| Henri Cartier Bresson - 239 sec
da licença, né?
Auteur : dakiidalii
Tags:dalis
 | | Charlie Rose - HENRI CARTIER-BRESSON - 3475 sec
Henri Cartier Bresson, Photographer
Auteur : CharlieRose
Tags:charlie_rose tvshow charlie_rose_archive
| | HENRI CARTIER BRESSON EL FOTOGRAFO - 413 sec
VIDEO DE EL MAESTRO HENRI CARTIE BRESSON CON MUSICA DE ST.GERMAIN
Auteur : enlacemultimedia
Tags:henri cartier bresson short videoclip fotografias photography st.germain musica fotos
| | Masters of Photography - Henri Cartier-Bresson (1/2) - 177 sec
Photography © Henri Cartier-Bresson/Magnum Photos
Henri Cartier-Bresson (1908-2004) was a French photographer considered to be the father of modern photojournalism, an early adopter of 35 mm format, and the master of candid photography. He helped develop the "street photography" style that has influenced generations of photographers that followed.
Trained as a painter, he began his career in photography in 1931 on a trip to the Ivory Coast. He was one of the first photographers to shoot in the 35mm format with a Leica camera, and helped to develop the photojournalistic "street photography" style that influenced generations of photographers to come.
It was there on the Côte d'Ivoire that he contracted blackwater fever, which nearly killed him. Returning to France, Cartier-Bresson recuperated in Marseille in 1931 and deepened his relationship with the Surrealists. He became inspired by a photograph by Hungarian photojournalist Martin Munkacsi
http://artneutre.bitacoras.com/imatges/munkacsi.jpg
Cartier-Bresson said: "The only thing which completely was an amazement to me and brought me to photography was the work of Munkacsi. When I saw the photograph of Munkacsi of the black kids running in a wave I couldn't believe such a thing could be caught with the camera. I said damn it, I took my camera and went out into the street."
The photograph inspired him to stop painting and to take up photography seriously. He explained, "I suddenly understood that a photograph could fix eternity in an instant.". He acquired the Leica camera with 50 mm lens in Marseilles that would accompany him for many years. He described the Leica as an extension of his eye.
Cartier-Bresson is well known for his concept of the "decisive moment" in photography. He defined this moment as "the simultaneous recognition, in a fraction of a second, of the significance of an event as well as of a precise organization of forms which gave that event its proper expression
During his photographic career Cartier-Bresson photographed all over the world - Mexico, Canada, USA, Europe, India, Burma, Pakistan, Indonesia, Africa, Burma, China, Japan, Cuba, and the USSR, among other places. He also photographed many famous personalities and artists of the 20th century, including Matisse, Picasso, Coco Chanel, Truman Capote, and Gandhi. His interest in the visual arts also extended to film - he made films with Jean Renoir, Jacques Becker and André Zvoboda and a documentary on Republican Spain (1937).
During the Second World War Cartier-Bresson was taken prisoner by the Germans and escaped, then photographed the occupation and liberation of France. During this time rumors reached the USA that he had been killed, and the Museum of Modern Art began to prepare a "posthumous" show. Cartier-Bresson later spent a year in the US helping to prepare this show.
In 1947 Cartier-Bresson co-founded the photographic cooperative Magnum along with fellow photographers Robert Capa, George Rodger, David Seymour, Bill Vandivert and others.
Valuing his anonymity as a tool for capturing decisive moments with his camera, Cartier-Bresson did not like to be photographed, and shot with a Leica camera which was smaller, quieter and less intrusive than other cameras.
Cartier-Bresson retired from photography in the early 1970s and by 1975 no longer took pictures other than an occasional private portrait; he said he kept his camera in a safe at his house and rarely took it out. He returned to drawing and painting. After a lifetime of developing his artistic vision through photography, he said, "All I care about these days is painting — photography has never been more than a way into painting, a sort of instant drawing."
Cartier-Bresson is regarded as one of the art world's most unassuming personalities. He disliked publicity and exhibited a ferocious shyness since his days in hiding from the Nazis during World War II. He hated to be photographed and treasured his privacy above all. Photographs of Cartier-Bresson do exist, but they are scant. When he accepted an honorary degree from Oxford University in 1975, he held a paper in front of his face to avoid being photographed. He did recall that he once confided his innermost secrets to a Paris taxi driver, certain that he would never meet the man again.
The Henri Cartier-Bresson Foundation was created by Cartier-Bresson and his wife and daughter in 2002 to preserve and share his legacy.
http://www.henricartierbresson.org/
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Video Interview with Charlie Rose, July 6, 2000
http://www.youtube.com/watch?v=c2mQWi8476I
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Music -- Que reste-t-il de nos amours (what remains of our love?) by Stacey Kent
http://www.staceykent.com/
Auteur : Cybelephotography
Tags: Henri Cartier-Bresson Photograph B&W Magnum Stacey Kent love memory past present youth photo remember
| | Henri Cartier Bresson - Sebastiao Salgado - 275 sec
portfolyo
Auteur : medusashlee
Tags:Henri Cartier Bresson - Sebastiao Salgado
| | Robert Bresson - Pickpocket - 279 sec
Pickpocket
That's just a teaser to help promote Bresson's work. If you want to see the whole movie, please respect the artist/distributor and buy/rent the DVD. Thanks.
Auteur : ropbo
Tags: bresson pickpocket
| | Tarkovsky and Bresson in Cannes (1983) - 141 sec
If you read about Tarkovsky's films you may have run across a description of the 1983 Cannes Film Festival in which his film "Nostalghia" did not get the Golden Palm as he had hoped. His rather short acceptance speech was mentioned at the time. Here you can see the interesting and very un-Oscar-like appearance on stage of Robert Bresson, Andrei Tarkovsky, and Orson Welles.
This clip is from the Dutch 1984 documentary "De weg naar Bresson" by Leo de Boer and Jurriën Rood. It's not available on video, hence the lame quality, but if and when it's available, grab it. It's actually about Robert Bresson - another giant of cinema. UPDATE: the film is out in Spain (Spanish subtitles only), see e.g. http://tinyurl.com/ytps8t or http://tinyurl.com/yrzu2a
Auteur : JanPB
Tags:Tarkovsky Bresson Welles Cannes L'Argent Nostalghia Nostalgia
| | Robert Bresson - 385 sec
A 1960 interview with Robert Bresson from the French television show Cinepanorama
That's just a teaser to help promote Bresson's work.If you want to see the whole movie, please respect the artist/distributor and buy/rent the DVD. Thanks.
Auteur : ropbo
Tags: Bresson pickpocket Cinepanorama
| | Cartier-Bresson par Murat - 247 sec
Une mise en images de l'hommage de Jean-Louis Murat au photographe Henri Cartier-Bresson
Auteur : mhlenoir
Tags:murat cartier-bresson jean-louis_murat
| | Pickpocket, 1959, by Robert Bresson - 258 sec
Last scene.
Auteur : prlosolvidados
Tags: Bresson Pickpocket
| | Masters of Photography - Henri Cartier-Bresson (2/2) - 161 sec
Photojournalism.
Photography © Henri Cartier-Bresson/Magnum Photos
Henri Cartier-Bresson (1908 --2004) was a French photographer considered to be the father of modern photojournalism.
Cartier-Bresson's first photojournalist photos to be published came in 1937 when he covered the coronation of King George VI, for the French weekly Regards. He focused on the new monarch's adoring subjects lining the London streets, and took no pictures of the king.
In spring 1947, Cartier-Bresson, with Robert Capa, David "Chim" Seymour, William "Bill" Vandivert, and George Rodger founded Magnum Photos Magnum's mission was to "feel the pulse" of the times. Magnum aimed to use photography in the service of humanity, and provided arresting, widely viewed images.
Cartier-Bresson achieved international recognition for his coverage of Gandhi's funeral in India in 1948 and the last (1949) stage of the Chinese Civil War. He covered the last six months of the Kuomintang administration and the first six months of the Maoist People's Republic. He also photographed the last surviving Imperial eunuchs in Beijing, as the city was falling to the communists. From China, he went on to Dutch East Indies (now Indonesia), where he documented the gaining of independence from the Dutch.
"Il n'y a rien dans ce monde qui n'ait un moment decisif" ("There is nothing in this world that does not have a decisive moment"). Cartier-Bresson applied this to his photographic style. "Photography is not like painting," Cartier-Bresson told the Washington Post in 1957. "There is a creative fraction of a second when you are taking a picture. Your eye must see a composition or an expression that life itself offers you, and you must know with intuition when to click the camera. That is the moment the photographer is creative," he said. "Oop! The Moment! Once you miss it, it is gone forever."
Cartier-Bresson's photography took him many places on the globe -- China, Mexico, Canada, the United States, India, Japan, Soviet Union and many other countries. He became the first Western photographer to photograph "freely" in the post-war Soviet Union. In 1968, he began to turn away from photography and return to his passion for drawing and painting.
Cartier-Bresson withdrew as a principal of Magnum (which still distributed his photographs) in 1966 to concentrate on portraiture and landscapes.
Cartier-Bresson spent more than three decades on assignment for Life and other journals. He travelled without bounds, documenting some of the great upheavals of the 20th century — the Spanish civil war, the liberation of Paris in 1945, the 1968 student rebellion in Paris, the fall of the Kuomintang in China to the communists, the assassination of Mahatma Gandhi, the Berlin Wall, and the deserts of Egypt. And along the way he paused to document portraits of Sartre, Picasso, Colette, Matisse, Pound and Giacometti
His portfolio at Magnum Photos
http://www.magnumphotos.com/Archive/C.aspx?VP=XSpecific_MAG.PhotographerDetail_VPage&l1=0&pid=2K7O3R14T1LX&nm=Henri%20Cartier%20%2D%20Bresson
http://www.henricartierbresson.org/
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Music -- Bretoña by Carlos Núñez
please, visit his website
http://www.carlos-nunez.com/
Auteur : Cybelephotography
Tags: Henri Cartier-Bresson photojournalism photograph B&W France
| | CARTIER BRESSON - 119 sec
Algunas de las mejores fotografias de uno de los mayores fotografos del siglo XX
Auteur : lagartija90
Tags:Cartier Bresson Manuel Iglesias Carlos Sánchez
| | PICKPOCKET - 1959 - Robert Bresson - 274 sec
Les grands moments de cinéma, "les séquences de ma vie" : Un extrait de Pickpocket, le chef-d'oeuvre absolu de Robert Bresson, réalisé en 1956, la scène de la Gare de Lyon. An extract from Pickpocket, the Robert Bresson's masterpiece, directed in 1959, the scene of the Gare de Lyon.
Auteur : ARoublev68
Tags:Robert Bresson Pickpocket Gare de Lyon
| | Henri Cartier-Bresson / The Impassioned Eye / Trailer - 78 sec
Japanese Trailer of Henri Cartier-Bresson's documentary "The Impassioned Eye".
Auteur : shihlunchang
Tags:Henri Cartier Bresson Magnum Photo Agency Photojournalism
| | Marika Green - Bresson - 214 sec
Extraits de Pickpocket - Bresson (1959)
Musique : The Sound
Auteur : cadetdesaumur
Tags: cinema francais robert bresson marika green pickpocket the sound
| | Henri Cartier Bresson - 301 sec
한 남자의 결정적 순간, Henri Cartier Bresson
Auteur : hoyulc
Tags:photo
| | Henri Cartier Bresson - 173 sec
Henri Cartier-Bresson (August 22, 1908 -- August 3, 2004) was a French photographer considered to be the father of modern photojournalism, an early adopter of 35 mm format, and the master of candid photography. He helped develop the "street" style that has influenced generations of photographers that followed.
Auteur : pyoustaff
Tags: Henri Cartier Bresson modern photojournalism photography French street style photographer
| | Pickpocket - Robert Bresson (1959) - feat. Kassagi - 100 sec
Scène de l'un des chefs d'oeuvre de Bresson, PICKPOCKET, au cours de laquelle on voit le jeune magicien KASSAGI donner une leçon sur l'art du pickpocketisme.
Scene from Bresson's masterpiece in which the then very young magician KASSAGI teaches the main character a few tricks of his art.
Auteur : robhoudin
Tags:pickpocket bresson kassagi manipulation magicien
| | Sobre Robert Bresson e "au hasard balthazar" - 353 sec
Excerto de um programa de televisão francês dedicado a Robert Bresson por ocasião da estreia de "au hasard balthazar"
Auteur : diasfelizes
Tags:Robert Bresson Jean-Luc Godard Louis Malle Marguerite Duras
| | Robert Bresson - Paul Schrader on Pickpocket - 1 - 407 sec
Robert Bresson - Paul Schrader on Pickpocket
Part 1
That's just a teaser to help promote Bresson's work. If you want to see the whole movie, please respect the artist/distributor and buy/rent the DVD. Thanks.
Auteur : ropbo
Tags: bresson
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