| la castañeda - cenit - 211 sec
para todos
Auteur : adrian546456
Tags:cenit
 | | La Castañeda - Transfusión - 221 sec
Video de la Castañeda del album Servicios Generales II del año 1993.
Auteur : chlscholo
Tags:la castañeda castaneda casta transfusion servicios generales ii video album 1993 musica music
| | El Loco - La Castañeda - 219 sec
El Loco - La Castañeda
Auteur : altarazul
Tags:loco castañeda rock mexicano
| | La Castañeda - "Noches de tu Piel" - 310 sec
solo audio de la rola de La Castañeda "Noches de tu Piel"
Auteur : altarazul
Tags:Castañeda Noches Piel Rock Mexicano
| | Cenit - La Castañeda - 299 sec
Lean esto por favor antes de ver el video.
Me gusta mucho esta canción, su letra es de las mejores que he escuchado y por tal motivo quise hacer un video como tributo a esta pieza de la castañeda, ademas de ser el primer video que subo :), espero sea de su agrado. Este video contiene material no apto para niños, ¡no es pornografia!, sencillamente es una interpretacion de lo bella que es la letra y lo que representa para mi.
Espero dejen sus comentarios, cualquier critica me ayudara a mejorar la calidad de los siguientes videos.
Gracias.
Nota: El Material usado en este video, es propiedad de sus respectivos autores y no es usado en momento alguno con fines de lucro.
Auteur : Syberia2015
Tags: cenit castañeda la pasional rock español metal casta zenit
| | TRANSFUCION DE LA CASTAÑEDA - 225 sec
TRANSFUCION DE LA CASTAÑEDA UN CLASICO
Auteur : jivantm
Tags: TRANSFUCION DE LA CASTAÑEDA UN CLASICO rock música del mundo alternativa
| | Leticia Castaneda / sound. at the Schindler House - 545 sec
w/guest David Kendall
Recorded June 30, 2007
Camera: RJ Ward
Editing: Cal Crawford
Produced by SASSAS
Auteur : sassasdotorg
Tags:Leticia Castaneda David Kendall Analog Synthesizer Experimental Music Schindler House SASSAS
| | Carlos Castaneda - 153 sec
CARLOS CASTANEDA: ENIGMA OF A SORCERER
A best-selling Author for 30 years, Carlos Castaneda inspired millions to break free from social dogma, fueling controversy over his work's authenticity and assertions of perceiving non-ordinary reality, during an apprenticeship with Yaqui sorcerer, don Juan Matus. Genius, guru, cult leader or fraud? No one really knows. Over three years in the making, this shocking expose' explores Castaneda's mythic impact, controversial teachings and cult following. Candid interviews backed with dazzling animation and experimental footage offer an intense visual and intellectual experience.
Auteur : IndicanPictures
Tags:magic carlos castaneda sorcerer mystery author new age quantum cult peyote occult Don Juan shaman reality yaqui drugs
| | La Castañeda - Viejo veneno - 204 sec
Uno de los mejores videos de la Castañeda, ganador en la segunda vienal de video (1992) en la categoría de mejor video alternatívo, rescatado de un viejo vhs para toda la banda conocedora.
Auteur : JuniorBuda
Tags: Castañeda el viejo veneno Casta
| | Cuarto Milenio - El enigma Castaneda. (1/5) - 364 sec
"Cuarto Milenio" aborda la vida de un extraño personaje: el antropólogo Carlos Castaneda. Convertido en chamán tras realizar un polémico viaje iniciático, su existencia estuvo marcada por la controversia y la adulación. Para muchos, un farsante; para otros, un genio. Empleaba sus oscuros conocimientos de magia y rituales para modificar la conciencia y la percepción humana. El Doctor en psicología Manuel Almendro y el catedrático Carlos Carabantes serán los guías de excepción en las luces y las sombras de este enigmático individuo.
Auteur : sondegaliza
Tags: cuarto milenio chaman viaje iniciatico Carlos Castaneda antropologo Iker Jimenez indigenas America magia Mexico brujo
| | Pases Mágicos- Carlos Castaneda [1/13] - 471 sec
Pases mágicos individuales
Las series para preparar el intento, parte A, pases magicos individuales (parte 1 de 12).
1. All the magical passes of the six series can be repeated as many times as desired, unless otherwise specified. If they are first done with the left side of the body, they must be repeated an equal number of times with the right side. As a rule, every magical pass of the six series begins with the left side.
2. The feet are kept separate by a distance equivalent to the shoulders' width. This is a balanced way to distribute the weight of the body. If the legs are spread too far apart, the balance of the body is impaired. The same thing happens if they are too close together. The best way to arrive at this distance is to begin from a position where the two feet are close together. The tips of the feet are then pivoted on the fixed heels and opened in a letter V shape. Shifting the weight to the tips of the feet, the heels are pivoted out to the sides an equal distance. The tips of the feet are brought into parallel alignment, and the distance between the feet is roughly the width of the shoulders. Further adjustment may be necessary here in order to reach that desired width and to get the optimal balance of the body.
3. During the execution of all the magical passes of Tensegrity, the knees are kept slightly bent, so that when one is looking down, the kneecaps block the view of the tips of the feet, except in the case of specific magical passes in which the knees have to be locked. Such cases are indicated in the description of those passes. To have the knees locked doesn't mean that the hamstrings are injuriously tense, but rather that they are locked in a gentle way, without unnecessary force.Another issue to consider in reference to the slightly bent knees is that when the legs are moved forward in a kicking motion, the knees are never whipped. Rather, the whole leg should be moved by the tension of the muscles of the thighs. Moving in this fashion, the tendons of the knees are never injured.
4. The back muscles of the legs must be tensed. This is a very difficult accomplishment. Most people can learn quite easily to tense the front muscles of the legs, but the back muscles of the legs still remain flaccid. Don Juan said that the back muscles of the thighs are where personal history is always stored in the body. According to him, feelings find their home there and get stagnant. He maintained that difficulty in changing behavior patterns could be easily attributed to the flaccidity of the back muscles of the thighs.
5. While performing all these magical passes, the arms are always kept slightly bent at the elbows-never fully extended-when they are moved to strike, preventing, in this manner, the tendons of the elbows from becoming irritated.
6. The thumb must always be kept in a locked position, meaning that it is folded over the edge of the hand. It should never stick out. The sorcerers of don Juan's lineage considered the thumb to be a crucial element in terms of energy and function. They believed that at the base of the thumb exist points where energy can become stagnant, and points that can regulate the flow of energy in the body. In order to avoid unnecessary stress on the thumb or injury resulting from jolting the hand forcefully, they adopted the measure of pressing the thumbs against the inside edges of the hands.
Auteur : jonas2789
Tags: Pases mágicos magical passes carlos castañeda castaneda
| | SAMBA SOLO HARP - 164 sec
EDMAR CASTANEDA SOLO HARP LIVE AT SWEET RHYTHM
Auteur : harpist7
Tags:edmar castaneda jazz harpist harp colombia trio
| | Pases Mágicos- Carlos Castaneda [2/13] - 512 sec
El segundo Grupo
Strirring up energy for intent. mezclando la energía para el intento. Segundo grupo de pases magicos de Carlos Castañeda 8).
7. When the hand is made into a fist, the little finger is raised to avoid an angular fist in which the middle, fourth, and fifth fingers droop. The idea is that in making a square fist, the fourth and fifth fingers have to be raised, thus creating a peculiar tension in the axilla, a tension which is most desirable for general well-being.
8. The hands, when they have to be opened, are fully extended. The tendons of the back of the hand are at work, presenting the palm as an even, flat surface. Don Juan preferred a flat palm to counteract the tendency (established, he felt, through socialization) to present the hand as a hollow palm. He said that a hollow palm was the palm of a beggar, and that whoever practices the magical passes is a warrior, not a beggar in the least.
9. When the fingers have to be contracted at the second knuckle and bent tightly over the palm, the tendons on the back of the hand are tensed to the maximum, especially the tendons of the thumb. This tension of the tendons creates a pressure on the wrists and forearms, areas which sorcerers of ancient Mexico believed were key in promoting health and well-being.
10. In many Tensegrity movements, the wrists have to be bent forward or backward to an approximately ninety-degree angle by contracting the tendons of the forearm. This bending must be accomplished slowly, because most of the time the wrist is quite inflexible, and it is important that the wrist acquire the flexibility to turn the back of the hand to make a maximum angle with the forearm.
Auteur : jonas2789
Tags: carlos castañeda castaneda pases magicos magical passes.
| | Pases Mágicos- Carlos Castaneda [3/13] - 62 sec
Sacudiendo la vibración del intento
Como sacudir la vibración del intento, pase qe se puede incluir en los ejercicios de Tensegridad.
11. Another important issue in the practice of Tensegrity is an act which has been termed turning the body on. This is a unique act in which all the muscles of the body, and specifically the diaphragm, are contracted in one instant. The muscles of the stomach and abdomen are jolted, as are the muscles around the shoulders and shoulder blades. The arms and legs are tensed in unison with equal force, but only for an instant. As practitioners of Tensegrity progress in their practice, they can learn to sustain this tension for a while longer.
Turning the body on has nothing to do with the state of perennial bodily tension that seems to be the mark of our times. When the body is tense with preoccupation or overwork, and the muscles of the neck are as hard as they can be, the body is not in any way turned on. Relaxing the muscles or arriving at a state of tranquillity is not turning the body off, either, The idea of the sorcerers of ancient Mexico was that with their magical passes, the body was alerted; it was made to be ready for action. Don Juan Matus termed this condition turning the body on. He said that when the muscular tension of turning the body on ceases, the body is turned off naturally.
12. Breath and breathing were, according to don Juan, of supreme importance for the sorcerers of ancient Mexico. They divided breath into breathing with the tops of the lungs, breathing with the midsection of the lungs, and breathing with the abdomen. Breathing by expanding the diaphragm they called the animal breath, and they practiced it assiduously, don Juan said, for longevity and health.
It was don Juan Matus's belief that many of the health problems of modern man could be easily corrected by deep breathing. He maintained that the tendency of human beings nowadays is to take shallow breaths. One of the aims of the sorcerers of ancient Mexico was to train their bodies, by means of the magical passes, to inhale and exhale deeply.
It is highly recommended, therefore, in the movements of Tensegrity that call for deep inhalations and exhalations, that these be accomplished by slowing down the inflow or outflow of air, in order to make the inhalations and exhalations longer and more profound.
Another important issue concerning the breathing in Tensegrity is that breathing is normal while executing the Tensegrity movements, unless otherwise specified in the description of any given magical pass.
13. Another consideration in performing the Tensegrity movements is the realization that has to come to practitioners that Tensegrity is in essence the interplay between relaxing and tensing the muscles of choice parts of the body in order to arrive at a most coveted physical explosion, which the sorcerers of ancient Mexico knew only as the energy of the tendons. This is a veritable explosion of the nerves and tendons below or at the core of the muscles.
Given that Tensegrity is the tension and relaxation of muscles, the intensity of the muscle tension and the length of time that the muscles are kept in that state, in any given magical pass, depends on the strength of the participant. It is recommended that at the beginning of the practice, the tension be minimal and the length of time as brief as possible. As the body gets warmer, the tension should become greater and the length of time extended, but always in a moderate fashion.
Auteur : jonas2789
Tags: Carlos Castaneda Castañeda Pases Magicos Mágicos Magical Passes
| | Pases Mágicos- Carlos Castaneda [4/13] - 564 sec
El Tercer Grupo
Recolectando energía para el intento.
Auteur : jonas2789
Tags: Carlos Castaneda Castañeda Pases Magicos Mágicos Magical Passes
| | Edmar Castaneda jazz harpist - 97 sec
EDMAR CASTANEDA TRIO , JAZZ HARPIST FROM COLOMBIA
Auteur : harpist7
Tags:edmar castaneda jazz harpist harp colombia trio
| | Pases Mágicos- Carlos Castaneda [9/13] - 306 sec
Instrucción de las Series para preparar el intento.
Grupo 2
Auteur : jonas2789
Tags: Carlos Castaneda Castañeda Pases Magicos Mágicos Magic
| | Pases Mágicos- Carlos Castaneda [10/13] - 466 sec
Respirar es intentar.
Auteur : jonas2789
Tags: Carlos Castaneda Castañeda Pases Magicos Mágicos
| | Pases Mágicos- Carlos Castaneda [12/13] - 428 sec
Las series para preparar el intento.
Forma Larga
Auteur : jonas2789
Tags: Carlos Castaneda Castañeda Pases Magicos Mágicos Magic
| | La Güera - la castañeda - 224 sec
rola de la castañeda con imagenes de las weras -rubias- nicole kidman y scarlett johansson
Auteur : altarazul
Tags:rubia nicole kidman scarlett johansson rock castañeda blonde
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