| Bhor - Isha Koppikar - 245 sec
SHE IS HOT
Auteur : lilbaybee
Tags:Bhor Isha Koppikar
 | | Jai Mata Di - Bhor Bhai Din Chad Gaya (Meri Ambe) - Chanchal - 321 sec
Bhor Bhai Din Chad Gaya (Meri Ambe) - Narendra Chanchal - Maa Ambaji Sherawali Navratri Aarti
Auteur : durgadevotee
Tags: Durga Devi Kaali Kali Vaishno Chintpurni Maa Ma Mata Santoshi Laxmi Ambe Punjabi Jwala Jai Chanchal Desi JwalaJi Arti
| | SATYAM SHIVAM SUNDERAM - BHOR BHAYE PANGHAT PE - 274 sec
FILM - SATYAM SHIVAM SUNDERAM
CAST : SHSHI KAPOOR. ZEENAT AMAN,
MUSIC : LAXMIKANT PYARELAL
LYRICS : ANAND BAKSHI
SINGER : LATA MANGESHKAR
R.K.FILMS
Auteur : Ajit45555
Tags: SATYAM SHIVAM SUNDERAM BHOR BHAYE PANGHAT PE SHSHI KAPOOR. ZEENAT AMAN LAXMIKANT PYARELAL R.K.FILMS LATA
| | bhor bhaye zeenat amaan sexy item - 361 sec
bhor bhaye zeenat amaan sexy item sexy icon of 1980s of bollywood india!
Auteur : mamu2006
Tags:bhor bhaye zeenat amaan sexy item
| | Anwesha - Bhor Bhaye Panghat Pe (SVOI Chhote Ustaad) - 319 sec
Superb performance by Anwesha singing "Bhor Bhaye Panghat Pe" from the film Satyam Shivam Sundaram on SVOI Chhote Ustaad (4 April, with guest Bipasha Basu)
Auteur : cosmoramic
Tags: anwesha anvesha star voice of india chhote ustaad
| | Bhor Aayi Gaya Adhiyara - 517 sec
Nice song from Bawarchi... Nice movie... for psitive thinking and living
Auteur : metbsrao
Tags:Bawarchi
| | Bhor Aaayee Gaya Andhiyaara - Bawarchi - 1972 - 479 sec
A wonderful classical song from Bawarchi as a family event where every member of the central family of the movie contributed in some or the other form
Auteur : vivedsen
Tags: Bawarchi Rajesh Khanna Jaya Bhaduri Hrishikesh Mukherjee
| | Bhor Bandish Project - 245 sec
Bhor Remix video featuring Isha Koppikar
Auteur : indianmodels
Tags:Bhor Bandish Project Isha Koppikar remix Bollywood actress
| | Exculsive:Muslim- bhor Zan9a 2008 - 292 sec
zan9a flow 9achela muslim jib l3eze wla khze fuck bigg kachela muslim rap
Auteur : chliwda
Tags: Exculsive:Muslim- zan9a flow bhor Zan9a 2008
| | Bhor bhai din chad gaya meri ambey Mata ki Chowki USA vol 14 - 384 sec
Beena Bajwa a devotee from PA and maternal aunt of Prachi & Surya.
Mata ki Chowki with the blessings of almighty Maa Durga by youngest devotees 12 & 9 yrs US born Prachi & Surya to get Maa Durga's blessings for Surya's birthday celebrations Aug 31, 2008.
Prachi & Surya are first as well as youngest in America to sing American National Anthem while playing Harmonium Aug 2007, Prachi is first to recite a Shabad in a Assembly Hall of America (NJ) in March 2006, both are first to recite Goddess Durga Prayer in Sanskrit, Vande Matram and Shabad Kirtan recital Vahe Guru on American TV NJN12 in Aug 2007. Their programme was telecasted by NJN 12 TV 7 times in prime morning & evening hours. They are the youngest US born children who got 1/2 hour to recite Shabad Kirtan in a Gurudwara Sahib of America on 8-17-08 at Gurudwara Sahib Glen Cove in NY. They are also the youngest in America to have devotional CD's Narayan for Bhajans & Ek Omkar for Shabad Kirtan.
US born Prachi & Surya can sing in 4 Languages; Sanskrit, English, Punjabi and Hindi. Prachi plays Harmonium & Violin and Surya Plays Tabla, Punjabi Dhool, Harmonium and recently started learning Saxophone.
Devotional CD's NARAYAN & EK OMKAR
www.soundclick.com/prachisurya
NRI Talent in NJ USA
http://hindtoday.com/videos/ViewVideo...
http://www.flickr.com/photos/28501071...
Auteur : davemakkar
Tags: prachisurya suryaprachi
| | Anwesha - Bhor Bhaye - Star VOI Chhote Ustaad 2008 - 193 sec
Anwesha - Bhor Bhaye Panghat Pe - Star VOI Chhote Ustaad 2008
Music speaks louder than words...Please listen...
Auteur : thevagabondheart
Tags: Anwesha Anvesha Bhor Bhaye Star Voice Chhote Ustaad
| | Ustad Bade Ghulam Ali Khan - Bhor Bhai - Thumri - 195 sec
A thumri in Raag Gurjari Todi, Drut, Teentaal
http://video.google.com/videoplay?docid=9166034051968590538
Ustad Bade Ghulam Ali Khansahib inherited the
musical parampara (tradition) of Punjab that
encompassed the Hindu, Muslim and Sikh religions.
Saint Hazrat Bulleh Shah, whose Sufiana Kalam (Sufi song)
is sung even today, was buried in Kasur, Ghulam Ali's
birth place. The shepherds, wandering in the hills,
sang in praise of Hazrath Ali andHussain --
grandsons of Prophet Muhammad --
in melodies akin to classical Indian
ragas. The shabads and qawwalis of the Sikhs
were often based on ancient Dhrupads
and Khayals, again Indian classical ragas.
In the biography of Bade Ghulam Ali Khan,
authors Malti Gulani and Quratulain Haider
have paid a rich tribute to the maestro.
Ghulam Ali's uncle and guru, Ustad Kale Khan,
was himself trained in the Patiala school of music
(Patiala gharana); he taught the young Ustad
simple compositions. In 1911, Ghulam
Ali accompanied Kale Khan to Delhi,
at the age of 9, and watched him
perform at the 'Dilli Darbar'. Thus began
the grooming and development of the
musicalpersonality of the young
disciple, alongside rigorous taleem
(training) under his uncle's baton. Later
after a brief acquaintance with
Lucknow and its highly refined soirees,
Ghulam Ali returned to Lahore with his
father and resumed his nightly riyaaz (practice)
on the banks of the river Ravi. Singing all
night not only developed his stamina, but also
gave him the rare sensitivity to gauge the external
response. In 1932, he lost his wife Allah Jiwai. His
grief, poured into melody, gave birth to the immortal
thumri: Yaad piya ki aye, reflecting the very trauma of his heart.
On arrival in Mumbai in 1940, Ghulam Ali thrived under the
benign patronage of the noted singer Ganga Bai.
A Sufi at heart, he was once greatly moved by the poem
Hari Om Tat Sat, and rendered it musically in the
haunting raga Pahari. Years later, he explained, "God,
Truth and Haq is one. I've Allah in my mind when
I sing these words...Different people
in the world have different names for the Supreme Being
who is 'One'. In 1947, he visited Afghanistan at the invitation
of King Zahir Shah and re-established the splendid
rapport in music between the Afghans and Indians,
where the Afghan string instruments like Rabab and
Santoor were part of the Hindustani ensemble.
Many Indian musical instruments still retain their
Persian roots, such as Tabla, derived from Persian tabla
Sitar meaning seven strings and Dilruba
being a longer version of Sarangi. The Partition in
1947 dealt a severe blow to the composite culture
of the Indian subcontinent. But Ghulam Ali
at a concert organized by Radio Lahore sang
his own composition in raga Mian ki Todi:
Ab Mori Raam / Raam ri Daiyyan (Ram is
my only solace). In 1951, he was invited
by Morarji desai to have Indian citizenship
and sing at concerts all over thecountry.
According to the cognoscenti,
earlier the Ustad's singing was like the
sound of the waterfall striking against the
mountainside and rushing with great force
to mingle with the ocean; now it resembled
the vast ocean itself whose might and
depth was unfathomable! In 1963, Ghulam Ali
shifted to Kolkata where he was frequently
invited to sing before highly appreciative
audiences. He would say: Maharashtrians
are great connoisseurs of classical music, with
their approach being technical and academic.
The exuberance, which the people
of Kolkata show, is characteristic
of their emotional and artistic nature!
It is in Kolkata that he took young Malti Gilani
(singer and later his biographer) as his
gunda-bund shagird (committed disciple).
She has noted how the open house atmosphere
Prevailed at the Ghulam Ali residence --
reminiscent of the Sufi Khanas
and hospices of the Middle Ages.
In such places -- as even in the Dargahs today --
a cauldron of rice was always
being cooked for the traveller and food distributed
to the rich and the poor alike! In this respect,
theSufis of Islam, the Bhaktas of the Vaishnava
cult and the Catholic mystics of the Medieval Europe -
they all shared a similar spirit of tolerance and bonhomie.
After having accomplished a lot,
Ghulam Ali breathed his last in 1968 in Hyderabad --
far away from the green wheat fields of Kasur on the
eastern seaboard of India. That he always took his listeners on
an inward journey of musical understanding and fulfillment
remained true to his last day. This biography
provides an insight not only into the
music of Ustad Bade Ghulam Ali Khan but into the history of
Indian classical music at large. ***
http://www.youtube.com/watch?v=jCrzVnHSYoQ
http://www.youtube.com/watch?v=-ZJlzgs5bUo
http://www.youtube.com/watch?v=IMQtmYUv-ig
Auteur : kishoriray
Tags: world music ustad bade ghulam ali khan indian classical thumri gurjari todi
| | bhor promo vdo - 251 sec
bhor album promo vdo
Auteur : bandishprojekt
Tags:bandish projekt
| | Darshana Menon - Bhor bhayie panghat pey. - 296 sec
Darshana Menon - Bhor bhayie panghat pey.
Auteur : surinderr
Tags: Darshana Menon Bhor bhayie panghat pey. saregamapa challenge 2008 USA
| | Bhor Bhayo Shradha Bhakti Jagaun - 386 sec
Nepali Bhajan by Govind Man Shrestha
NepaliBhajan.com presents Bhor Bhayo
For more songs please visit:
http://nepalibhajan.com
http://movienepal.com
Auteur : movienepal
Tags: country classical world music govind man nepali bhajan movienepal songs
| | BHOR HOTE KAAGA - 222 sec
SONG:BHOR HOTE KAAGA
MUSIC:MADAN MOHAN
LYRICS:MAJROOH SULTANPURI
SINGER:LATA MANGESHKAR
MOVIE:CHIRAG 1969
SUNIL DUTT
ASHA PAREKH
Asha Parekh (October 2, 1942) is a Bollywood actress, director, and producer. She was one of the top stars in Hindi films from 1959 to 1973 and is said to have starred in more hit films than any other actress.
Asha Parekh was born into a middle-class Gujarati household on October 2, 1942 in Santa Cruz, Mumbai to a Hindu father and Muslim mother, but her religious upbringing involved worshiping Sai Baba. Since she was an only child, she became the centre of her parents' lives. Her mother enrolled her in Indian classical dance classes at an early age and Asha excelled at dancing to the point where she performed at stage shows and private functions.
She started her career as a child artiste under the screen name Baby Asha Parekh in the film Aasmaan (1952). Famed film director Bimal Roy saw her dance at a stage function and cast her at the tender age of twelve in Baap Beti (1954). The film's failure disappointed her and even though she did a couple more child roles, she quit to resume her schooling. At sixteen she decided to try acting again and make her debut as a heroine, but she was rejected from Vijay Bhatt's Goonj Uthi Shehnai (1959) in favor of actress Ameeta, because the filmmaker claimed she was not star material. The very next day, film producer Subodh Mukherjee and writer-director Nasir Hussain cast her as the heroine in Dil Deke Dekho (1959) opposite Shammi Kapoor which made her a huge star. The film also led to a long and fruitful association with Hussain. He went on to cast her as the heroine in six more of his films: Jab Pyar Kisi Se Hota Hai (1961), Phir Wohi Dil Laya Hoon (1963), Teesri Manzil (1966), Baharon Ke Sapne (1967), Pyar Ka Mausam (1969), and Caravan (1971). She also did a cameo role for his film Manzil Manzil (1984). He also got her involved in distribution of films for 21 years, starting with Baharon Ke Sapne (1967). She was primarily known as a glamour girl/excellent dancer/tomboy in most of her films, until director Raj Khosla gave her a serious image by casting her in tragedienne roles in three of her favorite films: Do Badan (1966), Chirag (1969), and Main Tulsi Tere Aangan Ki (1978). Director Shakti Samanta gave her more dramatic roles in her other favorite films, Pagla Kahin Ka (1970), and Kati Patang (1970), the latter earned her the Filmfare Best Actress Award. Many important directors repeated her several times in their films, such as Vijay Anand, Mohan Segal and J.P. Dutta.
Asha stopped acting in 1995 to pursue directing and producing television serials, but her acting accomplishments were not forgotten as she received the Filmfare Lifetime Achievement Award in 2002. And she has continued to receive other Lifetime Achievement Awards: Kalakar Award in 2004; International Indian Film Academy Awards in 2006; Pune International Film Festival Award (2007); Ninth Annual Bollywood Award (2007) in Long Island, New York. She received the Living Legend Award from the Federation of Indian Chambers of Commerce and Industry(FICCI).
Asha has remained unmarried, claiming that her reputation of being unapproachable made people hesitate in asking her hand in marriage. There were rumors that she was romantically involved with her married director Nasir Hussain. In her later years, Asha said that she had a longtime boyfriend but declined to elaborate on the relationship, only stating that "it was nice while it lasted." Hussain passed away in 2002.
Today, she concentrates on her dance academy Kara Bhavan, which has produced many skilled dancers. The Asha Parekh Hospital in Santa Cruz, Mumbai is named after her because of her many contributions. Her considerable wealth provides for many of her social and charitable causes.
When asked if she missed having a husband and children, her response was: "I don't think so. There was a time when I did want to get married. I used to love children, I still love children, but now I feel that I am happy I am not married and don't have kids, because I don't think I would have been able to cope up with them
Auteur : jeetendra5
Tags: lata.mangeshkar mohd.rafi madan.mohan majrooh.sultanpuri asha.parekh sunil.dutt
| | Phir Bhor Bhayee - 206 sec
A song composed in Raag Gorakh Kalyan by Ustad Zakir Hussain for the movie Saaz...sung originally by Devki Pandit
Auteur : LakshmiRavishankar
Tags: raag bageshree devki pandit zakir hussain saaz
| | Bhor Bhai Din Chad Gaya (Meri Ambe) - Chanchal. - 322 sec
Bhor Bhai Din Chad Gaya (Meri Ambe) - Chanchal.
Auteur : sanjsanjana
Tags: Bhor Bhai Din Chad Gaya (Meri Ambe) Chanchal.
| | "Bhor Bhaye Panchhi" from Aanchal - 291 sec
Requested by vimohani. Here's a beautiful, classical song from "Aanchal" (1980) which appears immediately after the opening credits, and introduces us to many of the main characters - Shanti (Rakhee), her husband Kishan (Amol Palekar), and her brother-in-law Shambhu (Rajesh Khanna). Sung by Lata Mangeshkar. Lyrics by Majrooh. Music by the late, great R.D. Burman.
Auteur : symaster
Tags: Bhor Bhaye Panchhi Aanchal Lata Mangeshkar Rakhee Amol Palekar Rajesh Khanna Pancham R.D. Burman Bollywood Hindi Indian
| | Jai Mata Di - Bhor Bhai Din Chad Gaya (Version 2) - 292 sec
Bhor Bhai Din Chad Gaya (Version 2)
Auteur : durgadevotee
Tags: Vaishno Maa Devi Arti Durga Sherawali
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