and is not consumed by all millennia, although it serves every time for nourishment: this it is the great paradox of literature, the intransitory amid the changing, the food that always remains esteemed, like salt, and never loses its savor, as even that does."
§340(Mixed Opinions and Maxims)
"To one who is praised.— So long as you are praised think only that you are not yet on your own path but on that of another."
§1( Mixed Opinions and Maxims)
"To the disappointed of philosophy.— If you have hitherto believed that life was one of the highest value and now see yourselves disappointed, do you at once have to reduce it to the lowest possible price?"
§1(The Dawn - book 1)
"Rationality ex post facto.— Whatever lives long is gradually so saturated with reason that its irrational origins become improbable. Does not almost every accurate history of the origin of something sound paradoxical and sacrilegious to our feelings? Doesn't the good historian contradict all the time?"
§20(The Dawn - book 1)
"Free-doers and freethinkers.— Free-doers are at a disadvantage compared with freethinkers because people suffer more obviously from the consequences of deeds than from those of thoughts. If one considers, however, that both the one and the other are in search of gratification, and that in the case of the freethinker the mere thinking through and enunciation of forbidden things provides this gratification, both are on an equal footing with regard to motive: and with regard to consequences the decision will even go against the freethinker, provided one does not judge—as all the world does—by what is most immediately and crassly obvious. One has to take back much of the defamation which people have cast upon all those who broke through the spell of a custom by means of a deed—in general, they are called criminals. Whoever has overthrown an existing law of custom has hitherto always first been accounted a bad man: but when, as did happen, the law could not afterwards be reinstated and this fact was accepted the predicate gradually changed;—history treats almost exclusively of these bad men who subsequently became good men!"
§97(The Dawn - book 2)
"One becomes moral—not because one is moral!— Submission to morality can be slavish or vain or self-interested or resigned or obtusely enthusiastic or thoughtless or an act of desperation, like submission to a prince: in itself it is nothing moral."
§101(The Dawn - book 2)
"Doubtful.— To accept a belief just because it is customary—but that means: to be dishonest, to be cowardly, to be lazy!— And do dishonesty, cowardice, and laziness then appear as the presuppositions of morality?"
§123(The Dawn - book 2)
"Reason.— How did reason come into the world? As is fitting, in an irrational manner, by accident. One will have to guess at it as at a riddle."
§236(The Dawn - book 4)
"Punishment.— A strange thing, our punishment! It does not cleanse the criminal, it is no atonement; on the contrary, it pollutes worse than the crime does."
Auteur : PursuitOfReality
Tags: Friedrich Nietzsche aphorisms aphorism Human All Too First Sequel Mixed Opinions and Maxims Dawn Wanderer Second
| | Georg Friedrich Händel - Dixit Dominus - Pars III - 397 sec
Georg Friedrich Händel (1685.1759)
Dixit Dominus, HWV 232:
VI. Dominus a dextris tuis.
Auteur : sealknebrot
Tags: classical religous baroque händel handel motet latin catholic dixit dominus
| | Wassermusik Teil 1 (Water Music) (Georg Friedrich Händel) - 168 sec
Ich habe zum erstenmal ein bisschen mit 3-D und Video herumexperimeniert. Sie sehen Aufnahmen vom Bodensee vermischt mit Videos die ich in 3-D Formen gewandelt habe. Für die Musik habe ich eine Lizenz !
Tags: ARD ZDF ORF Arte Classica BBC NBC Premiere Pay TV Teleclub Star Lights Nature Dreaming Magic Effects Farben Klassik Klassische Classic Animation Paint Videopainting Spring Prag Moldau kleine Nachtmusik Video Videoart Fantasy Painting Fantasia Tiere Natur Nature Stars New York Times Stern Spiegel Focus Mond Moon Dream Dreaming Relaxing Entspannung Youtube Storch Bodensee Störche Wien Salzburg Zeitung Wiener Bregenzer Festspiele Videoclip Piano Klavier,Ravensburg
Auteur : BPanther
Tags: Klassikvideos classicvideos Music Mozart Chopin Wagner Haydn Tschaikovsky Korsakov Verdi Vivaldi Bach Weingarten
| | Langenscheidtcontest - Friedrich-Ebert-Gymnasium- Poker - 260 sec
In diesem Video koennt ihr sehen, dass man Langenscheidt Wörterbücher nicht nur für Wörter nachschlagen benutzen kann :P
Auteur : cronex1
Tags: Langenscheidt Wörterbuch Dictionary Poker FEG Commercials
| | Literarisches Quartett: Friedrich Schiller (6/7) - 525 sec
Zum 200. Todestag von Friedrich Schiller. Die komplette Sendung in sieben Teilen. (ZDF, 29.4.2005)
Auteur : meteor84
Tags:marcel reich ranicki hellmuth karasek iris radisch elke heidenreich friedrich schiller quartett literatur kultur zdf
| | Friedrich Nietzsche on Freedom and Responsibility (Audio) - 596 sec
Friedrich Wilhelm Nietzsche (October 15, 1844 -- August 25, 1900) was a nineteenth-century German philosopher. He wrote critiques of religion, morality, contemporary culture, philosophy, and science, using a distinctive style and displaying a fondness for aphorism. Nietzsche's influence remains substantial within and beyond philosophy, notably in existentialism and postmodernism. His style, and radical questioning of the value and objectivity of truth, raise considerable problems of interpretation, generating an extensive secondary literature in both continental and analytic philosophy. Nonetheless, his key ideas include interpreting tragedy as an affirmation of life, an eternal recurrence that has fallen into numerous interpretations, and a reversal of Platonism.
Nietzsche began his career as a philologist before turning to philosophy. At the age of 24 he became Professor of Classical Philology at the University of Basel, but resigned in 1879 due to health problems, which would plague him for most of his life. In 1889 he exhibited symptoms of a serious mental illness, living out his remaining years in the care of his mother and sister until his death in 1900.
SOURCE: - http://en.wikipedia.org/wiki/Friedrich_Nietzsche
Auteur : Chomskyno1
Tags: Friedrich Nietzsche Philosophy existentialism postmodernism science religion power morality culture
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